A History of Pre-cinema
Author: Stephen Herbert
Publisher: Psychology Press
Published: 2000
Total Pages: 374
ISBN-13: 9780415211475
DOWNLOAD EBOOKCovers: Movement in two dimensions.
Read and Download eBook Full
Author: Stephen Herbert
Publisher: Psychology Press
Published: 2000
Total Pages: 374
ISBN-13: 9780415211475
DOWNLOAD EBOOKCovers: Movement in two dimensions.
Author: Stephen Herbert
Publisher: Routledge
Published: 2023-06
Total Pages: 0
ISBN-13: 9781032514925
DOWNLOAD EBOOKA History of Pre-Cinema Volume 1 (and volumes 2 and 3) cover the optical devices used for entertainment and instruction that proliferated before the introduction of cinema. Volume 1 is divided into the following sections: The camera obscura; Photography; Stereoscopy; Moving photographs; Chronophotography; Optical, philosophical toys.
Author: Alberto Gabriele
Publisher: Springer
Published: 2016-12-21
Total Pages: 234
ISBN-13: 1137545925
DOWNLOAD EBOOKThe book investigates the dispersed emergence of the new visual regime associated with nineteenth-century pre-cinematic spectacles in the literary imagination of the previous centuries. Its comparative angle ranges from the Medieval and Baroque period to the visual and stylistic experimentations of the Romantic age, in the prose of Anne Radcliffe, the experiments of Friedrich Schlegel, and in Wordsworth’s Prelude. The book examines the cultural traces of the transformation of perception and representation in art, architecture, literature, and print culture, providing an indispensable background to any discussion of nineteenth-century culture at large and its striving for a figurative model of realism. Understanding the origins of nineteenth-century mimesis through an unacknowledged genealogy of visual practices helps also to redefine novel theory and points to the centrality of the new definition of ‘historicism’ irradiating from Jena Romanticism for the structuring of modern cultural studies.
Author: Stephen Herbert
Publisher: Routledge
Published: 2023-06
Total Pages: 0
ISBN-13: 9781032515526
DOWNLOAD EBOOKVolume 3 of A History of Pre-Cinema contains a complete reprint of Olive Cook's book Movement in Two Dimensions. In it, the author carefully describes how each of the technologies worked, but she is more concerned with the aesthetic and cultural than the technical.
Author: Stephen Herbert
Publisher: Routledge
Published: 2023-06
Total Pages: 0
ISBN-13: 9781032515144
DOWNLOAD EBOOKA History of Pre-Cinema Volume 2 (and volumes 1 and 3) cover the optical devices used for entertainment and instruction that proliferated before the introduction of cinema. Volume 2 is divided into the following sections: Peepshows; The Panorama; The Diorama; Magic Mirrors; Shadowplay; Magic Lanterns; Pepper's Ghost; Recreative Science; Various Optical Devices.
Author: Scott Curtis
Publisher: Indiana University Press
Published: 2018-03-22
Total Pages: 406
ISBN-13: 0253034426
DOWNLOAD EBOOKIn The Image in Early Cinema, the contributors examine intersections between early cinematic form, technology, theory, practice, and broader modes of visual culture. They argue that early cinema emerged within a visual culture composed of a variety of traditions in art, science, education, and image making. Even as methods of motion picture production and distribution materialized, they drew from and challenged practices and conventions in other mediums. This rich visual culture produced a complicated, overlapping network of image-making traditions, innovations, and borrowing among painting, tableaux vivants, photography, and other pictorial and projection practices. Using a variety of concepts and theories, the contributors explore these crisscrossing traditions and work against an essentialist notion of media to conceptualize the dynamic interrelationship between images and their context.
Author: Hermann Hecht
Publisher: Bowker-Saur
Published: 1993
Total Pages: 508
ISBN-13:
DOWNLOAD EBOOKAuthor: Richard Abel
Publisher: Indiana University Press
Published: 2008-12-17
Total Pages: 362
ISBN-13: 0861969154
DOWNLOAD EBOOKEssays on “how motion pictures in the first two decades of the 20th century constructed ‘communities of nationality’ . . . recommended.” —Choice While many studies have been written on national cinemas, Early Cinema and the “National” is the first anthology to focus on the concept of national film culture from a wide methodological spectrum of interests, including not only visual and narrative forms, but also international geopolitics, exhibition and marketing practices, and pressing linkages to national imageries. The essays in this richly illustrated landmark anthology are devoted to reconsidering the nation as a framing category for writing cinema history. Many of the 34 contributors show that concepts of a national identity played a role in establishing the parameters of cinema’s early development, from technological change to discourses of stardom, from emerging genres to intertitling practices. Yet, as others attest, national meanings could often become knotty in other contexts, when concepts of nationhood were contested in relation to colonial/imperial histories and regional configurations. Early Cinema and the “National” takes stock of a formative moment in cinema history, tracing the beginnings of the process whereby nations learned to imagine themselves through moving images.