Helen Banks is going to die. When her twin brother gambles away their fortune, she must save his life and take his place in a duel to satisfy the honor of a man her brother couldn’t pay. Disguised as her brother, Helen faces the one man she’s admired from afar, a widower with a dark past and eyes that scorch her very soul. Since Gareth Fairfax lost his wife, the darkness in his heart continues to grow. Lashing out at anyone who opposes him, Gareth is stunned to face a lovely young woman opposite his dueling pistol. After discovering Helen’s deception, he offers her a choice: become his mistress or her brother dies. Their devil’s bargain turns into a slow, sweet, intoxicating seduction. With each passing hour, Helen uncovers Gareth’s secret heartbreak and yet she can’t help but fall for the man who has ruined her. With Helen in his arms, Gareth wonders if he might yet be saved. All it takes is one passionate embrace, a kiss from the depths of his soul and a night of wild abandon.
Jann Matlock's study of prostitution, hysteria, and the novel in nineteenth-century France considers, for the first time, the three topics together with their links to constructions of female marginality and desire. Made increasingly accessible to a large public by inexpensive printing methods, new forms of circulation like the roman-feuilleton, and rising literacy rates among women and workers, the novel became the medium for exchanges over women's bodies and desires. Matlock reveals the coincident traffic of the novel in the subjects of women on the fringe of society - prostitutes, hysterics, and madwomen- and the invitations extended to its new readers to explore new worlds of sexuality and intrigue. In addition, Matlock examines debates on the tolerance of prostitution, sexual continence, the relationship between female sexuality and madness, and the "dangers" of literature by incorporating into her study material from a myriad of archives, including medical case studies, police reports, newspaper editorials, and memoirs. Against this rich background, she discusses the novels of Balzac, Dumas fils, Sand, Soulié, and Sue, many of which were directed at a female audience.
As the most notorious rakehell in Regency London, Lord Damien Sinclair sought only his own pleasure, until his beloved younger sister, Olivia, was injured and her reputation ruined during a forbidden tryst. Now Damien will do anything to destroy the young nobleman guilty of hurting Olivia. . . . And Vanessa Wyndham will protect her foolish brother at all costs, even if it means entering into an illicit bargain with the dangerously handsome "Lord Sin." When Vanessa offers to act as a companion to Lord Sin's invalid sister, Damien agrees with one scandalous condition--he'll forgive her brother's debt if she agrees to become his mistress. And so the seduction begins. But once the affair has ended, will they escape with their hearts intact?
Townsfolk called him devil. For dark and enigmatic Julian, Earl of Ravenwood, was a man with a legendary temper and a first wife whose mysterious death would not be forgotten. Some said the beautiful Lady Ravenwood had drowned herself in the black, murky waters of Ravenwood Pond. Others whispered of foul play and the devil's wrath. Now country-bred Sophy Dorring is about to become Ravenwood's new bride. Drawn to his masculine strength and the glitter of desire that burned in his emerald eyes, the tawny-haired lass had her own reasons for agreeing to a marriage of convenience. One was vengeance, and in its pursuit she would entangle Julian in a blackmail plot, a duel at dawn, and a dangerous masquerade. The other reason was dearer to her heart, but just as wild a quest: Sophy Dorring intended to teach the devil to love again.
American literature is typically seen as something that inspired its own conception and that sprang into being as a cultural offshoot of America's desire for national identity. But what of the vast precedent established by English literature, which was a major American import between 1750 and 1850? In The Importance of Feeling English, Leonard Tennenhouse revisits the landscape of early American literature and radically revises its features. Using the concept of transatlantic circulation, he shows how some of the first American authors--from poets such as Timothy Dwight and Philip Freneau to novelists like William Hill Brown and Charles Brockden Brown--applied their newfound perspective to pre-existing British literary models. These American "re-writings" would in turn inspire native British authors such as Jane Austen and Horace Walpole to reconsider their own ideas of subject, household, and nation. The enduring nature of these literary exchanges dramatically recasts early American literature as a literature of diaspora, Tennenhouse argues--and what made the settlers' writings distinctly and indelibly American was precisely their insistence on reproducing Englishness, on making English identity portable and adaptable. Written in an incisive and illuminating style, The Importance of Feeling English reveals the complex roots of American literature, and shows how its transatlantic movement aided and abetted the modernization of Anglophone culture at large.
