(Applause Books). This anthology represents George Jean Nathan in all the various facets of his long writing career. He has written on marraige, politics, doctors, metropolitan life, the ballet, love, alcohol on virtually every major aspect of contemporary life and he has had something shrewd or amusing to say about every one of them.
George Jean Nathan (1882-1958) was formative influence on American letters in the first half of this century, and is generally considered the leading drama critic of his era. With H. L. Mencken, Nathan edited The Smart Set and founded and edited The American Mercury, journals that shaped opinion in the 1920s and 1930s. This series of reprints, individually introduced by the distinguished critic and novelist Charles Angoff, collects Nathan's penetrating, witty, and sometimes cynical drama criticism.
Method Acting and Its Discontents: On American Psycho-Drama provides a new understanding of a crucial chapter in American theater history. Enelow’s consideration of the broader cultural climate of the late 1950s and early 1960s, specifically the debates within psychology and psychoanalysis, the period’s racial and sexual politics, and the rise of mass media, gives us a nuanced, complex picture of Lee Strasberg and the Actors Studio and contemporaneous works of drama. Combining cultural analysis, dramaturgical criticism, and performance theory, Enelow shows how Method acting’s contradictions reveal powerful tensions inside mid-century notions of individual and collective identity.
No one ever argued more forcefully or with such acerbic wit against the foolish aspects of religion as H. L. Mencken (1880-1956). As a journalist, he gained national prominence through his newspaper columns describing the now-famous 1925 Scopes trial, which pitted Fundamentalists against a public school teacher who dared to teach evolution. But both before and after the Scopes trial, Mencken spent much of his career as a columnist and book reviewer lampooning the ignorant piety of gullible Americans.S. T. Joshi has brought together and organized many of Mencken''s writings on religion in this provocative and entertaining collection. The articles here presented demonstrate that Mencken canvassed the entire range of religious phenomena of his time, from evangelists Billy Sunday and Aime Semple McPherson, to Christian Scientists, and theosophists and spiritualists. On a more serious note are his discussions of the philosophy of Friedrich Nietzsche and the scientific worldview as a rival to religious belief. Also included are poignant autobiographical accounts of Mencken''s own upbringing and his core beliefs on religion, ethics, and politics.If anything was sacred to Mencken, it was the right to speak one''s mind freely, and many of his attacks are directed against those true believers who he felt tried to foist their beliefs on others to stifle independent thinking. For everyone who values freethought and sharp intelligence, this collection of articles by America''s premier iconoclast is a must.
In this brilliant study, Marc Robinson explores more than two hundred years of plays, styles, and stagings of American theater. Mapping the changing cultural landscape from the late eighteenth century to the start of the twenty-first, he explores how theater has--and has not--changed and offers close readings of plays by O'Neill, Stein, Wilder, Miller, and Albee, as well as by important but perhaps lesser known dramatists such as Wallace Stevens, Jean Toomer, Djuna Barnes, and many others. Robinson reads each work in an ambitiously interdisciplinary context, linking advances in theater to developments in American literature, dance, and visual art. The author is particularly attentive to the continuities in American drama, and expertly teases out recurring themes, such as the significance of visuality. He avoids neatly categorizing nineteenth- and twentieth-century plays and depicts a theater more restive and mercurial than has been recognized before. Robinson proves both a fascinating and thought-provoking critic and a spirited guide to the history of American drama.
