Narrative painting in nineteenth-century Europe
Narrative painting in nineteenth-century Europe

Author: Nina Lübbren

Publisher: Manchester University Press

Published: 2023-05-23

Total Pages: 324

ISBN-13: 1526168561

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This ground-breaking book presents a critical study of pictorial narrative in nineteenth-century European painting. Covering works from France, Germany, Britain, Italy and elsewhere, it traces the ways in which immensely popular artists like Jean-Léon Gérôme, Karl von Piloty and William Quiller Orchardson used unique visual strategies to tell thrilling and engaging stories. Regardless of genre, content or national context, these paintings share a fundamental modern narrative mode. Unlike traditional art, they do not rely on textual sources; nor do they tell stories through the human body alone. Instead, they experiment with objects, spaces, cause-and-effect relations and open-ended ambiguity, prompting viewers and reviewers to read for clues in order to weave their own elaborate tales.

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Published: 1888

Total Pages: 1776

ISBN-13:

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Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.

Arts and Crafts Objects
Arts and Crafts Objects

Author: Imogen Hart

Publisher:

Published: 2010-08-15

Total Pages: 280

ISBN-13:

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In this groundbreaking reassessment of the conventional understanding of a cohesive "Arts and Crafts" movement in Britain, Imogen Hart argues that a sophisticated mode of looking at decorative art developed in England during the second half of the nineteenth century. Bringing to light a significant number of little-known visual and textual sources, Arts and Crafts Objects insists that the history of British design between the 1830s and the 1910s is more complex and interwoven than concepts of clearly differentiated movements allow for. Reinvesting the objects with the original importance ascribed to them by their makers and users, this book places furniture, metalwork, tiles, vases, chintzes, carpets, and wallpaper at the center of a rigorous reassessment of the concept of "Arts and Crafts." The book offers radical new interpretations of the Arts and Crafts Exhibition Society and the homes of William Morris, alongside illuminating analyses of less familiar, but equally rich, contexts.