Born the year of Lebanons independence in 1943, in Khiyam, a village of South Lebanon, Dr. Kamel Mohanna studied, at the time of illiteracy, defying poverty to become a doctor. He forged himself a Lebanese role by joining the student movement which, in the sixties heaved France. Then in the seventies, following the path traced by Che Guevara, he joined the revolutionaries in the mountains of Dhofar. It is there that he participated in the march of barefoot doctors on the footsteps of Mao Zedong. He resisted the mermaids of Paris, Canada and the chic neighborhoods of Beirut. Upon his return to Lebanon, he preferred to them the misery of the Palestinian refugee camps, where he lived with the poor and sick of whom he made his cause. In the middle of the civil war, in the seventies and eighties, he travelled the length and breadth of Lebanon; not hesitating to go against all commonly accepted political precepts. In 1979, he founded the AMEL association, pacifist in time of war, open to all in time of partition, preaching the life in the shadow of the collective suicide. Until today and through this non-denominational organization, he endeavors to develop the humanity of human beings, without taking into account its religious, political and geographical affiliations, to attain a more just and dignified world. Descriptor(s): PHYSICIANS | LEBANESE CIVIL WAR 1975-1991 | POLITICAL CONDITIONS | LEBANON | DIARIES | BIOGRAPHIES
The poems of the Epic Cycle are assumed to be the reworking of myths and narratives which had their roots in an oral tradition predating that of many of the myths and narratives which took their present form in the Iliad and the Odyssey. The remains of these texts allow us to investigate diachronic aspects of epic diction as well as the extent of variation within it on the part of individual authors - two of the most important questions in modern research on archaic epic. They also help to illuminate the early history of Greek mythology. Access to the poems, however, has been thwarted by their current fragmentary state. This volume provides the scholarly community and graduate students with a thorough critical foundation for reading and interpreting them.
According to Vālmīki’s Sanskrit Rāmāyaṇa (early centuries CE), Śambūka was practicing severe acts of austerity to enter heaven. In engaging in these acts as a Śūdra, Śambūka was in violation of class- and caste-based societal norms prescribed exclusively by the ruling and religious elite. Rāma, the hero of the Rāmāyaṇa epic, is dispatched to kill Śambūka, whose transgression is said to be the cause of a young Brahmin’s death. The gods rejoice upon the Śūdra’s death and restore the life of the Brahmin. Subsequent Rāmāyaṇa poets almost instantly recognized this incident as a blemish on Rāma’s character and they began problematizing this earliest version of the story. They adjusted and updated the story to suit the expectations of their audiences. The works surveyed in this study include numerous works originating in Hindu, Jain, Dalit and non-Brahmin communities while spanning the period from Śambūka’s first appearance in the Vālmīki Rāmāyaṇa through to the present day. The book follows the Śambūka episode chronologically across its entire history—approximately two millennia—to illuminate the social, religious, legal, and artistic connections that span the entire range of the Rāmāyaṇa’s influence and its place throughout various phases of Indian history and social revolution.
This book contains transcripts from Online Alpha discussions where the epic and narrative structure of SPACE 1999 is being discussed by comparing episodes with themes, characters and elements of plot from the Homeric Odyssey and Lewis Carroll's stories about Alice. The discussion is motivated by questions raised in the scholarly literature and earlier Online Alpha debates about how to make sense of SPACE 1999 from the viewpoint of critical theory. The book has been developed on an idealistic basis. It is sold at the lowest price the publisher was willing to accept. A free e-book version can be downloaded at www.lulu.com.
The Choice of Odysseus demonstrates how the Odyssey provided Renaissance authors and readers with a poetic ethics—tools for living developed in poetry—to navigate the challenges of their age. As they endured schisms, ruptures, and failures of ideals, readers and poets turned to the Odyssey for narratives of recovery and aftermath. Sarah Van der Laan reconstructs Renaissance readings of the Odyssey from myriad sources. Situating major works by Petrarch, Poliziano, Ariosto, Tasso, Spenser, Monteverdi, and Milton in these Odyssean contexts, she recovers a powerful Renaissance tradition of Odyssean epic. Renaisance poets adopted the Odyssey as an epic model that supplements and even opposes the Virgilian epic model of conquest and imperial foundation. For Renaissance readers and authors, the Odyssey renders heroic other kinds of lived experience: the necessity of facing the world and its challenges with only human wisdom and reason; the ability to integrate traumatic detours and reversals into a vision of a successful and accomplished self; the recovery of a private life and personal desires painfully suspended for public service. Emphasizing marriage, reconciliation, homecoming, and the return to private life and private desires as suitably heroic matter for epic and powerful conventions for narrative and poetic closure, the Renaissance Odyssey and the epics and operas it inspired confer a uniquely heroic status on experience for men and women alike.
