The Epic Trickster in American Literature

The Epic Trickster in American Literature

Author: Gregory E. Rutledge

Publisher: Routledge

Published: 2013-04-26

Total Pages: 325

ISBN-13: 1136194835

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Just as Africa and the West have traditionally fit into binaries of Darkness/Enlightenment, Savage/Modern, Ugly/Beautiful, and Ritual/Art, among others, much of Western cultural production rests upon the archetypal binary of Trickster/Epic, with trickster aesthetics and commensurate cultural forms characterizing Africa. Challenging this binary and the exceptionalism that underlies anti-hegemonic efforts even today, this book begins with the scholarly foundations that mapped out African trickster continuities in the United States and excavated the aesthetics of traditional African epic performances. Rutledge locates trickster-like capacities within the epic hero archetype (the "epic trickster" paradigm) and constructs an Homeric Diaspora, which is to say that the modern Homeric performance foundation lies at an absolute time and distance away from the ancient storytelling performance needed to understand the cautionary aesthetic inseparable from epic potential. As traditional epic performances demonstrate, unchecked epic trickster dynamism anticipates not only brutal imperialism and creative diversity, but the greatest threat to everyone, an eco-apocalypse. Relying upon the preeminent scholarship on African-American trickster-heroes, traditional African heroic performances, and cultural studies approaches to Greco-Roman epics, Rutledge traces the epic trickster aesthetic through three seminal African-American novels keenly attuned to the American Homeric Diaspora: Charles Chesnutt’s The Marrow of Tradition, Richard Wright’s Native Son, and Toni Morrison’s Beloved.


American Trickster

American Trickster

Author: Emily Zobel Marshall

Publisher: Rowman & Littlefield

Published: 2019-06-18

Total Pages: 183

ISBN-13: 1783481110

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Our fascination with the trickster figure, whose presence is global, stems from our desire to break free from the tightly regimented structures of our societies. Condemned to conform to laws and rules imposed by governments, communities, social groups and family bonds, we revel in the fantasy of the trickster whose energy and cunning knows no bounds and for whom nothing is sacred. One such trickster is Brer Rabbit, who was introduced to North America through the folktales of enslaved Africans. On the plantations, Brer Rabbit, like Anansi in the Caribbean, functioned as a resistance figure for the enslaved whose trickery was aimed at undermining and challenging the plantation regime. Yet as Brer Rabbit tales moved from the oral tradition to the printed page in the late nineteenth-century, the trickster was emptied of his potentially powerful symbolism by white American collectors, authors and folklorists in their attempt to create a nostalgic fantasy of the plantation past. American Trickster offers readers a unique insight into the cultural significance of the Brer Rabbit trickster figure, from his African roots and through to his influence on contemporary culture. Exploring the changing portrayals of the trickster figure through a wealth of cultural forms including folktales, advertising, fiction and films the book scrutinises the profound tensions between the perpetuation of damaging racial stereotypes and the need to keep African-American folk traditions alive. Emily Zobel Marshall argues that Brer Rabbit was eventually reclaimed by twentieth-century African-American novelists whose protagonists ‘trick’ their way out of limiting stereotypes, break down social and cultural boundaries and offer readers practical and psychological methods for challenging the traumatic legacies of slavery and racism.


The Epic Trickster in American Literature

The Epic Trickster in American Literature

Author: Gregory E. Rutledge

Publisher: Routledge

Published: 2017-05-31

Total Pages: 306

ISBN-13: 9781138107854

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Just as Africa and the West have traditionally fit into binaries of Darkness/Enlightenment, Savage/Modern, Ugly/Beautiful, and Ritual/Art, among others, much of Western cultural production rests upon the archetypal binary of Trickster/Epic, with trickster aesthetics and commensurate cultural forms characterizing Africa. Challenging this binary and the exceptionalism that underlies anti-hegemonic efforts even today, this book begins with the scholarly foundations that mapped out African trickster continuities in the United States and excavated the aesthetics of traditional African epic performances. Rutledge locates trickster-like capacities withinthe epic hero archetype (the "epic trickster" paradigm) and constructs an Homeric Diaspora, which is to say that the modern Homeric performance foundation lies at an absolute time and distance away from the ancient storytelling performance needed to understand the cautionary aesthetic inseparable from epic potential. As traditional epic performances demonstrate, unchecked epic trickster dynamism anticipates not only brutal imperialism and creative diversity, but the greatest threat to everyone, an eco-apocalypse. Relying upon the preeminent scholarship on African-American trickster-heroes, traditional African heroic performances, and cultural studies approaches to Greco-Roman epics, Rutledge traces the epic trickster aesthetic through three seminal African-American novels keenly attuned to the American Homeric Diaspora: Charles Chesnutt's The Marrow of Tradition, Richard Wright's Native Son, and Toni Morrison's Beloved.


