The present volumes unites papers which explore the European image of god and man as the unquestioned basis of the concept which determines what western society defines as human rights and puts it in an intercultural context by comparative essays on chinese, islamic and buddhist thinking. The volume covers issues which range from classical antiquity until contemporary philosophy and science.
Jesus Christ is arguably the most famous man who ever lived. His image adorns countless churches, icons, and paintings. He is the subject of millions of statues, sculptures, devotional objects and works of art. Everyone can conjure an image of Jesus: usually as a handsome, white man with flowing locks and pristine linen robes. But what did Jesus really look like? Is our popular image of Jesus overly westernized and untrue to historical reality? This question continues to fascinate. Leading Christian Origins scholar Joan E. Taylor surveys the historical evidence, and the prevalent image of Jesus in art and culture, to suggest an entirely different vision of this most famous of men. He may even have had short hair.
The question "What is human nature?" is in vogue today. Like everything else, this concept is being deconstructed in the context of the reigning ideology of individualistic materialism. Is there a fixed human nature, or is this simply a manipulatable social construct with no objective reference? This book says: "Yes, there is: the imago Dei: man/woman created in the image of God." Hobson argues that this text from Genesis 1:26-28 is a God-given anthropological revelation that establishes the relational bond of human beings with their Creator and also with his creation, for which the imago equips us to be responsible stewards. Many of Hobson's essays were delivered as talks in parishes. They explore from multiple angles the import of the imago Dei for theological and sacramental reflection, apologetics, aesthetics, art, and, at a hands-on practical level, for pastoral counseling and inner healing. His texts, one of which opens with a discussion of genocide, contain incisive critiques of the dark side of modernity alongside wide-ranging demonstrations of the pertinence of the imago Dei to the current debates about human dignity and rights. His book is a ringing call to the church to take the measure of the value of this anthropological revelation for its proclamation of the gospel.
This collection of essays on Peter Martyr Vermigli (1499-1562) not only demonstrate his shaping influence on Reformed Protestantism, but also illuminates some of his more important and provocative contributions to the various Reformations in sixteenth-century Europe, both Catholic and Protestant.
How is it that in America the image of Jesus Christ has been used both to justify the atrocities of white supremacy and to inspire the righteousness of civil rights crusades? In The Color of Christ, Edward J. Blum and Paul Harvey weave a tapestry of American dreams and visions--from witch hunts to web pages, Harlem to Hollywood, slave cabins to South Park, Mormon revelations to Indian reservations--to show how Americans remade the Son of God visually time and again into a sacred symbol of their greatest aspirations, deepest terrors, and mightiest strivings for racial power and justice. The Color of Christ uncovers how, in a country founded by Puritans who destroyed depictions of Jesus, Americans came to believe in the whiteness of Christ. Some envisioned a white Christ who would sanctify the exploitation of Native Americans and African Americans and bless imperial expansion. Many others gazed at a messiah, not necessarily white, who was willing and able to confront white supremacy. The color of Christ still symbolizes America's most combustible divisions, revealing the power and malleability of race and religion from colonial times to the presidency of Barack Obama.
ccording to Scripture, humankind was created in the image of God. Hoekema discusses the implications of this theme, devoting several chapters to the biblical teaching on God's image, the teaching of philosophers and theologians through the ages, and his own theological analysis. Suitable for seminary-level anthropology courses, yet accessible to educated laypeople. Extensive bibliography, fully indexed.
At the heart of Drewermann's non-violent interpretation of key Christian beliefs is his analysis of a violent image of God that characterizes traditional interpretations of sin and the cross. His empathic critique of the clerical mentality, ideology, and culture ( The Cleric ) led to his being silenced by Roman Catholic authorities in 1991.
In this engaging dialogue, Zygmunt Bauman, sociologist and philosopher, and Stanislaw Obirek, theologian and cultural historian, explore the place of spirituality and religion in the world today and in the everyday lives of individuals. Their conversation ranges from the plight of monotheistic religions cast onto a polytheistic world stage to the nature of religious experience and its impact on human worldviews and life strategies; from Messianic and Promethean ideas of redemption and salvation to the possibility and prospects of inter-religious dialogue and the factors standing in its way. While starting from different places, Bauman and Obirek are driven by the same concern to reconcile the multiplicity of religions with the oneness of humanity, and to do so in a way that avoids the trap of adhering to a single truth, bearing witness instead to the multiplicity of human truths and the diversity of cultures and faiths. For everything creative in human existence has its roots in human diversity; it is not human diversity that turns brother against brother but the refusal of it. The fundamental condition of peace, solidarity and benevolent cooperation among human beings is a willingness to accept that there is a multiplicity of ways of being human, and a willingness to accept the model of coexistence that this multiplicity requires.
