The wonderful, idyllic life, of a special kind of mermaid and her friends and family, is suddenly interrupted by humans... Find out how mermaids spend their time...
In ten succinct chapters, Marina Warner guides us through the rich world of fairy tale, from Cinderella and Hansel and Gretel to Snow White and Pan's Labyrinth. Exploring pervasive themes of folklore, myth, the supernatural, imagination, and fantasy, Warner highlights the impact of the genre on human understanding, history, and culture.
Amy Shearn has written a fierce and vivacious book about motherhood, astounding in its honesty, fearless in its humor and exploding with love. THE MERMAID OF BROOKLYN is a joyful and exhilarating read' Maria Semple, author of the New York Times bestselling WHERE'D YOU GO, BERNADETTE? Jenny Lipkin, former up-and-coming magazine editor and current stressed-out mother of two, is struggling. With two demanding children, she is adjusting to life as an average mother, drinking coffee in the playground and complaining about breastfeeding, sleepless nights and how to get the buggy on the subway. And then, one summer evening, her husband Harry goes out to buy cigarettes and doesn’t return. Jenny reaches breaking point. She is contemplating ending it all, but when she falls off the Brooklyn Bridge into the East River, she finds a surprising ally – and a magical way to rethink her ideas about success, motherhood and relationships. But confronting her inner demons is no easy task . . .
From the author of Lost Boy comes a beautiful historical fairy tale about a mermaid who leaves the sea, only to become the star attraction of history's greatest showman. Once there was a mermaid called Amelia who could never be content in the sea, a mermaid who longed to know all the world and all its wonders, and so she came to live on land. Once there was a man called P. T. Barnum, a man who longed to make his fortune by selling the wondrous and miraculous, and there is nothing more miraculous than a real mermaid. Amelia agrees to play the mermaid for Barnum and walk among men in their world, believing she can leave anytime she likes. But Barnum has never given up a money-making scheme in his life, and he's determined to hold on to his mermaid.
From wicked queens, beautiful princesses, elves, monsters, and goblins, to giants, glass slippers, poisoned apples, magic keys, and mirrors, the characters and images of fairy tales have cast a spell over readers and audiences, both adults and children, for centuries. These fantastic stories have travelled across cultural borders, and been passed on from generation to generation, ever-changing, renewed with each re-telling. Few forms of literature have greater power to enchant us and rekindle our imagination than a fairy tale. But what is a fairy tale? Where do they come from and what do they mean? What do they try and communicate to us about morality, sexuality, and society? The range of fairy tales stretches across great distances and time; their history is entangled with folklore and myth, and their inspiration draws on ideas about nature and the supernatural, imagination and fantasy, psychoanalysis, and feminism. In this Very Short Introduction, Marina Warner digs into a rich hoard of fairy tales in all their brilliant and fantastical variations, in order to define a genre and evaluate a literary form that keeps shifting through time and history. Drawing on a glittering array of examples, from classics such as Red Riding Hood, Cinderella, and The Sleeping Beauty, the Grimm Brothers' Hansel and Gretel, and Hans Andersen's The Little Mermaid, to modern-day realizations including Walt Disney's Snow White, Warner forms a persuasive case for fairy tale as a crucial repository of human understanding and culture. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
A wide-ranging, beautifully illustrated history of mermaids and mermen from the classics to cosplay. People have been fascinated by merpeople and merfolk since ancient times. From the sirens of Homer’s Odyssey to Hans Christian Andersen’s The Little Mermaid and the film Splash, myths, stories, and legends of half-human, half-fish creatures abound. In modern times “mermaiding” has gained popularity among cosplayers throughout the world. In Merpeople: A Human History, Vaughn Scribner traces the long history of mermaids and mermen, taking in a wide variety of sources and using 117 striking images. From film to philosophy, church halls to coffee houses, ancient myth to modern science, Scribner shows that mermaids and tritons are—and always have been—everywhere.
A beastly fae king with a deadly curse. A devious bargain to break it... All Gemma Bellefleur wants is to leave her past behind and forget the day scandal broke her heart. But when she's captured by a trickster fae king who threatens to hold her for ransom, she'll find herself at the top of the gossip column yet again. Unless... Plagued by a curse that will soon claim his life, the human-hating King Elliot will do anything to save himself. And if Gemma can use that to her advantage, she might be able to bargain her way to freedom. All she has to do is help him break his curse. There's just one hitch-to do so, they'll have to trick someone into falling in love with the beastly, brooding Elliot. With a devious alliance made, their scheme begins, bringing Gemma and Elliot into very close quarters. Soon, an unexpected desire stirs where once there was only hate. But Gemma must fight it. For when the curse is broken, Elliot will return to his true form-a wolf-and be lost to her for good. Can Gemma sacrifice her budding feelings to save the king's life? Or will love force her to give up something even greater...her heart? ACOTAR meets Bridgerton in this standalone fairytale retelling of Beauty and the Beast. If you like slow burn romance, wolf shifters, and brooding fae royals, then you'll love this swoon-worthy story in the Entangled with Fae series.
At least thirty-seven per cent of male convicts and fifteen per cent of female convicts were tattooed by the time they arrived in the penal colonies, making Australians quite possibly the world's most heavily tattooed English-speaking people of the nineteenth century. Each convict’s details, including their tattoos, were recorded when they disembarked, providing an extensive physical account of Australia's convict men and women. Simon Barnard has meticulously combed through those records to reveal a rich pictorial history. Convict Tattoos explores various aspects of tattooing—from the symbolism of tattoo motifs to inking methods, from their use as means of identification and control to expressions of individualism and defiance—providing a fascinating glimpse of the lives of the people behind the records. Simon Barnard was born and grew up in Launceston. He spent a lot of time in the bush as a boy, which led to an interest in Tasmanian history. He is a writer, illustrator and collector of colonial artifacts. He now lives in Melbourne. He won the Eve Pownall Award for Information Books in the 2015 Children’s Book Council of Australia’s Book of the Year awards for his first book, A-Z of Convicts in Van Diemen’s Land. Convict Tattoos is his second book. ‘The early years of penal settlement have been recounted many times, yet Convict Tattoos genuinely breaks new ground by examining a common if neglected feature of convict culture found among both male and female prisoners.’ Australian ‘This niche subject has proved fertile ground for Barnard—who is ink-free—by providing a glimpse into the lives of the people behind the historical records, revealing something of their thoughts, feelings and experiences.’ Mercury 'The best thing to happen in Australian tattoo history since Cook landed. A must-have for any tattoo historian.’ Brett Stewart, Australian Tattoo Museum