"As an aid to navigating the text of the Entring Book before the appearance of the index, a searchable CD-ROM will be found in a sleeve at the back of Volume VI."--V. 6, p. vii.
From "a brilliant spawn of Raymond Carver and Flannery O'Connor" (Elle) comes a novel starring an exhilarating cast of characters that reflects the search, not just for home, but for self. Willie and Liberty are drifters. They break into Florida vacation homes while the owners are away, stay a while, and then move on. They have been lovers since they were teenagers, yet Liberty now senses that Willie is drifting away from her—that their search, so relentless and mysterious, is becoming increasingly dangerous.
This taut, true thriller dives into a dark world that touches us all, as seen through the brilliant, breakneck career of an extraordinary hacker--a woman known only as Alien. When she arrived at MIT in the 1990s, Alien was quickly drawn to the school's tradition of high-risk physical trespassing: the original "hacking." Within a year, one of her hallmates was dead and two others were arraigned. Alien's adventures were only just beginning. After a stint at the storied, secretive Los Alamos National Laboratory, Alien was recruited by a top cybersecurity firm where she deployed her cache of virtual weapons--and the trespassing and social engineering talents she had developed while "hacking" at MIT. The company tested its clients' security by every means possible--not just coding, but donning disguises and sneaking past guards and secretaries into the C-suite. Alien now runs a boutique hacking outfit that caters to some of the world's biggest and most vulnerable institutions--banks, retailers, government agencies. Her work combines devilish charm, old-school deception, and next generation spycraft. In Breaking and Entering, cybersecurity finally gets the rich, character-driven, fast-paced treatment it deserves.
DIVDIVIn the vein of Eudora Welty and Charles Dickens, Hortense Calisher’s astounding first novel examines a young man’s detachment from the world—and his struggle to rejoin it /divDIV Pierre Goodman enjoys an idyllic childhood as the son of a widowed dressmaker in post–World War I England. But paradise is ripped from him at age ten when he and his mother immigrate to a small town in Alabama. Yearning to regain peace within his own mind and aided by his photographic memory, he begins falsely but completely enveloping himself in the lives of others. He yearns to become not merely a listener to the world, but also a singer in its chorus. In doing so, Pierre’s life becomes an extraordinary document of his time and place as he finds himself a part of history over and over again. He testifies against the Klan in the Deep South, joins the navy during World War II, experiences love, and eventually finds his way back to England as an entirely changed man./divDIV/div/div
In this epic fantasy series opener, humans and other beings must halt the release of an imprisoned god who could destroy the world. For thousands of years, the Breaker of the Dawn has been locked away in the ethereal plane of the Otherworld. Now, a young blacksmith’s apprentice finds himself trapped in a war between the noble Athrani, a subset of humanity gifted with the ability to transmute matter, and the malevolent and powerful Khyth, who seek to free the ancient god from his prison. Gift of the Shaper chronicles the epic struggle between the existing forces of good and evil, with both sides vying for control of the key that unlocks the Otherworld. The very powers of creation and destruction hang in the balance, and only a heroic effort can possibly stop the Khyth from unleashing ruin upon their world. Praise for Gift of the Shaper: “An exceptional series opener with memorable characters and simple but enticing worldbuilding.” —Kirkus Reviews “A rollicking good read that is for the fantasy fiction lover in all of us. . . . Packed full of adventure, action, suspense, and horror. . . . Akin to the classics of fantasy fiction from Tolkien and modern-day George RR Martin.” —Seattle Book Review “Jennings uses seamless world-building like [Robert] Jordan and [Brandon] Sanderson. The language elements are beautiful and consistent and the Otherworld is much greater and larger than the slice that we are treated to.” —Christopher D. Schmitz, author
Text Entry Systems covers different aspects of text entry systems and offers prospective researchers and developers global guidelines for conducting research on text entry, in terms of design strategy, evaluation methodology, and requirements; a discussion of the history and current state of the art of entry systems; and specific guidelines for designing entry systems for a specific target, depending on devices, modalities, language, and different physical conditions of users. Text entry has never been so important as it is today. This is in large part due to the phenomenal, relatively recent success of mobile computing, text messaging on mobile phones, and the proliferation of small devices like the Blackberry and Palm Pilot. Compared with the recent past, when text entry was primarily through the standard "qwerty" keyboard, people today use a diverse array of devices with the number and variety of such devices ever increasing. The variety is not just in the devices, but also in the technologies used: entry modalities have become more varied and include speech recognition and synthesis, handwriting recognition, and even eye-tracking using image processing on web-cams. Statistical language modeling has advanced greatly in the past ten years and so therein is potential to facilitate and improve text entry — increasingly, the way people communicate. - This book covers different aspects of text entry systems and offers prospective researchers and developers - Global guidelines for conducting research on text entry, in terms of design strategy, evaluation methodology, and requirements - History and current state of the art of entry systems, including coverage of recent research topics - Specific guidelines for designing entry systems for a specific target, depending on devices, modalities, language, and different physical conditions of users