The Elegies and The Songs and Sonnets. Ed. with Introd. and Commentary by Helen Gardner. [Mit Portr. U. Noten.]
Author: John Donne
Publisher:
Published: 1965
Total Pages: 272
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: John Donne
Publisher:
Published: 1965
Total Pages: 272
ISBN-13:
DOWNLOAD EBOOKAuthor: John Donne
Publisher:
Published: 1970
Total Pages: 272
ISBN-13:
DOWNLOAD EBOOKAuthor: John Donne
Publisher:
Published: 1978
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: John Donne
Publisher:
Published: 1970
Total Pages: 272
ISBN-13:
DOWNLOAD EBOOKAuthor: John Donne
Publisher:
Published: 1970
Total Pages: 272
ISBN-13:
DOWNLOAD EBOOKAuthor: John Donne
Publisher:
Published: 1965
Total Pages: 272
ISBN-13:
DOWNLOAD EBOOKAuthor: Jo Catling
Publisher: Cambridge University Press
Published: 2000-03-23
Total Pages: 420
ISBN-13: 9780521656283
DOWNLOAD EBOOKThis volume makes the wide-ranging work of German women writers visible to a wider audience. It is the first work in English to provide a chronological introduction to and overview of women's writing in German-speaking countries from the Middle Ages to the present day. Extensive guides to further reading and a bibliographical guide to the work of more than 400 women writers form an integral part of the volume, which will be indispensable for students and scholars of German literature, and all those interested in women's and gender studies.
Author: Irving Babbitt
Publisher:
Published: 1910
Total Pages: 280
ISBN-13:
DOWNLOAD EBOOKAuthor: Colin Lawson
Publisher: Cambridge University Press
Published: 2012-02-16
Total Pages: 1066
ISBN-13: 1316184420
DOWNLOAD EBOOKThe intricacies and challenges of musical performance have recently attracted the attention of writers and scholars to a greater extent than ever before. Research into the performer's experience has begun to explore such areas as practice techniques, performance anxiety and memorisation, as well as many other professional issues. Historical performance practice has been the subject of lively debate way beyond academic circles, mirroring its high profile in the recording studio and the concert hall. Reflecting the strong ongoing interest in the role of performers and performance, this History brings together research from leading scholars and historians and, importantly, features contributions from accomplished performers, whose practical experiences give the volume a unique vitality. Moving the focus away from the composers and onto the musicians responsible for bringing the music to life, this History presents a fresh, integrated and innovative perspective on performance history and practice, from the earliest times to today.