The Ecological Eugene O'Neill

The Ecological Eugene O'Neill

Author: Robert Baker-White

Publisher: McFarland

Published: 2015-09-21

Total Pages: 235

ISBN-13: 1476622191

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The dramas of Eugene O'Neill--often called America's first "serious" playwright--exhibit an imagining of the natural world that enlivens the plays and marks the boundaries of the characters' fates. O'Neill's figures move within purposefully animated natural environments--ocean, dense forest, desert plains, the rocky soil of New England. This new approach to O'Neill's dramas explores these ecological settings as crucial to his characters' ability to carry out their conscious and unconscious desires. O'Neill's career is covered, from his youthful one-acts, to the middle years experimental dramas, to the mature tragedies of his late period. Special attention is paid to the connection of ecology and theological quest, and to O'Neill's persistent evocation of an exotic, natural "other." Combining an ecocritical approach with an examination of Classical and philosophical influences on the playwright's creative process, the author reveals a new, less hermetic O'Neill.


Earth Matters on Stage

Earth Matters on Stage

Author: Theresa J. May

Publisher: Routledge

Published: 2020-08-09

Total Pages: 303

ISBN-13: 1000069982

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Earth Matters on Stage: Ecology and Environment in American Theater tells the story of how American theater has shaped popular understandings of the environment throughout the twentieth century as it argues for theater’s potential power in the age of climate change. Using cultural and environmental history, seven chapters interrogate key moments in American theater and American environmentalism over the course of the twentieth century in the United States. It focuses, in particular, on how drama has represented environmental injustice and how inequality has become part of the American environmental landscape. As the first book-length ecocritical study of American theater, Earth Matters examines both familiar dramas and lesser-known grassroots plays in an effort to show that theater can be a powerful force for social change from frontier drama of the late nineteenth century to the eco-theater movement. This book argues that theater has always and already been part of the history of environmental ideas and action in the United States. Earth Matters also maps the rise of an ecocritical thought and eco-theater practice – what the author calls ecodramaturgy – showing how theater has informed environmental perceptions and policies. Through key plays and productions, it identifies strategies for artists who want their work to contribute to cultural transformation in the face of climate change.


Eugene O'Neill's America

Eugene O'Neill's America

Author: John Patrick Diggins

Publisher: ReadHowYouWant.com

Published: 2010-10

Total Pages: 598

ISBN-13: 1459605918

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In the face of seemingly relentless American optimism, Eugene O'Neill's plays reveal an America many would like to ignore, a place of seething resentments, aching desires, and family tragedy, where failure and disappointment are the norm and the American dream a chimera. Though derided by critics during his lifetime, his works resonated with aud...


Complex Ecology

Complex Ecology

Author: Charles G. Curtin

Publisher: Cambridge University Press

Published: 2018-05-31

Total Pages: 595

ISBN-13: 1108244335

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From climate change to species extinction, humanity is confronted with an increasing array of societal and environmental challenges that defy simple quantifiable solutions. Complexity-based ecology provides a new paradigm for ecologists and conservationists keen to embrace the uncertainty that is pressed upon us. This book presents key research papers chosen by some sixty scholars from various continents, across a diverse span of sub-disciplines. The papers are set alongside first person commentary from many of the seminal voices involved, offering unprecedented access to experts' viewpoints. The works assembled also shed light on the process of science in general, showing how the shifting of wider perspectives allows for new ideas to take hold. Ideal for undergraduate and advanced students of ecology and conservation, their educators and those working across allied fields, this is the first book of its kind to focus on complexity-based approaches and provides a benchmark for future collected volumes.


By Women Possessed

By Women Possessed

Author: Arthur Gelb

Publisher: Penguin

Published: 2016-11-01

Total Pages: 922

ISBN-13: 0698170687

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Celebrated for their books on Eugene O’Neill and enjoying access to a trove of previously sealed archival material, the Gelbs deliver their final volume on the stormy life and brilliant oeuvre of this Nobel Prize–winning American playwright. This is a tour through both a magical moment in American theater and the troubled life of a genius. Not a peep show or a celebrity gossip fest, this book is a brilliant investigation of the emotional knots that ensnared one of our most important playwrights. Handsome, charming when he wanted to be: O’Neill was the flame women were drawn to—all, that is, except his mother, who never let him forget he was unwanted. By Women Possessed follows O’Neill through his great successes, the failures he was able to shrug off, and the long eclipse, a twelve-year period in which, despite the Nobel, nothing he wrote was produced. But ahead lay his greatest achievements: The Iceman Cometh and Long Day’s Journey into Night. Both were ahead of their time and both received lukewarm receptions. It wasn’t until after his death that his widow, the keeper of the flame, began a fierce and successful campaign to restore his reputation. The result is that today, just over 125 years after his birth, O’Neill is a towering presence in the theater, his work—always in performance here and abroad—still electrifying audiences. Perhaps of equal importance, he is the acknowledged father of modern American theater, the man who paved the way for the likes of Arthur Miller, Tennessee Williams, Edward Albee, and a host of others. But, as Williams has said, at a cost: “O’Neill gave birth to the American theater and died for it.”