Trickster and Hero

Trickster and Hero

Author: Harold Scheub

Publisher: University of Wisconsin Pres

Published: 2012

Total Pages: 232

ISBN-13: 0299290735

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The trickster and the hero, found in so many of the world’s oral traditions, are seemingly opposed but often united in one character. Trickster and Hero provides a comparative look at a rich array of world oral traditions, folktales, mythologies, and literatures—from The Odyssey, The Epic of Gilgamesh, and Beowulf to Native American and African tales. Award-winning folklorist Harold Scheub explores the “Trickster moment,” the moment in the story when the tale, the teller, and the listener are transformed: we are both man and woman, god and human, hero and villain. Scheub delves into the importance of trickster mythologies and the shifting relationships between tricksters and heroes. He examines protagonists that figure centrally in a wide range of oral narrative traditions, showing that the true hero is always to some extent a trickster as well. The trickster and hero, Scheub contends, are at the core of storytelling, and all the possibilities of life are there: we are taken apart and rebuilt, dismembered and reborn, defeated and renewed.


Stolen Fire: A Seminole Trickster Myth

Stolen Fire: A Seminole Trickster Myth

Author: Anita Yasuda

Publisher: ABDO

Published: 2012-09-01

Total Pages: 34

ISBN-13: 1614788715

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The Seminole people often told stories that taught the listener lessons on human behavior. In this trickster myth, we learn that rabbit helped humans get fire. The Seminole trickster myth is retold in this brilliantly illustrated Native American Myth. Aligned to Common Core Standards and correlated to state standards. Short Tales is an imprint of Magic Wagon, a division of ABDO.


The Epic World

The Epic World

Author: Pamela Lothspeich

Publisher: Taylor & Francis

Published: 2024-01-30

Total Pages: 661

ISBN-13: 1000912167

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Reconceptualizing the epic genre and opening it up to a world of storytelling, The Epic World makes a timely and bold intervention toward understanding the human propensity to aestheticize and normalize mass deployments of power and violence. The collection broadly considers three kinds of epic literature: conventional celebratory tales of conquest that glorify heroism, especially male heroism; anti-epics or stories of conquest from the perspectives of the dispossessed, the oppressed, the despised, and the murdered; and heroic stories utilized for imperialist or nationalist purposes. The Epic World illustrates global patterns of epic storytelling, such as the durability of stories tied to religious traditions and/or to peoples who have largely "stayed put"; the tendency to reimagine and retell stories in new ways over centuries; and the imbrication of epic storytelling and forms of colonialism and imperialism, especially those perpetuated and glorified by Euro-Americans over the past 500 years, resulting in unspeakable and immeasurable harms to humans, other living beings, and the planet Earth. The Epic World is a go-to volume for anyone interested in epic literature in a global framework. Engaging with powerful stories and ways of knowing beyond those of the predominantly white Global North, this field-shifting volume exposes the false premises of "Western civilization" and "Classics," and brings new questions and perspectives to epic studies.


Raven the Trickster

Raven the Trickster

Author: Christine Platt

Publisher: Calico Chapter Books

Published: 2021-08

Total Pages: 32

ISBN-13: 9781098230272

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In the Northwest Coast region of North America, people know Raven the Trickster can change his shape at will. When an old man steals all the light from the world and hides it in a special box, the people need Raven's help. Can Raven outsmart the old man? Aligned to Common Core Standards and correlated to state standards. Calico Kid is an imprint of Magic Wagon, a division of ABDO.


Coyote, Iktome, and the Rock

Coyote, Iktome, and the Rock

Author: Anita Yasuda

Publisher: Short Tales

Published: 2012

Total Pages: 0

ISBN-13: 9781616418809

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An illustrated adaptation of a Dakota Indian tale about a trickster and generosity.


Charles Chesnutt Reappraised

Charles Chesnutt Reappraised

Author: David Garrett Izzo

Publisher: McFarland

Published: 2014-11-21

Total Pages: 239

ISBN-13: 0786480017

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One of the best known and most widely read of early African American writers, Charles W. Chesnutt published more than fifty short stories, six novels, two plays, a biography of Frederick Douglass, and countless essays, poems, letters, journals, and speeches. Though he had light skin and was of mixed race, Chesnutt self-identified as a black man, and his writing was often boldly political, openly addressing problems of racial identity and injustice in the late 19th century. This collection of critical essays reevaluates the Chesnutt legacy, introducing new scholarship reflective of the many facets of his fiction, especially his sophisticated narrative strategies.


Counterfeit Culture

Counterfeit Culture

Author: Rob Turner

Publisher: Cambridge University Press

Published: 2019-06-20

Total Pages: 235

ISBN-13: 1108428487

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Explores the possibility of writing epic in an age of alternative facts.