**NOW A MAJOR MOTION PICTURE STARRING JODIE COMER, EXECUTIVE PRODUCED BY BENEDICT CUMBERBATCH, AND WRITTEN BY ALICE BIRCH (NORMAL PEOPLE)** “The End We Start From by Megan Hunter is a short, concentrated book—a shot of distilled story, like the pulp of a tale boiled to a thick spiced paste. . . . With passages from mythology interspersed with its imagined future, the book is engrossing, compelling and finally hopeful.” —Naomi Alderman, author of The Power “The End We Start From is a beautifully spare, haunting meditation on the persistence of life after catastrophe. I loved it.” —Emily St. John Mandel, author of Station Eleven Longlisted for the 2018 Aspen Words Literary Prize Finalist for the Barnes & Noble 2017 Discover Great New Writers Award An indelible and elemental debut—a lyrical vision of the strangeness and beauty of new motherhood, and a tale of endurance in the face of unimaginable change. In the midst of a mysterious environmental crisis, as London is submerged below flood waters, a woman gives birth to her first child, Z. Days later, the family is forced to leave their home in search of safety. As they move from place to place, shelter to shelter, their journey traces both fear and wonder as Z's small fists grasp at the things he sees, as he grows and stretches, thriving and content against all the odds. This is a story of new motherhood in a terrifying setting: a familiar world made dangerous and unstable, its people forced to become refugees. Startlingly beautiful, Megan Hunter's The End We Start From is a gripping novel that paints an imagined future as realistic as it is frightening. And yet, though the country is falling apart around them, this family's world—of new life and new hope—sings with love.
Now a major film starring Killing Eve's Jodie Comer. As flood waters close over London, a woman gives birth to a child. Heartfelt and urgently original, The End We Start From is the compulsive debut novel from Megan Hunter. 'Beautifully spare and haunting' - Emily St. John Mandel, author of Station Eleven 'Extraordinary. Megan Hunter's prose is exquisite' – Hannah Kent, author of Burial Rites Days after giving birth, mother and child are forced to leave home in search of safety. The journey north with be dangerous – but new life and fresh hope push them on . . . A startlingly beautiful story of a family's survival, The End We Start From is a haunting but hopeful dystopian vision of a familiar world made dangerous and unstable. 'Virginia Woolf does cli-fi . . . tremendous' – Independent 'Stunning' – Benedict Cumberbatch
SOON TO BE A MAJOR MOTION PICTURE STARRING JODIE COMER, WITH BENEDICT CUMBERBATCH, KATHERINE WATERSTON AND MARK STRONG "I'll be recommending this book for years to come. Utterly brilliant, hugely important. Here's the thing: it's perfect." Nathan Filer, author of The Shock of the Fall "Extraordinary ... reminiscent of Cormac McCarthy's The Road" Financial Times The mainland is on fire, they say in so many words. After the flood, the fire. I am losing the story. I am forgetting. In the midst of a mysterious environmental crisis, as London is submerged below flood waters, a woman gives birth to her first child, Z. Days later, the family are forced to leave their home in search of safety. As they move from place to place, shelter to shelter, their journey traces both fear and wonder as Z's small fists grasp at the things he sees, as he grows and stretches, thriving and content against all the odds. This is a story of new motherhood in a terrifying setting: a familiar world made dangerous and unstable, its people forced to become refugees. Startlingly beautiful, Megan Hunter's The End We Start From is a gripping novel that paints an imagined future as realistic as it is frightening. And yet, though the country is falling apart around them, this family's world - of new life and new hope - sings with love. PRAISE FOR THE END WE START FROM "The End We Start From is a stunning tale of motherhood. Megan Hunter has crafted a striking and frighteningly real story of a family fighting for survival that will make everyone stop and think about what kind of planet we are leaving behind for our children." Benedict Cumberbatch "An exceptional, alarming and beautiful book, which still echoes months after I finished reading it. Megan Hunter is a writer of unnerving power." Evie Wyld, author of All the Birds, Singing "Spellbinding . . . a slender novel, but more profoundly moving than novels six times as long. It is perfectly balanced between fear and wonder. The world around them may be falling apart in the most extraordinary way, but ordinary life goes on and, as Hunter makes us understand, what a beautiful life it is." The Bookseller "I can't remember ever having read a novel quite as sparing or as daring as Megan Hunter's The End We Start From, or one that delivers so mighty an impact from such delicate materials. It is a moving, wistful and compelling debut." Jim Crace, author of Harvest "A beautifully spare, haunting meditation on the persistence of life after catastrophe. I loved it." Emily St. John Mandel, author of Station Eleven "Megan Hunter's prose is exquisite, her depiction of a world descending into chaos is frighteningly real, and yet, it is her portrayal of motherhood - that tender-terrifying experience of bringing a child into a world - that has remained with me ... an incredible, original exploration of all that beauty, boredom and bewilderment. I read it in one sitting, and was deeply moved." Hannah Kent, author of Burial Rites and The Good People "Exceptional, stunning. I devoured it" Megan Bradbury, author of Everyone is Watching "A dystopia that feels utterly convincing as our narrator gives birth to her son in a London under threat of advancing flood waters. She lives in the gulp zone so must head off into a familiar territory that has become terrifying in search of shelter and safety. This slender take on new motherhood has stayed with me - not least in making me think about the UK as a place to flee from rather than to, and to imagine Londoners turned refugees" Stylist "I was moved, terrified, uplifted - sometimes all three at once" Tracy Chevalier, author of Girl With a Pearl Earring
