Enter the world of supernatural crime investigation....In the autumn of 1934 a channel crossing to France takes a paranormal turn for private detective, Andrew Singleton, when he sees an extraordinary mirage and has an encounter with a lady in white.On arrival in Paris he is quickly drawn into a very unusual murder investigation in which the victim appears to have died of fright in his sleep.Who caused this death and how? And could there be some connection to Singleton's experience on the channel? In a city alive with surrealism and metaphysical research, Singleton and his partner James Trelawney set off on the trail of a criminal mastermind, whose evil methods and motives will prove bizarre beyond their wildest imaginings.
A girl has been killed in the most brutal possible way. The police department are clueless. All they have to go on is a bloody boot print and a witness who claims to have seen a man leaving the crime scene at around the time of the murder. The victim's father thinks the nerd, Michael Branson, did it. Just before her death, his daughter had dragged Michael in a one sided Twitter feud. One thing he has failed to consider is that Michael is incapable of murder. The worst he can do is lie for a witness who has decided not to come forward. When a second person is killed across town, Michael realizes he knows exactly who is behind the killings. However he cannot tell anyone. It is a secret that will destroy him if he lets it out! As the bodies pile up across town, he is brought face to face with his fears and is forced to make the hardest decision of all. The one that will destroy him, or end the murders.
Twenty years, seven letters, and one long-lost love of a lifetime At age 40, Samantha Verant's life is falling apart-she's jobless, in debt, and feeling stuck... until she stumbles upon seven old love letters from Jean-Luc, the sexy Frenchman she'd met in Paris when she was 19. With a quick Google search, she finds him, and both are quick to realize that the passion they felt 20 years prior hasn't faded with time and distance. Samantha knows that jetting off to France to reconnect with a man that she only knew for one sun-drenched, passion-filled day is crazy-but it's the kind of crazy she's been waiting for her whole life.
From the foreword by Dr. Dave Duell: At 75 years of age, as a visionary and dreamer who has lived out what is written in this great book, I have been in ministry for most of my life. I have been working on a specific vision that God gave me over 60 years ago when I was a teenager, and I believe it is soon coming to pass. It can sometimes take most of a lifetime to see your dreams come to pass. Read this book and absorb the keys to your divine destiny. Then I encourage you to get started on what God has called you to do with your life-and don't quit
A charming series debut featuring two American sleuths in Paris, this traditional mystery is perfect for fans of M. L. Longworth and Juliet Blackwell The only thing chillier than a Parisian winter is cold-blooded murder. When French financier Edgar Bowen drowns in a bowl of soup, his former girlfriend, American Rachel Levis, is alarmed by the unnatural death. Who dies eating a nice vichyssoise? But when she overhears a mourner at his funeral describing the circumstances of his death, something sounds even stranger: a bottle of rosé was on the dining table when he died. The only problem: Edgar loathed rosé. If he wasn’t drinking it, who was? After the police rule the death accidental, Rachel knows it’s up to her and her best friend Magda to investigate. As the two Americans immerse themselves in Edgar’s upper-class world, the list of suspects grows: Could it have been his son, who inherited his money and lavish apartment? His icy ex-wife? His greedy new girlfriend? His impoverished personal assistant? But when the suspects start dropping like flies, Rachel and Magda realize the murderer is tying up loose ends. It’ll be up to two amateur sleuths to solve their first case before the murderer decides they’re next...
This happily ever after romance tells the captivating story of two women bound together across time by a shared dream and a mysterious writing desk. Tenley Roth’s first book was a runaway bestseller. Now that her second book is due, she’s locked in fear. Can she repeat her earlier success or is she a fraud who has run out of inspiration? With pressure mounting from her publisher, Tenley is weighted with writer’s block. But when her estranged mother calls asking Tenley to help her through chemotherapy, she packs up for Florida where she meets handsome furniture designer Jonas Sullivan and discovers the story her heart’s been missing. A century earlier, another woman wrote at the same desk with hopes and fears of her own. Born during the Gilded Age, Birdie Shehorn is the daughter of the old money Knickerbockers. Under the strict control of her mother, her every move is decided ahead of time, even whom she’ll marry. But Birdie has dreams she doesn’t know how to realize. She wants to tell stories, write novels, make an impact on the world. When she discovers her mother has taken extreme measures to manipulate her future, she must choose between submission and security or forging a brand new way all on her own. Tenley and Birdie are from two very different worlds, but fate has bound them together in a way time cannot erase. “Rachel Hauck enchants us again! Tenley and Birdie are bound together by the understanding that creativity is a guiding force and that their stories must be told. A tale both bittersweet and redemptive, The Writing Desk is your must-read.” —Patti Callahan Henry, New York Times bestselling author This sweet, split-time read is a standalone novel, though characters in this story appear in Rachel Hauck’s book, The Fifth Avenue Story Society. Includes discussion questions.
