Late Constable Hb

Late Constable Hb

Author:

Publisher:

Published: 2021-11-15

Total Pages: 128

ISBN-13: 9781912520725

DOWNLOAD EBOOK

On John Constable as a proto-abstractionist of pastoral landscape One of Britain's greatest landscape painters, John Constable was brought up in Dedham Vale, the valley of the River Stour in Suffolk. The eldest son of a wealthy mill owner, he entered the Royal Academy Schools in 1800 at the age of 24, and thereafter committed himself to painting nature out of doors. His "six-footers," such as The Hay Wainand The Leaping Horse, were designed to promote landscape as a subject and to stand out in the Academy's Annual Exhibition. Despite this, he sold few paintings in his lifetime and was elected a Royal Academician late in his career. With texts by leading authorities on the artist, this handsome book looks at the freedom of Constable's late works and records his enormous contribution to the English landscape tradition. John Constable(1776-1837) is one of Britain's best-known artists, and is often considered one of the greatest landscape painters of all time. He was born near the River Stour in Suffolk, an area the artist depicted so frequently that it is referred to as "Constable country." Pastoral scenes were unfashionable at the time and Constable struggled to establish himself as a painter. He was finally elected a Royal Academician in 1829, and in 1832, he exhibited The Opening of Waterloo Bridge--an effort 13 years in the making--at the Summer Exhibition.


There Was an Old Man....

There Was an Old Man....

Author: Edward Lear

Publisher:

Published: 1994-01-01

Total Pages: 72

ISBN-13: 9781550742138

DOWNLOAD EBOOK

An illustrated collection of limericks by the well-known nineteenth-century English writer.


Printing and Painting the News in Victorian London

Printing and Painting the News in Victorian London

Author: Andrea Korda

Publisher: Routledge

Published: 2017-07-05

Total Pages: 218

ISBN-13: 1351553240

DOWNLOAD EBOOK

Printing and Painting the News in Victorian London offers a fresh perspective on Social Realism by contextualizing it within the burgeoning new media environment of Victorian London. Paintings labelled as Social Realist by Luke Fildes, Frank Holl and Hubert Herkomer are frequently considered to typify the sentimental Victorian genre painting that quickly became outdated with the development of modernism. Yet this book argues that the paintings must be considered as the result of the new experiences of modernity-the urban poverty that the paintings represent and, most importantly, the advent of the mass-produced illustrated news. Fildes, Holl and Herkomer worked for The Graphic, a publication launched in 1869 as a rival to the dominant Illustrated London News. The artists? illustrations, which featured the growing problem of urban poverty, became the basis for large-scale paintings that provoked controversy among their contemporaries and later became known as Social Realism. This first in-depth study of The Graphic and Social Realism uses the approach of media archaeology to unearth the modernity of these works, showing that they engaged with the changing notions of objectivity and immediacy that nineteenth-century new media cultivated. In doing so, this book proposes an alternative trajectory for the development of modernism that allows for a richer understanding of nineteenth-century visual culture.


Names and Stories

Names and Stories

Author: Kali Israel

Publisher: Oxford University Press, USA

Published: 2002

Total Pages: 380

ISBN-13: 0195158199

DOWNLOAD EBOOK

Introduction: Genres of Life-Writing 1. One Not Being an Orphan 2. Pictures and Lessons 3. Making a Marriage 4. Bodies: Marriage, Adultery, and Death 5. The Resources of Style 6. French Vices 7. Renaissances Notes Identified Works of E. F. S. Pattison/Dilke.


Gilbert Stuart

Gilbert Stuart

Author: Carrie Rebora Barratt

Publisher: Metropolitan Museum of Art

Published: 2004

Total Pages: 354

ISBN-13: 1588391221

DOWNLOAD EBOOK

Publisher Description


Great Spectacle

Great Spectacle

Author: Mark Hallett

Publisher: Royal Academy Editions

Published: 2018-05

Total Pages: 224

ISBN-13: 9781910350706

DOWNLOAD EBOOK

The Royal Academy's Summer Exhibition is the world's longest running annual display of contemporary art, and one of its largest. Ever since 1769 the Academy's exhibition rooms have been crowded for some two months each year with thousands of paintings and sculptures by many of Britain's leading artists. These spectacular displays have provided artists with crucial competition, inspiration and publicity, and captured the interest of millions of visitors. The Great Spectacle takes the reader on a fascinating journey to tell the story of these exhibitions. Many treasured works of British art were first shown on the walls of the RA: portraits by Reynolds and Gainsborough, the mighty landscapes of Turner and Constable, and the Pre-Raphaelites, who caused such a critical and cultural furore. The chapter on the twentieth century will reveal the RA's relationship with British modernism, right up to the 2018 Summer Exhibition, which will be coordinated by Grayson Perry CBE RA. AUTHOR: Professor Mark Hallett is Director of Studies at the Paul Mellon Centre for Studies in British Art and author of Reynolds, Portraiture in Action (2014). Dr Sarah Victoria Turner is Assistant Director for Research at the Paul Mellon Centre for Studies in British Art. SELLING POINTS: * A fascinating study of the longest-running annual exhibition of contemporary art, the Royal Academy of Arts Summer Exhibition, illustrated with works by many of the great names of British art including Joshua Reynolds, Thomas Gainsborough, J. M. W. Turner, John Constable, David Hockney, Grayson Perry and Tracey Emin * Accompanies an exhibition at the Royal Academy of Arts from 12 June to 19 August 2018 200 colour images


A Gallery of Her Own

A Gallery of Her Own

Author: Elree I. Harris

Publisher: Routledge

Published: 2013-11-26

Total Pages: 364

ISBN-13: 113549441X

DOWNLOAD EBOOK

First Published in 1997. This book is intended as a resource for anyone interested in the artistic contributions and activities of women in nineteenth-century Britain. It is an index as well as an annotated bibliography and provides sources for information about women well known in their own time and about women who were little known then and are forgotten now