Exhibition of the Royal Academy
Author: Royal Academy of Arts (Great Britain)
Publisher:
Published: 1881
Total Pages: 84
ISBN-13:
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Author: Royal Academy of Arts (Great Britain)
Publisher:
Published: 1881
Total Pages: 84
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1910
Total Pages: 176
ISBN-13:
DOWNLOAD EBOOKAuthor: Dita Amory
Publisher:
Published: 2019
Total Pages: 0
ISBN-13: 9781912520046
DOWNLOAD EBOOKThe Swiss artist Felix Vallotton (1865-1925) was born in Lausanne, but spent much of his working life in France. Closely associated with Pierre Bonnard and Edouard Vuillard, and a fellow member of the avant-garde group Les Nabis, Vallotton has nonetheless sometimes been overshadowed by his more famous contemporaries. Although he produced some of his most important work in Paris in the 1890s, his original and innovative approach persisted throughout his career. Texts by leading authorities on the artist look at his life, work and reception. Generously illustrated throughout with the finest exemplars of the artist's paintings and prints, this book accompanies a new presentation of Vallotton's oeuvre that aims to re-evaluate his output and legacy, and includes some works never seen before. AUTHORS: Dita Amory is curator at The Metropolitan Museum of Art, New York, and author of Madame Cézanne (2014). Philippe Buttner is Keeper of the Collection at the Kunsthaus Zurich. Ann Dumas is curator at the Royal Academy of Arts, London. Patrick McGuinness is a novelist, critic and poet, and Professor of French and Comparative Literature at the University of Oxford. Katia Poletti is Director of the Vallotton Foundation. Christian Rumelin is Keeper of Prints and Drawings at the Cabinet d'arts graphiques du Musee d'art et d'histoire in Geneva. Belinda Thomson is an honorary fellow at the University of Edinburgh and an independent art historian. SELLING POINT: * An important study of the work of Felix Vallotton, a prominent member of Les Nabis and a contemporary of Bonnard and Vuillard 150 colour images
Author: James Ludovic Lindsay Earl of Crawford
Publisher:
Published: 1910
Total Pages: 1572
ISBN-13:
DOWNLOAD EBOOKAuthor: British museum
Publisher:
Published: 1910
Total Pages: 548
ISBN-13:
DOWNLOAD EBOOKAuthor: Jan Gossaert
Publisher: Metropolitan Museum of Art
Published: 2010
Total Pages: 498
ISBN-13: 1588393984
DOWNLOAD EBOOKIssued in connection with an exhibition held Oct. 5, 2010-Jan. 17, 2011, Metropolitan Museum of Art, New York, and Feb. 23-May 30, 2011, National Gallery, London (selected paintings only).
Author: British Museum. Department of Printed Books
Publisher:
Published: 1910
Total Pages: 554
ISBN-13:
DOWNLOAD EBOOKAuthor: Lucy Paquette
Publisher:
Published: 2020-10-03
Total Pages: 356
ISBN-13: 9780578735221
DOWNLOAD EBOOKTHE HAMMOCK: A novel based on the true story of French painter James Tissot portrays ten remarkable years in the life of James Tissot (1836-1902), who rebuilt - and then lost - his reputation in London. THE HAMMOCK is a psychological portrait, exploring the forces that unwound the career of this complex man. Based on contemporary sources, the novel brings Tissot's world alive in a story of war, art, Society glamour, love, scandal, and tragedy.
Author: Kyriaki Hadjiafxendi
Publisher: Routledge
Published: 2016-05-13
Total Pages: 307
ISBN-13: 1317158652
DOWNLOAD EBOOKOver the course of the nineteenth century, women in Britain participated in diverse and prolific forms of artistic labour. As they created objects and commodities that blurred the boundaries between domestic and fine art production, they crafted subjectivities for themselves as creative workers. By bringing together work by scholars of literature, painting, music, craft and the plastic arts, this collection argues that the constructed and contested nature of the female artistic professional was a notable aspect of debates about aesthetic value and the impact of industrial technologies. All the essays in this volume set up a productive inter-art dialogue that complicates conventional binary divisions such as amateur and professional, public and private, artistry and industry in order to provide a more nuanced understanding of the relationship between gender, artistic labour and creativity in the period. Ultimately, how women faced the pragmatics of their own creative labour as they pursued vocations, trades and professions in the literary marketplace and related art-industries reveals the different ideological positions surrounding the transition of women from industrious amateurism to professional artistry.