Courted by a cowboy The Engagement Bargain by Sherri Shackelford Raised by a single mother and suffragist, Anna Bishop doesn't think much of marriage—and she certainly doesn't plan to try it herself. But after an attempt on her life, a pretend engagement to confirmed bachelor Caleb McCoy is the only way to protect her from further harm. Playing Caleb's blushing bride-to-be makes Anna rethink her independent ways. Because their make-believe romance is becoming far too real… Cowboy Seeks a Brideby Louise M. Gouge Marybeth O'Malley is everything rancher Randall Northam seeks in a wife…if only she'd say "I do." But Marybeth won't marry until she locates her long-lost brother. When Rand agrees to help her with her search, she can't deny her surprisingly warm feelings toward her prospective groom. Could this untamed but honorable cowboy show her he's the husband she never knew she wanted?
The sensational second novel in Joan Johnston’s Western historical romance series set in the world of Bitter Creek. CAN SECRETS AND SECOND CHOICES EVER LEAD TO LOVE? After three months in a mail-order marriage, Hannah Wentworth McMurtry is a widow—pregnant, alone, and near death in the Wyoming wilderness. Though she is saved by a man with a face cut from stone, she still grieves the husband who died on their journey west. Hannah needs a husband, but does she dare marry another stranger? Flint Creed has also lost someone he loved—when the woman he hoped to marry chose his younger brother instead. Now he must find a ranch wife of his own. But every female in the remote Wyoming Territory is too old, too young, or already married . . . until he discovers Hannah on the prairie. Flint doesn’t pretend to love her, but he doesn’t tell her he loves another woman, either. Hannah doesn’t pretend to love him, but she doesn’t tell him about the child she carries. Though danger surrounds them on the Wyoming frontier, the greatest threats of all are the secrets within—revelations that could destroy the new life Hannah and Flint have begun to cherish. The passionate Westerns in Joan Johnston’s Bitter Creek series can be enjoyed together or separately, in any order: TEXAS BRIDE • WYOMING BRIDE • MONTANA BRIDE • SINFUL • SHAMELESS • BLACKTHORNE’S BRIDE • SULLIVAN’S PROMISE
Brittany's life was spiraling out of control and she still needed a groom by Saturday or her father would lose everything he'd spent his life working for. The stranger she just met may be the hero she's been looking for her whole life. Regardless, he would suffice as a groom for the wedding ceremony. Taylor wasn't even looking for a woman and definitely not a bride, when he received an unorthodox marriage proposal from a beautiful trucker. Can they find true love after the wedding and make their dreams of a happily ever after a reality?
Lindsey’s golden anniversary 50th novel! #1 New York Times bestselling author Johanna Lindsey presents a passionate novel of hidden identities, family secrets, and love that transcends a fifty-year feud set in the majestic ranchland of 1880s Montana Territory. Some young ladies marry for money and social standing, a few lucky ones marry for love, but Tiffany Warren is marrying to end a feud. Honoring her mother’s wishes, Tiffany reluctantly travels west to meet her estranged father and his enemy’s eldest son, rancher Hunter Callahan. Once the Warrens and the Callahans are united by marriage, both clans will stop squabbling over a disputed strip of land. But in the chaos of a train robbery Tiffany seizes a golden opportunity: By assuming the identity of her father’s new housekeeper she can live with the father she never knew while assessing the character of the neighboring cowboy to whom she is betrothed. But the moment she steps off the train, the Callahans steal the “housekeeper” from their rivals, the Warrens! Now Tiffany, masquerading as Jennifer Fleming, finds herself living in the enemy camp, under the same roof as her fiancé, a handsome, sweettalking charmer whom she has to fight off because he can’t keep his eyes— or his hands—off Jennifer. After Tiffany’s charade is exposed, she refuses to marry Hunter. How can she wed a man who is in love with another woman? As Hunter goes about claiming his rightful bride-to-be, he knows he loves two women—proper, elegant Tiffany as well as spunky, passionate Jennifer—but he has only one heart to win.
NEW YORK TIMES BESTSELLER The “paradigm-influencing” book (Christianity Today) that is fundamentally transforming our understanding of white evangelicalism in America. Jesus and John Wayne is a sweeping, revisionist history of the last seventy-five years of white evangelicalism, revealing how evangelicals have worked to replace the Jesus of the Gospels with an idol of rugged masculinity and Christian nationalism—or in the words of one modern chaplain, with “a spiritual badass.” As acclaimed scholar Kristin Du Mez explains, the key to understanding this transformation is to recognize the centrality of popular culture in contemporary American evangelicalism. Many of today’s evangelicals might not be theologically astute, but they know their VeggieTales, they’ve read John Eldredge’s Wild at Heart, and they learned about purity before they learned about sex—and they have a silver ring to prove it. Evangelical books, films, music, clothing, and merchandise shape the beliefs of millions. And evangelical culture is teeming with muscular heroes—mythical warriors and rugged soldiers, men like Oliver North, Ronald Reagan, Mel Gibson, and the Duck Dynasty clan, who assert white masculine power in defense of “Christian America.” Chief among these evangelical legends is John Wayne, an icon of a lost time when men were uncowed by political correctness, unafraid to tell it like it was, and did what needed to be done. Challenging the commonly held assumption that the “moral majority” backed Donald Trump in 2016 and 2020 for purely pragmatic reasons, Du Mez reveals that Trump in fact represented the fulfillment, rather than the betrayal, of white evangelicals’ most deeply held values: patriarchy, authoritarian rule, aggressive foreign policy, fear of Islam, ambivalence toward #MeToo, and opposition to Black Lives Matter and the LGBTQ community. A much-needed reexamination of perhaps the most influential subculture in this country, Jesus and John Wayne shows that, far from adhering to biblical principles, modern white evangelicals have remade their faith, with enduring consequences for all Americans.
