There are eight Schmitt brothers in all, and one of them is even a girl - the poor thing. Anne, the only girl, is a ruthless tomboy. Fritz is an aspiring mad scientist. Zach is an aspiring weird scientist. Lester is their lab rat and test pilot. Roscoe is the thrill-seeker and super hero. Stanley is the family comedian. Gus is the perfectionist and natural victim. Last but not least, there's Fuzz, the family baby - raised by his brothers. Every day is chock full of adventure, pranks, mischief and misfortune. A must read for all ages.
“One of America’s most notorious murder cases inspires this feverish debut” novel that goes inside the mind of Lizzie Borden (The Guardian). On the morning of August 4, 1892, Lizzie Borden calls out to her maid: Someone’s killed Father. The brutal ax-murder of Andrew and Abby Borden in their home in Fall River, Massachusetts, leaves little evidence and many unanswered questions. In this riveting debut novel, Sarah Schmidt reimagines the day of the infamous murders as an intimate story of a family devoid of love. While neighbors struggle to understand why anyone would want to harm the respected Bordens, those close to the family have a different tale to tell―of a father with an explosive temper, a spiteful stepmother, and two spinster sisters desperate for their independence. As the police search for clues, Lizzie’s memories of that morning flash in scattered fragments. Had she been in the barn or the pear arbor to escape the stifling heat of the house? When did she last speak to her stepmother? Were they really gone and would everything be better now? Shifting among the perspectives of the unreliable Lizzie, her older sister Emma, the housemaid Bridget, and the enigmatic stranger Benjamin, the events of that fateful day are slowly revealed through a high-wire feat of storytelling.
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Originally delivered as the Biennial Ehsan Yarshater Lectures, Aspects of Kinship in Ancient Iran is an exploration of kinship in the archaeological and historical record of Iran’s most ancient civilizations. D.T. Potts brings together history, archaeology, and social anthropology to provide an overview of what we can know about the kith and kinship ties in Iran, from prehistory to Elamite, Achaemenid, and Sasanian times. In so doing, he sheds light on the rich body of evidence that exists for kin relations in Iran, a topic that has too often been ignored in the study of the ancient world.
NEW YORK TIMES BESTSELLER • David Byrne’s incisive and enthusiastic look at the musical art form, from its very inceptions to the influences that shape it, whether acoustical, economic, social, or technological—now updated with a new chapter on digital curation. “How Music Works is a buoyant hybrid of social history, anthropological survey, autobiography, personal philosophy, and business manual”—The Boston Globe Utilizing his incomparable career and inspired collaborations with Talking Heads, Brian Eno, and many others, David Byrne taps deeply into his lifetime of knowledge to explore the panoptic elements of music, how it shapes the human experience, and reveals the impetus behind how we create, consume, distribute, and enjoy the songs, symphonies, and rhythms that provide the backbeat of life. Byrne’s magnum opus uncovers thrilling realizations about the redemptive liberation that music brings us all.
You can't just ask for the chance to fly . . . When his dad announced they were moving to Iowa, Brian looked forward to making some new friends. But on his first day there he makes an enemy instead -- Frankie Heller, the meanest kid in town. Brian needs to hang out with someone cool to get back on track. . . .Alex has always been the coolest guy around, and good with money, just like his dad. But now the family is struggling, and he needs to make some cash to keep up appearances. Then an opportunity falls in his lap . . . .Max is a scientific genius, but his parents are always busy with their own work. Building an actual plane should get their attention -- if only he wasn't scared of heights . . . The answer to all three boys' problems starts with Max's secret flyer. But Frankie and the laws of popularity and physics stand in their way. Can they work together in time to get their plan AND their plane off the ground?
Every attempted delineation of the manners and customs of Imperial Rome must necessarily include a survey, as exhaustive as may be, of the spectacles, as the best measure of her grandeur, and as indicative in many ways of her moral and intellectual condition. Originally, for the most part, religious celebrations, they became, even in the later Republic, the best means of purchasing popular favour, and, under the Empire, of keeping the populace contented. Augustus, the tale runs, once reproached Pylades the Pantomime for his jealousy of a rival, and Pylades replied: 'It is to your advantage, Caesar, that the people concerns itself about us'. But these spectacles effected more even than the diversion of popular interest; their magnificence was a gauge of the popularity of the sovereign. The emperors, like Louis XIV, knew how admiration aids absolute autocracy; like Napoleon, that the imagination of the people must be excited: splendid festivals were one of their most indispensable and most constant devices. Even Caligula, according to Josephus, was honoured and beloved by the folly of the populace; the women and the youth did not desire his death; distributions of meat, the games and the gladiatorial combats had won their hearts, for such were the delights of the mob: the lavishing of these gifts was nominally due to consideration for the populace, though the gladiatorial combats were only intended to sate the monarch's lust of blood.
