The village of Explosion was founded more than a millennium ago by refugees fleeing a volcanic eruption. But in the post-Mao era the name takes on a new significance as the community grows explosively. Three major families—linked by a complex web of loyalty, betrayal, desire and ambition—are the driving force behind their hometown’s transformation into an urban superpower. Brimming with intelligence and wit, The Explosion Chronicles considers the high stakes of passion and power, the consequences of corruption and greed, the polarising dynamics of love and hate between families, and the seemingly unstoppable excesses of capitalism—it is a smart, flamboyant and poetic tale of ambition, lies and vice from China’s master satirist. Yan Lianke was born in 1958 in Henan Province, China. Text has published his novels Serve the People!, Lenin’s Kisses, Dream of Ding Village and The Four Books. Yan Lianke won the Hua Zhong World Chinese Literature Prize in 2013. He has also won two of China’s most prestigious literary awards: the Lu Xan Prize and the Lao She Award. He lives in Bejing. Translator Carlos Rojas is Associate Professor in the Department of Asian and Middle Eastern Studies at Duke University. His translations include two other novels by Yan Lianke: Lenin’s Kisses and The Four Books.
“A brilliant and harrowing novel” about a deadly epidemic fueled by corruption, based on real-life events in China (Publishers Weekly, starred review). Officially censored upon its Chinese publication, Dream of Ding Village is based on a real-life blood-selling scandal in eastern China. The novel is the result of three years of undercover work by Yan Lianke, who worked as an assistant to a well-known Beijing anthropologist in an effort to study a small village decimated by HIV/AIDS as a result of unregulated blood selling. Whole villages were wiped out with no responsibility taken or reparations paid. Dream of Ding Village focuses on one family, destroyed when one son rises to the top of the party pile as he exploits the situation, while another son is infected and dies. The result is a passionate and steely critique of the rate at which China is developing and what happens to those who get in the way. “Lianke confronts the black market blood trade and the subsequent AIDS epidemic it sparked, in a brilliant and harrowing novel.” —Publishers Weekly, starred review
Yan Lianke's most powerful novel yet. Reminiscent of A Day in the Life of Ivan Denisovich and Darkness at Noon, Yan's mythical tale portrays the grotesque persecution during the Great Leap Forward. In the ninety-ninth district of a labour camp, the Author, Musician, Scholar, Theologian and Technician undergo re-education, to restore their revolutionary zeal. In charge of this process is the Child, who delights in enforcing draconian rules. The Four Books tells the story of one of China's most controversial periods. It also reveals the power of camaraderie, love and faith against oppression in the darkest possible times. Yan Lianke was born in 1958 in Henan Province, China. Text has published his novels Serve the People!, Lenin’s Kisses and Dream of Ding Village, which was shortlisted for the Man Asian Literary Prize. Yan Lianke won the Hua Zhong World Chinese Literature Prize in 2013. He has also won two of China's most prestigious literary awards: the Lu Xan Prize and the Lao She Award. In 2014, he won the Franz Kafka Prize. He lives in Bejing. 'Author Yan's deft satire, comic touches and his endless compassion bring smiles and tears through a journey that swings effortlessly back and forward between the absurd, the real and moments of magic. It is an epic tale of how grand, event if well-meant, plans can be tarnished by greed and unhappiness. It cautions against being consumed by power. Here is a splendid storyteller in the tradition of Jonathan Swift. Yan's writing is masterful, his imagination and his satire soars above the common.' Courier Mail 'Yan's postmodern cartoon of the Communist dream caving to run-amok capitalism is fiendishly clever, in parodying the conventions of fables and historical scholarship. The ghost of another famous dead Russian, Nikolai Gogol, hovers over the proceedings in spirit, if not in economy of means.' New York Times 'Yan at the peak of his absurdist powers. He writes in the spirit of the dissident writer Vladimir Voinovich, who observed that “reality and satire are the same".' New Yorker 'Whimsical and horrifying by turns...a no-holds-barred satirical allegory of recent Chinese history.' Listener, NZ ‘Yan Lianke weaves a passionate satire of today’s China, a marvellous circus where the one-eyed-man is king...Brutal. And wickedly funny.' L'Express ‘Set Rabelais down in the mountains of, say, Xinjiang, mix in some Günter Grass, Thomas Pynchon and Gabriel García Márquez, and you’re in the approximate territory of Lianke’s latest exercise in épatering the powers that be...A satirical masterpiece.’ Kirkus ‘Both a blistering satire and a bruising saga, this epic novel examines the grinding forces of communism and capitalism, and the volatile zone where the two intersect...A heartbreaking story of greed, corruption, and the dangers of utopia.’ Publishers Weekly ‘This epic tragicomedy deftly satirises the exploitation of the Chinese people by greedy, power-hungry and inept officials. Yan Lianke showcases many talents of his own, including brilliant absurdist humour and self-censorship.’ North and South, NZ ‘For once, the hype doesn’t go far enough...a devastating, brilliant slice of history.’ Times ‘Woven together, these “texts” reflect the catastrophe of the times and meditate on the meaning of integrity, truth, love and ethics when confronted with horror...[Lianke] has produced an extraordinary novel.’ Guardian ‘A compelling account of the absurdities of the tragedy that killed an estimated 30 million people.’ North and South
Over the last decade, Yan Lianke has been continually heralded as one of the “best contemporary Chinese writers” (The Independent) and “one of the country’s fiercest satirists” (The Guardian). Among many awards and honors, he has been twice a finalist for the Man Booker International Prize and he was awarded the prestigious Franz Kafka Prize for his impressive body of work. Now, for the first time, his two most acclaimed novellas are being published in English. “Timeless” and “marvelous” (Asian Review of Books), Marrow is a haunting story of a widow who goes to extremes to provide a normal life for her four physically and mentally disabled children. When she finds out that bones “the closer from kin the better” can cure their illnesses and prevent future generations from the same fate, she feeds them a medicinal soup made from the bones of her dead husband. But after running out of bones, she resorts to a measure that only a mother can take. A luminous, moving fable, The Years, Months, Days—a bestselling classic in China and winner of the prestigious Lu Xun Literary Prize—tells of an elderly man who stays in his small village after a terrible drought forces everyone to leave. Unable to make the grueling march through the mountains, he becomes the lone inhabitant, along with a blind dog. Tending to a single ear of corn, and fending off the natural world from overtaking the village, every day is a victory over death. With touches of the fantastical, these two novellas—masterpieces of the form—reflect the universality of mankind’s will to live, live well, and live with purpose.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • NPR • The Guardian • Kirkus Reviews • The fiction of multiple award–winning author China Miéville is powered by intelligence and imagination. Like George Saunders, Karen Russell, and David Mitchell, he pulls from a variety of genres with equal facility, employing the fantastic not to escape from reality but instead to interrogate it in provocative, unexpected ways. London awakes one morning to find itself besieged by a sky full of floating icebergs. Destroyed oil rigs, mysteriously reborn, clamber from the sea and onto the land, driven by an obscure purpose. An anatomy student cuts open a cadaver to discover impossibly intricate designs carved into a corpse’s bones—designs clearly present from birth, bearing mute testimony to . . . what? Of such concepts and unforgettable images are made the twenty-eight stories in this collection—many published here for the first time. By turns speculative, satirical, and heart-wrenching, fresh in form and language, and featuring a cast of damaged yet hopeful seekers who come face-to-face with the deep weirdness of the world—and at times the deeper weirdness of themselves—Three Moments of an Explosion is a fitting showcase for one of literature’s most original voices. Praise for Three Moments of an Explosion “China Miéville is dazzling. His latest collection of short stories, Three Moments of an Explosion, crowds virtuosity into every sentence.”—The New York Times “You can’t talk about [China] Miéville without using the word ‘brilliant.’ . . . His wit dazzles, his humour is lively, and the pure vitality of his imagination is astonishing.”—Ursula K. Le Guin, The Guardian “[A] gripping collection . . . Miéville expertly mixes science fiction, fantasy and surrealism. . . . Amid the longer stories are more cerebral, poetic flash pieces that will haunt the reader beyond the pages of this exceptional book.”—The Washington Post “The stories shine . . . with a winking brilliance.”—The Seattle Times “Mind-bending excursions into the fantastic.”—NPR “Bradbury meets Borges, with Lovecraft gibbering tumultuously just out of hearing.”—Kirkus Reviews (starred review) “Three Moments of an Explosion is a book filled with fabulous oddities.”—Entertainment Weekly “Miéville moves effortlessly among realism, fantasy, and surrealism. . . . His characters, whether ordinary witnesses to extraordinary events or lunatics operating out of inexplicable compulsions, are invariably well drawn and compelling.”—Publishers Weekly (starred review)