NATIONAL BESTSELLER New York Times Book Review • 100 Notable Books of 2022 Best Books of 2022 — New Yorker, Kirkus Reviews Longlisted for the Andrew Carnegie Medal for Excellence “I can only wish that, when I was that lonely college junior and was finishing Bury My Heart at Wounded Knee, I’d had Hämäläinen’s book at hand.” —David Treuer, The New Yorker “[T]he single best book I have ever read on Native American history.” —Thomas E. Ricks, New York Times Book Review A prize-winning scholar rewrites 400 years of American history from Indigenous perspectives, overturning the dominant origin story of the United States. There is an old, deeply rooted story about America that goes like this: Columbus “discovers” a strange continent and brings back tales of untold riches. The European empires rush over, eager to stake out as much of this astonishing “New World” as possible. Though Indigenous peoples fight back, they cannot stop the onslaught. White imperialists are destined to rule the continent, and history is an irreversible march toward Indigenous destruction. Yet as with other long-accepted origin stories, this one, too, turns out to be based in myth and distortion. In Indigenous Continent, acclaimed historian Pekka Hämäläinen presents a sweeping counternarrative that shatters the most basic assumptions about American history. Shifting our perspective away from Jamestown, Plymouth Rock, the Revolution, and other well-trodden episodes on the conventional timeline, he depicts a sovereign world of Native nations whose members, far from helpless victims of colonial violence, dominated the continent for centuries after the first European arrivals. From the Iroquois in the Northeast to the Comanches on the Plains, and from the Pueblos in the Southwest to the Cherokees in the Southeast, Native nations frequently decimated white newcomers in battle. Even as the white population exploded and colonists’ land greed grew more extravagant, Indigenous peoples flourished due to sophisticated diplomacy and leadership structures. By 1776, various colonial powers claimed nearly all of the continent, but Indigenous peoples still controlled it—as Hämäläinen points out, the maps in modern textbooks that paint much of North America in neat, color-coded blocks confuse outlandish imperial boasts for actual holdings. In fact, Native power peaked in the late nineteenth century, with the Lakota victory in 1876 at Little Big Horn, which was not an American blunder, but an all-too-expected outcome. Hämäläinen ultimately contends that the very notion of “colonial America” is misleading, and that we should speak instead of an “Indigenous America” that was only slowly and unevenly becoming colonial. The evidence of Indigenous defiance is apparent today in the hundreds of Native nations that still dot the United States and Canada. Necessary reading for anyone who cares about America’s past, present, and future, Indigenous Continent restores Native peoples to their rightful place at the very fulcrum of American history.
"From Stardust to Stardom: The Epic Story of Nat King Cole's Life and Music" is a captivating exploration of the remarkable journey of one of music's most enduring icons. From his humble beginnings in the jazz clubs of Chicago to the glitz and glamour of Hollywood, Nat King Cole's life story is a testament to talent, perseverance, and the enduring power of music. This compelling biography takes readers on a fascinating ride through Nat King Cole's life, from his early struggles and triumphs to his meteoric rise to fame. Through meticulous research and insightful analysis, the book delves into the complexities of Cole's personal and professional life, offering a nuanced portrait of the man behind the music. But "From Stardust to Stardom" is more than just a biography—it's a celebration of Cole's incredible musical legacy. From his timeless classics like "Unforgettable" and "Mona Lisa" to his groundbreaking television show, Nat King Cole's influence on the world of music is undeniable. Through in-depth discussions of his most iconic songs and performances, readers gain a deeper appreciation for Cole's artistry and the impact he had on generations of musicians. Richly illustrated with rare photographs and memorabilia, "From Stardust to Stardom" brings Nat King Cole's story to life in vivid detail. Whether you're a longtime fan or new to his music, this book is sure to captivate and inspire, offering a fresh perspective on the life and music of a true legend. Join us on this epic journey through the life and music of Nat King Cole—a journey from stardust to stardom.
Communication makes a big difference. A deeper understanding of this domain can enable individuals and professionals to achieve their intended objectives. Imparting education and corporate training in the field of communication for more than 25 years has been a transformational experience. Grappling with the realities of communication and parallel to that, conducting informal research regarding various communication principles has been an exhilarating experience. I believe that for what all I have gained while having a very interactive interface with the world of communication, now is the right time to repay by assimilating all my experiences in the form of a very comprehensive book in which the concepts and principles of communication are narrated in a lucid and non-textual manner. The objective of writing this book is to fulfill the need of individuals who need focused literature to develop their communication not only from an operational angle, like writing or making an oral presentation, but also as communication happens typically every second in formal and informal settings of the personal and working life of an individual. An attempt has been made to have an application bias instead of a theoretical one.
