Works by more than 60 Irish poets, from 18th century to modern times, include poems by Swift, Goldsmith, Moore; Allingham, Yeats, Joyce; plus verses by lesser-known poets.
Works by more than 60 Irish poets, from 18th century to modern times, includepoems bySwift, Goldsmith, Moore; Allingham, Yeats, Joyce; plus verses by lesser-known poets."
This pioneering anthology introduces many previously neglected eighteenth-century writers to a general readership, and will lead to a re-examination of the entire canon of Irish verse in English. Between 1700 and 1800, Dublin was second only to London as a center for the printing of poetry in English. Many fine poets were active during this period. However, because Irish eighteenth-century verse in English has to a great extent escaped the scholar and the anthologist, it is hardly known at all. The most innovative aspect of this new anthology is the inclusion of many poetic voices entirely unknown to modern readers. Although the anthology contains the work of well-known figures such as John Toland, Thomas Parnell, Jonathan Swift, Patrick Delany, Laetitia Pilkington and Oliver Goldsmith, there are many verses by lesser known writers and nearly eighty anonymous poems which come from the broadsheets, manuscripts and chapbooks of the time. What emerges is an entirely new perspective on life in eighteenth-century Ireland. We hear the voice of a hard working farmer's wife from county Derry, of a rambling weaver from county Antrim, and that of a woman dying from drink. We learn about whale-fishing in county Donegal, about farming in county Kerry and bull-baiting in Dublin. In fact, almost every aspect of life in eighteenth-century Ireland is described vividly, energetically, with humor and feeling in the verse of this anthology. Among the most moving poems are those by Irish-speaking poets who use amhran or song meter and internal assonance, both borrowed from Irish, in their English verse. Equally interesting is the work of the weaver poets of Ulster who wrote in vigorous and energetic Ulster-Scots. The anthology also includes political poems dating from the reign of James II to the Act of Union, as well as a selection of lesser-known nationalist and Orange songs. Each poem is fully annotated and the book also contains a glossary of terms in Hiberno-English and Ulster Scots.
This book surveys Irish writing in English over the last two centuries, from Maria Edgeworth to Seamus Heaney, to give the literary student and the general reader an up-to-date sense of its variety and vitality and to indicate some of the ways in which it has been described and discussed. It begins with a brief outline of Irish history, of Irish writing in Irish and Latin, and of writing in English before 1800. Later chapters consider Irish romanticism, Victorian Ireland, W.B.Yeats and the Irish Literary Revival, new directions in Irish writing after Joyce and the literature of contemporary Ireland, north and south, from 1960 to the present.
As a genetic study, this book uncovers the creative DNA of James Joyce's oeuvre by looking at the cultural forces that shaped him and that he in turn shaped in the creation of his books, developing a two-way relationship with history, memory and national identity. Following his development as an author, it revisits and redirects Joyce's attitudes towards the Irish Revival. From Chamber Music, through Ulysses to Finnegans Wake Joyce sought to define a cultural identity that went, in many respects, against the mainstream, but that nonetheless belonged to the wider Revivalist project with which it shared certain characteristics and aspirations. Joyce's historical and genealogical imagination is read through a careful investigation of the cultural materials that went into his work. Based on evidence from his personal library and the extensive archive of reading notes, ideas, sketches and drafts, this book investigates how Joyce used, absorbed and repurposed these materials creatively in his writing; it does so by bringing for the first time the methods of genetic criticism into the domain of cultural memory and the sociology of the text. Thus this books defines cultural genetics as an exploration of the textual material that are Joyce's sources interacts with the culture that produced and received them.