The Evolution of Apollinaire's Poetics, 1901-1914
Author: Francis J. Carmody
Publisher: Univ of California Press
Published: 1963
Total Pages: 362
ISBN-13:
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The Structure of Modernist Poetry (Routledge Revivals)
Author: Theo Hermans
Publisher: Routledge
Published: 2014-08-01
Total Pages: 216
ISBN-13: 1317637860
DOWNLOAD EBOOKFirst published in 1982, this book provides a descriptive and comparative study of some of the fundamental structural aspects of modernist poetic writing in English, French and German in the first decades of the twentieth century. The work concerns itself primarily with basic structural elements and techniques and the assumptions that underlie and determine the modernist mode of poetic writing. Particular attention is paid to the theories developed by authors and to the essential ‘principles of construction’ that shape the structure of their poetry. Considering the work of a number of modernist poets, Theo Hermans argues that the various widely divergent forms and manifestations of modernistic poetry writing can only be properly understood as part of one general trend.
Zone
Author: Guillaume Apollinaire
Publisher: New York Review of Books
Published: 2015-11-24
Total Pages: 289
ISBN-13: 1590179242
DOWNLOAD EBOOKZone is the fruit of poet-translator Ron Padgett’s fifty-year engagement with the work of France’s greatest modern poet. This bilingual edition of Apollinaire’s poetry represents the full range of his achievement from traditional lyric verse to the pathbreaking visual poems he called calligrams, from often-anthologized classics to hitherto-untranslated gems, from poems of cosmic breadth to a poem about his shoes. Including an introduction by the distinguished scholar Peter Read, helpful endnotes, a preface, and an annotated bibliography by Padgett, this new edition of Apollinaire stands out not only for its compact and judicious selection of the essential poems but also as the work of an important American poet. The Washington Post has said, “No praise can be too high for Ron Padgett’s translations.”
Selected Poems
Author: Guillaume Apollinaire
Publisher: OUP Oxford
Published: 2015-11-12
Total Pages: 321
ISBN-13: 0191511439
DOWNLOAD EBOOK'In the end you're tired of this antiquated world' Guillaume Apollinaire (1880-1918) is the most significant French poet of early modernism, and the most colourful. His exuberant, adventurous poetry matched the eventful times through which he lived, and his experimentalism heralded a new artistic order. In the Paris of the belle époque, Apollinaire's prolific writing - poems, short stories, erotic novels, art criticism - as well as his magnetic personality brought him fame and even some notoriety. His two great collections of poetry, Alcools and Calligrammes, made his reputation, and they include love poems as well as the war poetry for which he is best known. Apollinaire coined the word 'surrealism', and he led the literary and artistic avant-garde right up to his death two days before the Armistice, weakened by injuries received earlier in the War. This new selection by Martin Sorrell covers the full range of Apollinaire's career, and includes some of the poet's inventive pictorial calligrams. The introduction and notes explore his seminal role in the culture of the twentieth century. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
In Defiance of Painting
Author: Christine Poggi
Publisher: Yale University Press
Published: 1992-01-01
Total Pages: 318
ISBN-13: 9780300051094
DOWNLOAD EBOOKThe invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.
Calligrammes
Author: Guillaume Apollinaire
Publisher: Univ of California Press
Published: 1991
Total Pages: 530
ISBN-13: 9780520242128
DOWNLOAD EBOOKA bilingual edition of one of Guillaume Apollinaire's most important volumes of poetry, with extensive commentary by the translators.
A Dictionary of the Avant-Gardes
Author:
Publisher: Routledge
Published: 2013-05-13
Total Pages: 735
ISBN-13: 1136806202
DOWNLOAD EBOOKA Dictionary of the Avant-Gardes recognizes that change is a driving force in all the arts. It covers major trends in music, dance, theater, film, visual art, sculpture, and performance art--as well as architecture, science, and culture.
Under the Spell of Orpheus
Author: Judith E. Bernstock
Publisher: SIU Press
Published: 1991
Total Pages: 272
ISBN-13: 9780809316595
DOWNLOAD EBOOKThis comprehensive view of the Orpheus myth in modern art focuses on an extremely rich artistic symbol and cuts through all the clichés to explore truly significant problems of meaning. The author takes a new approach to the iconography of major modern artists by incorporating psychological and literary analysis, as well as biography. The three parts of the book explore the ways in which artists have identified with different aspects of the often paradoxical Orpheus myth. The first deals with artists such as Paul Klee, Carl Milles, and Barbara Hepworth. In the second, Max Beckmann, Oskar Kokoschka, and Isamu Noguchi are discussed. Artists examined in the final part include Pablo Picasso, Jacques Lipchitz, Ethel Schwabacher, and Cy Twombly. The author documents her argument with more than sixty illustrations.
Handbook of International Futurism
Author: Günter Berghaus
Publisher: Walter de Gruyter GmbH & Co KG
Published: 2018-12-17
Total Pages: 984
ISBN-13: 311027356X
DOWNLOAD EBOOKThe Handbook of International Futurism is the first reference work ever to presents in a comparative fashion all media and countries in which the movement, initiated by F.T. Marinetti in 1909, exercised a particularly noteworthy influence. The handbook offers a synthesis of the state of scholarship regarding the international radiation of Futurism and its influence in some fifteen artistic disciplines and thirty-eight countries. While acknowledging the great achievements of the movement in the visual and literary arts of Italy and Russia, it treats Futurism as an international, multidisciplinary phenomenon that left a lasting mark on the manifold artistic manifestations of the early twentieth-century avant-garde. Hundreds of artists, who in some phase in their career absorbed Futurist ideas and stylistic devices, are presented in the context of their national traditions, their international connections and the media in which they were predominantly active. The handbook acts as a kind of multi-disciplinary, geographical encyclopaedia of Futurism and gives scholars with varying levels of experience a detailed overview of all countries and disciplines in which the movement had a major impact.
2015
Author: Günter Berghaus
Publisher: Walter de Gruyter GmbH & Co KG
Published: 2015-07-01
Total Pages: 698
ISBN-13: 3110422816
DOWNLOAD EBOOKThe special issue of International Yearbook of Futurism Studies for 2015 will investigate the role of Futurism in the œuvre of a number of Women artists and writers. These include a number of women actively supporting Futurism (e.g. Růžena Zátková, Edyth von Haynau, Olga Rozanova, Eva Kühn), others periodically involved with the movement (e.g. Valentine de Saint Point, Aleksandra Ekster, Mary Swanzy), others again inspired only by certain aspects of the movement (e.g. Natalia Goncharova, Alice Bailly, Giovanna Klien). Several artists operated on the margins of a Futurist inspired aesthetics, but they felt attracted to Futurism because of its support for women artists or because of its innovatory roles in the social and intellectual spheres. Most of the artists covered in Volume 5 (2015) are far from straightforward cases, but exactly because of this they can offer genuinely new insights into a still largely under-researched domain of twentieth-century art and literature. Guiding questions for these investigations are: How did these women come into contact with Futurist ideas? Was it first-hand knowledge (poems, paintings, manifestos etc) or second-hand knowledge (usually newspaper reports or personal conversions with artists who had been in contact with Futurism)? How did the women respond to the (positive or negative) reports? How did this show up in their œuvre? How did it influence their subsequent, often non-Futurist, career?