The daughter of a powerful army general, Evelyn White dreams of attending college and vows she will never marry a man in uniform. . . . which is why West Point cadet Clyde Brixton presents a problem. Clyde's brilliance in the new field of electrical power has him poised for a promising career in the Army's Corps of Engineers, but his penchant for racking up demerits threatens his chances for graduation. Evelyn and Clyde feel instant attraction toward one another as they spend one magical summer together. As their lives become more entwined, their friend Romulus's begins to come undone. When faced with helping Romulus at the expense of his own future, which one will Clyde choose? And when nothing turns out the way Evelyn planned, where will that leave her own future?
Archetypal images, Carl Jung believed, when elaborated in tales and ceremonies, shape culture’s imagination and behavior. Unfortunately, such cultural images can become stale and lose their power over the mind. But an artist or mystic can refresh and revive a culture’s imagination by exploring his personal dream-images and connecting them to the past. Dante Alighieri presents his Divine Comedy as a dream-vision, carefully establishing the date at which it came to him (Good Friday, 1300), and maintaining the perspective of that time and place, throughout the work, upon unfolding history. Modern readers will therefore welcome a Jungian psychoanalytical approach, which can trace both instinctual and spiritual impulses in the human psyche. Some of Dante’s innovations (admission of virtuous pagans to Limbo) and individualized scenes (meeting personal friends in the afterlife) more likely spring from unconscious inspiration than conscious didactic intent. For modern readers, a focus on Dante’s personal dream-journey may offer the best way into his poem.
Homesickness today is dismissed as a sign of immaturity, what children feel at summer camp, but in the nineteenth century it was recognized as a powerful emotion. When gold miners in California heard the tune "Home, Sweet Home," they sobbed. When Civil War soldiers became homesick, army doctors sent them home, lest they die. Such images don't fit with our national mythology, which celebrates the restless individualism of colonists, explorers, pioneers, soldiers, and immigrants who supposedly left home and never looked back. Using letters, diaries, memoirs, medical records, and psychological studies, this wide-ranging book uncovers the profound pain felt by Americans on the move from the country's founding until the present day. Susan Matt shows how colonists in Jamestown longed for and often returned to England, African Americans during the Great Migration yearned for their Southern homes, and immigrants nursed memories of Sicily and Guadalajara and, even after years in America, frequently traveled home. These iconic symbols of the undaunted, forward-looking American spirit were often homesick, hesitant, and reluctant voyagers. National ideology and modern psychology obscure this truth, portraying movement as easy, but in fact Americans had to learn how to leave home, learn to be individualists. Even today, in a global society that prizes movement and that condemns homesickness as a childish emotion, colleges counsel young adults and their families on how to manage the transition away from home, suburbanites pine for their old neighborhoods, and companies take seriously the emotional toll borne by relocated executives and road warriors. In the age of helicopter parents and boomerang kids, and the new social networks that sustain connections across the miles, Americans continue to assert the significance of home ties. By highlighting how Americans reacted to moving farther and farther from their roots, Homesickness: An American History revises long-held assumptions about home, mobility, and our national identity.
For writers and academics prominent in the field of the New Literatures in English today, the notion of return explodes into rich semantic difference to reveal the diversity of preoccupations underlying the use of the common tongue. From the Caribbean to Australia, Guyana to South Africa, India to Great Britain, literary, political and personal history collaborate in the poetic metamorphosis of an otherwise everyday experience. Now a state of being, now a reading rich with cross-cultural age, return draws from the collective memory, invokes revenants, digs up forgotten history, quests for roots. Just as it creates a dialogue with the past, textual or real, it negotiates turning points and perpetuates reversals. It reclaims territory, tradition and language in its yearning for home. Fraught with the tensions arising from awareness of the impossibility of return, from the exhilarations of imaginary, fictional return - even from the glimmering hope of a possible return - its contemplation can also lead to appreciation of the infinite re-turn, re-newal and re-creation that is the beauty of human experience. Discussion ranges from revenant supernaturalism in West Indian literature and the exploration of return in Australian, African and Indo-Anglian fiction to Caribbean poetry, South African praise poets, and West African drama. Writers treated include Ama Ata Aidoo, Edward Kamau Brathwaite, Jean D'Costa, Bessie Head, Matsemela Manaka, Salman Rushdie, Derek Walcott, and Patrick White. The personal, biographical dimension of physical return is encompassed via the examination of the life and works of such writers as Es'kia Mphahlele and Wole Soyinka, and through autobiographical reflections. The essays, stories and poetry in this collection challenge patterns of conditioned reading and call for a multilayered polylogue with reality.
