Connects the earliest applications of probability and statistics in gambling and insurance to the most recent applications in law, medicine, polling, and baseball as well as their impact on biology, physics and psychology.
Anders Engberg-Pedersen shows how the Napoleonic Wars inspired a new discourse on knowledge in the West. Soldiers returning from battle were forced to reconsider what it is possible to know and how decisions are made in a fog of imperfect knowledge. Chance no longer appeared exceptional but normative—a prism for understanding the modern world.
Napoleon’s campaigns were the most complex military undertakings in history before the nineteenth century. But the defining battles of Austerlitz, Borodino, and Waterloo changed more than the nature of warfare. Concepts of chance, contingency, and probability became permanent fixtures in the West’s understanding of how the world works. Empire of Chance examines anew the place of war in the history of Western thought, showing how the Napoleonic Wars inspired a new discourse on knowledge. Soldiers returning from the battlefields were forced to reconsider basic questions about what it is possible to know and how decisions are made in a fog of imperfect knowledge. Artists and intellectuals came to see war as embodying modernity itself. The theory of war espoused in Carl von Clausewitz’s classic treatise responded to contemporary developments in mathematics and philosophy, and the tools for solving military problems—maps, games, and simulations—became models for how to manage chance. On the other hand, the realist novels of Balzac, Stendhal, and Tolstoy questioned whether chance and contingency could ever be described or controlled. As Anders Engberg-Pedersen makes clear, after Napoleon the state of war no longer appeared exceptional but normative. It became a prism that revealed the underlying operative logic determining the way society is ordered and unfolds.
As we approach the elections of 2004, U.S. progressives are faced with the challenge of how to confront our unresponsive and apparently untouchable power structures. With millions of antiwar demonstrators glibly dismissed as a "focus group," and with the collapse of political and intellectual dialogue into slogans and soundbites used to stifle protest-"Support the Troops," "We Are the Greatest Nation on Earth," etc.-many people feel cynical and hopeless. Citizens of the Empire probes into the sense of disempowerment that has resulted from the Left's inability to halt the violent and repressive course of post-9/11 U.S. policy. In this passionate and personal exploration of what it means to be a citizen of the world's most powerful, affluent and militarized nation in an era of imperial expansion, Jensen offers a potent antidote to despair over the future of democracy. In a plainspoken analysis of the dominant political rhetoric-which is intentionally crafted to depress political discourse and activism-Jensen reveals the contradictions and falsehoods of prevailing myths, using common-sense analogies that provide the reader with a clear-thinking rebuttal and a way to move forward with progressive political work and discussions. With an ethical framework that integrates political, intellectual and emotional responses to the disheartening events of the past two years, Jensen examines the ways in which society has been led to this point and offers renewed hope for constructive engagement. Robert Jensen is a professor of media law, ethics and politics at the University of Texas, Austin. He is the author of Writing Dissent: Taking Radical Ideas from the Margins to the Mainstream, among other books. He also writes for popular media, and his opinion and analytical pieces on foreign policy, politics and race have appeared in papers and magazines throughout the United States.
Apart from water, tea is more widely consumed than any other food or drink. Tens of billions of cups are drunk every day. How and why has tea conquered the world? Tea was the first global product. It altered life-styles, religions, etiquette and aesthetics. It raised nations and shattered empires. Economies were changed out of all recognition. Diseases were thwarted by the magical drink and cities founded on it. The industrial revolution was fuelled by tea, sealing the fate of the modern world. Green Gold is a remarkable detective story of how an East Himalayan camellia bush became the world's favourite drink. Discover how the tea plant came to be transplanted onto every continent and relive the stories of the men and women whose lives were transformed out of all recognition through contact with the deceptively innocuous green leaf.
After a terrible war almost extinguished humanity, the New Terran Empire rises from its own ashes.Sent on an exploratory mission to the dead worlds of the Old Empire, Commander Jared Mertz sets off into the unknown.Only the Old Empire isn't quite dead after all. Evil lurks in the dark.With everything he holds dear at stake, Jared must fight like never before. Victory means life. Defeat means death. Or worse.If you love military science fiction and grand adventure on a galaxy-spanning scale, grab "Empire of Bones" and the rest of The Empire of Bones Saga today!
The #1 New York Times bestseller from “one of America’s most hilarious and provocative writers . . . a volatile brew of one-liners and vitriol” (Time). Renowned for his cranky conservative humor, P. J. O’Rourke runs hilariously amok in this book, tackling the death of communism; his frustration with sanctimonious liberals; and Saddam Hussein in a series of classic dispatches from his coverage of the 1991 Gulf War. On Kuwait City after the war, he comments, “It looked like all the worst rock bands in the world had stayed there at the same time.” On Saddam Hussein, O’Rourke muses: “He’s got chemical weapons filled with . . . with . . . chemicals. Maybe he’s got The Bomb. And missiles that can reach Riyadh, Tel Aviv, Spokane. Stock up on nonperishable foodstuffs. Grab those Diet Coke cans you were supposed to take to the recycling center and fill them with home heating oil. Bury the Hummel figurines in the yard. We’re all going to die. Details at eleven.” And on the plague of celebrity culture, he notes: “You can’t shame or humiliate modern celebrities. What used to be called shame and humiliation is now called publicity.” Mordant and utterly irreverent, this is a modern classic from one of our great political satirists, described by Christopher Buckley as being “like S. J. Perelman on acid.” “Mocking on the surface but serious beneath . . . When it comes to scouting the world for world-class absurdities, O’Rourke is the right man for the job.” —Los Angeles Times Book Review “The funniest writer in America.” —The Wall Street Journal