The English Renaissance

The English Renaissance

Author: Kate Aughterson

Publisher: Routledge

Published: 2002-06

Total Pages: 623

ISBN-13: 1134666160

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This comprehensive anthology collects together primary texts and documents relevant to the literature, culture, and intellectual life in England between 1550 and 1660.


Dreaming the English Renaissance

Dreaming the English Renaissance

Author: C. Levin

Publisher: Springer

Published: 2008-10-13

Total Pages: 223

ISBN-13: 0230615732

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Dreaming the English Renaissance examines ideas about dreams, actual dreams people had and recorded, and the many ways dreams were used in the culture and politics of the Tutor/Stuart age in order to provide a window into the mental life and the most profound beliefs of people of the time.


Representing the English Renaissance

Representing the English Renaissance

Author: Stephen Greenblatt

Publisher: Univ of California Press

Published: 1988-01-01

Total Pages: 396

ISBN-13: 9780520061309

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"An exciting collection of essays on English Renaissance literature and culture, this book contributes substantially to the contemporary renaissance in historical modes of critical inquiry."--Margaret W. Ferguson, Columbia University "An exciting collection of essays on English Renaissance literature and culture, this book contributes substantially to the contemporary renaissance in historical modes of critical inquiry."--Margaret W. Ferguson, Columbia University


The English Renaissance 1500-1620

The English Renaissance 1500-1620

Author: Andrew Hadfield

Publisher: Wiley-Blackwell

Published: 2000-12-19

Total Pages: 336

ISBN-13: 9780631220244

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This lively and stimulating book guides students through the historical contexts, key figures, texts, themes and issues in sixteenth- and early seventeenth-century English literature. The English Renaissance, 1500-1620 sets out the historical and cultural contexts of Renaissance England, highlighting the background voices and events which influenced literary production, including the Reformation, the British problem, perceptions of other cultures and the voyages to the Americas. A series of short biographical essays on the key writers of the period explain their significance, and explore a variety of perspectives with which to approach them. In-depth analyses of a number of well-studied texts are also provided, indicating why each text is important and suggesting ways in which each might usefully be read. Texts featured include Astrophil and Stella, Othello, Utopia, Dr Faustus, The Tragedy of Miriam, The Unfortunate Traveller and the Faerie Queene. The volume charts the intricacies of English Renaissance literature, taking in a variety of themes including women, gender and the question of homosexuality; the stage; printing and censorship; humanism and education and rhetoric. Attention is also drawn to current debates in Renaissance criticism such as New Historicism and Cultural Materialism, thus the book provides students with an unparalleled foundation for further study. Fully cross-referenced, with a useful chronology, glossary and suggestions for further reading, this much-needed guide conveys the excitement of reading Renaissance literature.


Habits of Thought in the English Renaissance

Habits of Thought in the English Renaissance

Author: Debora K. Shuger

Publisher: University of Toronto Press

Published: 1997-01-01

Total Pages: 300

ISBN-13: 9780802080479

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By examining orthodox methods of thought in the Renaissance, the author tries to reconstruct a picture of the dominant culture of the period in England between 1580 and 1630.


Inwardness and Theater in the English Renaissance

Inwardness and Theater in the English Renaissance

Author: Katharine Eisaman Maus

Publisher: University of Chicago Press

Published: 1995-06

Total Pages: 240

ISBN-13: 9780226511238

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This text explores the perceived discrepancy between outward appearance and inward disposition which, it argues, influenced the work of many English Renaissance dramatists and poets. The author examines various connections between religious, legal, sexual and theatrical ideas of inward truth.


Voices and Books in the English Renaissance

Voices and Books in the English Renaissance

Author: Jennifer Richards

Publisher: Oxford University Press

Published: 2019-10-24

Total Pages: 352

ISBN-13: 0192536702

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Voices and Books in the English Renaissance offers a new history of reading that focuses on the oral reader and the voice- or performance-aware silent reader, rather than the historical reader, who is invariably male, silent, and alone. It recovers the vocality of education for boys and girls in Renaissance England, and the importance of training in pronuntiatio (delivery) for oral-aural literary culture. It offers the first attempt to recover the voice—and tones of voice especially—from textual sources. It explores what happens when we bring voice to text, how vocal tone realizes or changes textual meaning, and how the literary writers of the past tried to represent their own and others' voices, as well as manage and exploit their readers' voices. The volume offers fresh readings of key Tudor authors who anticipated oral readers including Anne Askew, William Baldwin, and Thomas Nashe. It rethinks what a printed book can be by searching the printed page for vocal cues and exploring the neglected role of the voice in the printing process. Renaissance printed books have often been misheard and a preoccupation with their materiality has led to a focus on them as objects. However, Renaissance printed books are alive with possible voices, but we will not understand this while we focus on the silent reader.


Prosody and Purpose in the English Renaissance

Prosody and Purpose in the English Renaissance

Author: O. B. Hardison Jr.

Publisher: JHU Press

Published: 2019-12-01

Total Pages: 398

ISBN-13: 1421430886

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Originally published in 1989. In Prosody and Purpose in the English Renaissance the eminent scholar O. B. Hardison Jr. sets out "to recover the special kinds of music inherent in English Renaissance poetry." The book begins with a thorough and wide-ranging survey of the development of prosodic theory from the ancient ars metrica tradition to the sixteenth century, with special emphasis on such issues as the relation of verse form and genre, the relation of syntax to prosody, and the role of language reform in shaping Renaissance prosody. The second part of the book considers the impact of prosodic traditions on specific literary works and verse forms, among them Surrey's Aeneid, Heywood's translation of Seneca's Thyestes, Sackville and Norton's Gorboduc, and the dramatic and epic verse of Marlowe, Shakespeare, Spenser, and Milton. Throughout, Hardison examines not only how poets crafted their verse but why. He explores authorial purposes ranging from technical attempts to match sound and genre to the lofty aims of improving the vernacular or ennobling culture, from the dramatist's practical search for verse forms suited to the stage to Milton's quest for a meter fit to convey divine relation.


A Short History of English Renaissance Drama

A Short History of English Renaissance Drama

Author: Helen Hackett

Publisher: Bloomsbury Publishing

Published: 2012-10-05

Total Pages: 256

ISBN-13: 0857723367

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Shakespeare is a towering presence in English and indeed global culture. Yet considered alongside his contemporaries he was not an isolated phenomenon, but the product of a period of astonishing creative fertility. This was an age when new media - popular drama and print - were seized upon avidly and inventively by a generation of exceptionally talented writers. In her sparkling new book, Helen Hackett explores the historical contexts of English Renaissance drama by situating it in the wider history of ideas. She traces the origins of Renaissance theatre in communal religious drama, civic pageantry and court entertainment and vividly describes the playing conditions of Elizabethan and Jacobean playhouses. Examining Marlowe, Shakespeare and Jonson in turn, the author assesses the distinctive contribution made by each playwright to the creation of English drama. She then turns to revenge tragedy, with its gothic poetry of sex and death; city comedy, domestic tragedy and tragicomedy; and gender and drama, with female roles played by boy actors in commercial playhouses while women participated in drama at court and elsewhere. The book places Renaissance drama in the exciting and vibrant cosmopolitanism of sixteenth-century London.


Writing Matter

Writing Matter

Author: Jonathan Goldberg

Publisher: Stanford University Press

Published: 1991-11-01

Total Pages: 372

ISBN-13: 9780804719582

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A Stanford University Press classic.