The question of what it takes "to be a man" comes under scrutiny in this sharp, often playful, cultural critique of the German duel--the deadliest type of one-on-one combat in fin-de-siécle Europe. At a time when dueling was generally restricted to swords or had been abolished altogether in other nations, the custom of fighting to the death with pistols flourished among Germany's upper-class males, who took perverse comfort in defying their country's weakly enforced laws. From initial provocation to final death agony, Kevin McAleer describes with ironic humor the complex protocol of the German duel, inviting his reader into the disturbing mindset of its practitioners and the society that valued this socially important but ultimately absurd pastime. Through a narrative that cannot restrain itself from poking fun at the egos and prejudices that come to the fore in the pursuit of "manliness," McAleer offers both an entertaining and thought-provoking portrait of a cultural phenomenon that had far-reaching effects. The author employs a wealth of anecdotes to re-create the dueling event in all its variety, from the level of insult--which could range from loudly ridiculing a man's choice of entrée in an upscale restaurant to, more commonly, bedding his wife--to such intricacies as the time and place of the duel, the guest list, the selection of weapons and number of paces, dress options, and the decision regarding when to let the attending physician set up his instruments on the field. As he exposes the reader to the fierce mentality behind these proceedings, McAleer describes the duel as a litmus test of courage, the masculine apotheosis, which led its male practitioners to lay claim to both psychic and legal entitlements in Wilhelmine society. The aristocratic nature of the duel, with its feudal ethos of chivalry, gave its upper-middle-class practitioners even more opportunity to distinguish themselves from the underclasses and other marginalized groups--such as Socialists, Jews, left-liberals, Catholics, and pacifists, who, for various reasons, were stigmatized as incapable of "giving satisfaction." The duel, according to McAleer, was thus a social mirror, and the dueling issue political dynamite. Throughout these accounts, the author sustains a personal voice to convey the horror and fascination of what at first appears to be simply a curious fringe activity, but which he goes on to reveal as an integral element of German society's consciousness in the late nineteenth century. In so doing, he strengthens the argument that Germany followed a path of development separate from the rest of Europe, leading to World War I and ultimately to Hitler and the Nazis. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
New York Times bestselling author Amanda Quick's first two romance novels, Seduction and Surrender. Seduction Townsfolk called him devil. For dark and enigmatic Julian, Earl of Ravenwood, was a man with a legendary temper and a first wife whose mysterious death would not be forgotten. Some said the beautiful Lady Ravenwood had drowned herself in the black, murky waters of Ravenwood Pond. Others whispered of foul play and the devil's wrath. Now country-bred Sophy Dorring is about to become Ravenwood's new bride. Drawn to his masculine strength and the glitter of desire that burned in his emerald eyes, the tawny-haired lass had her own reasons for agreeing to a marriage of convenience. One was vengeance, and in its pursuit she would entangle Julian in a blackmail plot, a duel at dawn, and a dangerous masquerade. The other reason was dearer to her heart, but just as wild a quest: Sophy Dorring intended to teach the devil to love again. Surrender From the dazzling ballrooms of glittering London society to magnificent, cursed estate in the distant wilds of Yorkshire, comes the deliciously wicked story of a thoroughly unconventional courtship -- and a thrilling midnight rendezvous that could only lead to love... At four and twenty Victoria Huntington thought herself quite adept at fending off fortune hunters... until she came under siege from Lucas Colebrook, the darkly disturbing new Earl of Stonevale. Amidst the brightly plumed birds of the town, Lucas was a hawk. And when he held out the lure of moonlit rides and wild, reckless midnight escapades, Victoria found herself powerless to resist. But becoming Stonevale's companion in adventure was far more dangerous undertaking than Victoria could ever imagine. For the attractive Earl would use her every weakness to woo her, to win her, and ultimately to wed her. And soon the amber-eyed lady would find herself ensconced in a crumbling mansion deep in the English countryside... where the real reason for her hasty marriage becomes all too apparent...and where the ghosts of her dark-stained past are waiting to rise up in a terrifying plot that will threaten her life, her honor, and the only man she could ever love.
SOCIETY CALLS HIM THE DEVIL OF LONDON... Lord Vaughn, Viscount Darlington, has a dark reputation for sinful pleasures, putting off even the most ardent mamas who crave his title for their unmarried daughters They say he’s dangerous enough to ruin a woman with just one look...But he can’t resist the pleas of a woman who needs his help. This rogue might yet be redeemed. SHE’S THE DARLING OF THE TON... All of London adores Perdita Darby. She receives invites to every party and has eligible gentlemen willing to wait for her, but she has no desire to marry. When she discovers a cruel man wishes to entrap her into a marriage that could spell her doom, she has nowhere left to turn. She makes a bargain with the devil of London, hoping to save herself. But the cost of their false engagement may put them both in danger...
This is an original analysis of the novels of Gombrowicz, a fascinating figure of the 20th-century European avante-garde. Berressem examines the novels in light of both contemporary literary theory and Lacanian psychoanalysis.
Provides a comprehensive overview of all aspects of the poetry, drama, fiction, and literary and cultural criticism produced from the Restoration of the English monarchy to the onset of the French Revolution Comprises over 340 entries arranged in A-Z format across three fully indexed and cross-referenced volumes Written by an international team of leading and emerging scholars Features an impressive scope and range of subjects: from courtship and circulating libraries, to the works of Samuel Johnson and Sarah Scott Includes coverage of both canonical and lesser-known authors, as well as entries addressing gender, sexuality, and other topics that have previously been underrepresented in traditional scholarship Represents the most comprehensive resource available on this period, and an indispensable guide to the rich diversity of British writing that ushered in the modern literary era 3 Volumes www.literatureencyclopedia.com