'The new masterpiece by eminent Chinese writer Yan Lianke . . . two revolutionaries take matters disastrously into their own hands while conducting a crazed affair' MARGARET ATWOOD on Twitter A breakneck adventure story following the erotic love affair of party cadres Aijun and Hongmei during China's Cultural Revolution This is the story of the freewheeling love affair between married soldier Aijun and Hongmei, a beautiful young woman from his village in the Balou Mountains. Intoxicated with one another, Aijun and Hongmei hurl themselves into their town's revolutionary struggle. Spending their days and nights stamping out feudalism, writing pamphlets and organising rallies, they become inseparable: they are the engines of history. But as their political activity reaches new heights, so does the danger of getting caught... 'A blistering tour-de-force... Sensuous and riveting' MADELEINE THIEN, Booker-shortlisted author of Do Not Say We Have Nothing 'Fascinating... This tale of an illicit tryst during the Cultural Revolution is a stinging satire' The Times **A FINANCIAL TIMES BEST FICTION IN TRANSLATION BOOK 2021**
From the Franz Kafka Prize–winning author. “Full of love, sorrow, and tenderness . . . a deeply heartfelt account of his family in the 1960s and 70s.” —Xiaolu Guo, award-winning author of Nine Continents With lyricism and deep emotion, Yan Lianke chronicles the extraordinary lives of his father and uncles, as well as his own during the Cultural Revolution. Living in a remote village, Yan’s parents are so poor that they can only afford to use wheat flour on New Year and festival days, and while Yan dreams of fried scallion buns, and even steals from his father to buy sesame seed cakes. He yearns to leave the village, however he can, and soon novels become an escape. He resolves to become a writer himself after reading on the back of a novel that its author was given leave to remain in the city of Harbin after publishing her book. In the evenings, after finishing back-breaking shifts hauling stones at a cement factory, sometimes sixteen hours long, he sets to work writing. He is ultimately delivered from the drudgery and danger of manual labor by a career in the Army, but he is filled with regrets as he recalls these years of scarcity, turmoil, and poverty. A philosophical portrait of grief, death, home, and fate that gleams with Yan’s quick wit and gift for imagery, Three Brothers is a personal portrait of a politically devastating period, and a celebration of the power of the family to hold together even in the harshest circumstances. “This engaging book asks readers to consider the nature of life and death, city versus country, and the impact generations can have on each other.” —Winnipeg Free Press
Elizabeth Phoenix once used her unique skills as a psychic to help in the Milwaukee Police Department’s fight against injustice. But when Liz’s foster mother is found viciously murdered—and Liz is discovered unconscious at the scene—her only memory of the crime comes in the form of terrifying dreams...of creatures more horrific than anything Liz has seen in real life. What do these visions mean? And what in the world do they have to do with her former lover, Jimmy Sanducci? While the police question Jimmy in the murder, Jimmy opens Liz’s eyes to a supernatural war that has raged since the dawn of time in which innocent people are hunted by malevolent beings disguised as humans. Only a chosen few have the ability to fight their evil, and Jimmy believes Liz is among them. Now, with her senses heightened, new feelings are rising within Liz—ones that re-ignite her dangerous attraction to Jimmy. But Jimmy has a secret that will rock Liz to her core…and put the survival of the human race in peril.
The ultimate action-fueled end-of-the-world conspiracy trilogy from #1 New York Times bestselling author D.J. MacHale THEY CAME FROM THE SKY parachuting out of military helicopters to invade Tucker Pierce’s idyllic hometown on Pemberwick Island, Maine. They call themselves SYLO and they are a secret branch of the U.S. Navy. SYLO’s commander, Captain Granger, informs Pemberwick residents that the island has been hit by a lethal virus and must be quarantined. Now Pemberwick is cut off from the outside world. Tucker believes there’s more to SYLO’s story. He was on the sidelines when the high school running back dropped dead with no warning. He saw the bizarre midnight explosion over the ocean, and the mysterious singing aircraft that travel like shadows through the night sky. He tasted the Ruby—and experienced the powers it gave him—for himself. What all this means, SYLO isn’t saying. Only Tucker holds the clues that can solve this deadly mystery. LOOK TO THE SKY because Pemberwick is only the first stop.