Part revenge tale, part fairy tale—an electrifying story of marriage, infidelity and power by the author of the #1 Indie Next Pick, The End We Start From. A MILLIONS Most Anticipated Book of the Month A Best Book of Fall for ESQUIRE A VOGUE Novel Editors Recommend for Fall A LITERARY HUB 20 books that are laced with sinister magic Lucy and Jake live in a house by a field where the sun burns like a ball of fire. Lucy has set her career aside in order to devote her life to the children, to their finely tuned routine, and to the house itself, which comforts her like an old, sly friend. But then a man calls one afternoon with a shattering message: his wife has been having an affair with Lucy’s husband, Jake. The revelation marks a turning point: Lucy and Jake decide to stay together, but make a special arrangement designed to even the score and save their marriage—she will hurt him three times. As the couple submit to a delicate game of crime and punishment, Lucy herself begins to change, surrendering to a transformation of both mind and body from which there is no return. Told in dazzling, musical prose, The Harpy is a dark, staggering fairy tale, at once mythical and otherworldly and fiercely contemporary. It is a novel of love, marriage and its failures, of power, control and revenge, of metamorphosis and renewal. “A beautiful, poetic account of [a] marriage, and also an insightful character study . . . And when it borders on a dark fairy tale, The Harpy soars.” —NPR
Nudge meets Hooked in a practical approach to designing products and services that change behavior, from what we buy to how we work. Deciding what to create at modern companies often looks like an episode of Mad Men: people throw ideas around until one sounds sexy enough to execute and then they scale it to everyone. The result? Companies overspend on marketing to drive engagement with products and services that people don't want and won't help them be happier and healthier. Start at the End offers a new framework for design, grounded in behavioral science. Technology executive and behavioral scientist Matt Wallaert argues that the purpose of everything is behavior change. By starting with outcomes instead of processes, the most effective companies understand what people want to do and why they aren't already doing it, then build products and services to bridge the gap. Wallaert is a behavioral psychologist who has led product design at organizations ranging from startups like Clover Health to industry leaders such as Microsoft. Whether dissecting the success behind Uber's ridesharing service or Flamin' Hot Cheetos, he underscores with clarity and humor how this approach can improve the way we work and live. This is an essential roadmap for building products that matter--and changing behavior for the better.
Winner of the Gold Dagger for Best Crime Novel from the Crime Writers’ Association (UK) Winner for Best International Crime Fiction from Australian Crime Writers Association An Instant New York Times Bestseller “A vibrant, engrossing, unputdownable thriller that packs a serious emotional punch. One of those rare books that surprise you along the way and then linger in your mind long after you have finished it.” —Kristin Hannah, #1 New York Times bestselling author of The Nightingale and The Four Winds Right. Wrong. Life is lived somewhere in between. Duchess Day Radley is a thirteen-year-old self-proclaimed outlaw. Rules are for other people. She is the fierce protector of her five-year-old brother, Robin, and the parent to her mother, Star, a single mom incapable of taking care of herself, let alone her two kids. Walk has never left the coastal California town where he and Star grew up. He may have become the chief of police, but he’s still trying to heal the old wound of having given the testimony that sent his best friend, Vincent King, to prison decades before. And he's in overdrive protecting Duchess and her brother. Now, thirty years later, Vincent is being released. And Duchess and Walk must face the trouble that comes with his return. We Begin at the End is an extraordinary novel about two kinds of families—the ones we are born into and the ones we create.
PREVIOUS BOOK IN SERIES: IT ENDS WITH US, ISBN 9781501110368. Before 'It Ends with Us', it started with Atlas. Colleen Hoover tells fan favourite Atlass side of the story and shares what comes next in this long-anticipated sequel to the glorious and touching (USA TODAY) 'It Ends With Us'.
Re-focus your business plan and achieve the success your business deserves Business owners, and their teams, often lose their way in the midst of the day-to-day stress of generating sales and profits. Whether your goal is selling millions of your product, expanding operations to a new location, or generating more profits, Start at the End offers a unique approach and action steps for business owners and entrepreneurs to redevelop your business plan and achieve ultimate success. You'll learn how to re-create your long-term vision and then make continuous progress in achieving that vision while continuing to hit your short-term goals. Start at the End offers inspiring stories of other entrepreneurs who have achieved significant success in this area, as well as easy-to-follow exercises and next steps. Shows how to develop a realistic business and financial model based on market data Explains how to identify and pursue new opportunities, raise capital, and build growth strategies Start at the End gives business owners a chance to take a step back, re-evaluate your business, and redesign your business plan to achieve the success you dreamed of when you first launched your company.
Every love story has a breaking point... From the author of Paperweight comes the star-crossed romance of two high school friends in a tale rife with deeply buried secrets and shocking revelations. BEFORE: Bridge and Wil have been entangled in each other’s lives for years. Under the white-hot Florida sun, they went from kids daring each other to swim past the breakers to teenagers stealing kisses between classes. But when Bridge betrayed Wil during their junior year, she shattered his heart and their relationship along with it. AFTER: When Wil’s family suffers a violent loss, and Bridge rushes back to Wil’s side. As they struggle to heal old wounds and start falling for each other all over again, Bridge and Wil discover just how much has changed in the past year. Though they once knew each other’s every secret, they aren’t the same people they used to be. Bridge can’t imagine life without Wil, but sometimes love isn’t enough. Can they find their way back to each other, or will this be the end of their story?
