Los Angeles: 2063 David Stalin was one of the best detectives in the business, running head-to-head with data-jackers, organ thieves, and the tech-enhanced gangs who ruled the shadowy streets of Los Angeles. He could do no wrong, until what seemed like an easy case got out of control, and left his wife dead among the abandoned ruins of old LA. After four years of self-imposed retirement, David suddenly finds himself back on the job, struggling to unravel a crime far worse than murder. This time, he’s not the hunter. As he’s about to discover, the past isn’t finished with him yet…
The conclusion to King's tale of Chester's Mill, Maine, a town that's inexplicably and suddenly sealed off from the rest of the world by an invisible force field, and which inspired a CBS TV drama.
An arresting memoir of the final years and tragic suicide of one of twentieth-century Europe’s greatest poets, published on the centenary of his birth. "Daive's memoir sensitively conjures a portrait of a man tormented by both his mind and his medical treatment but who nonetheless remained a generous friend and a poet for whom writing was a matter of life and death."—The New Yorker "Jean Daive's memoir of his brief but intense spell as confidant and poetic confrère of Paul Celan offers us unique access to the mind and personality of one of the great poets of the dark twentieth century."—J.M. Coetzee Paul Celan (1920–1970) is considered one of Europe's greatest post-World-War II poets, known for his astonishing experiments in poetic form, expression, and address. Under the Dome is French poet Jean Daive's haunting memoir of his friendship with Celan, a precise yet elliptical account of their daily meetings, discussions, and walks through Paris, a routine that ended suddenly when Celan committed suicide by drowning himself in the Seine. Daive's grief at the loss of his friend finds expression in Under the Dome, where we are given an intimate insight into Celan's last years, at the height of his poetic powers, and as he approached the moment when he would succumb to the debilitating emotional pain of a Holocaust survivor. In Under the Dome, Jean Daive illuminates Celan's process of thinking about poetry, grappling with questions of where it comes from and what it does: invaluable insights about poetry's relation to history and ethics, and how poems offer pathways into a deeper grasp of our past and present. This new edition of Rosmarie Waldrop’s masterful translation includes an introduction by scholars Robert Kaufman and Philip Gerard, which provides critical, historical, and cultural context for Daive’s enigmatic, timeless text. "Under the Dome breathes with Celan while walking with Celan, walking in the dark and the light with Celan, invoking the stillness, the silence, of the breathturn while speaking for the deeply human necessity of poetry."—Michael Palmer, author of The Laughter of the Sphinx "The fragments textured together in this more-than-magnificent rendering of Jean Daive’s prose poem by this master of the word, Rosmarie Waldrop, grab on and leave us haunted and speechless."—Mary Ann Caws, author of Creative Gatherings: Meeting Places of Modernism and editor of the Yale Anthology of Twentieth Century French Poetry "Rosmarie Waldrop's brilliant translation resonates with her profound knowledge of both Celan's and Daive's poetry and the passion for language that she shares with them. The text brings these three major poets together in a highly unusual and wholly successful collaboration."—Cole Swensen, author of On Walking On "Rosmarie Waldrop takes up Celan’s question to Jean Daive as her own. I cannot unread her inimitable ease in these pages. This is a book that contends with time."—Fady Joudah, author of Footnotes in the Order of Disappearance "Daive's writing is a highly punctuated recollection, a memoir, perhaps a testimony, but also surely a way of attending to the time of the writing, the conditions and coordinates of Celan's various enunciations, his linguistic humility. … Celan’s death, what Daive calls 'really unforeseeable,' remains as an 'undercurrent' in the conversations recollected here, gathered up again, with an insistence and clarity of true mourning and acknowledgement."—Judith Butler, author of The Force of Nonviolence
The Hate U Give meets Internment in this pulse-pounding thriller about an impenetrable dome around Baltimore that is keeping the residents in and information from going out during a city-wide protest. Jamal Lawson just wanted to be a part of something. As an aspiring journalist, he packs up his camera and heads to Baltimore to document a rally protesting police brutality after another Black man is murdered. But before it even really begins, the city implements a new safety protocol...the Dome. The Dome surrounds the city, forcing those within to subscribe to a total militarized shutdown. No one can get in, and no one can get out. Alone in a strange place, Jamal doesn't know where to turn...until he meets hacker Marco, who knows more than he lets on, and Catherine, an AWOL basic-training-graduate, whose parents helped build the initial plans for the Dome. As unrest inside of Baltimore grows throughout the days-long lockdown, Marco, Catherine, and Jamal take the fight directly to the chief of police. But the city is corrupt from the inside out, and it's going to take everything they have to survive.
How a bottom-up problem-solving ethos, multidisciplinary approach, and experimental mindset has nurtured entrepreneurship at MIT. MIT is world-famous as a launching pad for entrepreneurs. MIT alumni have founded at least 30,000 active companies, employing an estimated 4.6 million people, with revenues of approximately $1.9 trillion. In the 2010s, twenty to thirty ventures were spun off each year to commercialize technologies developed in MIT labs (with intellectual property licensed by MIT to these companies); in the same decade, MIT graduates started an estimated 100 firms per year. How has MIT become such a hotbed of entrepreneurship? In From the Basement to the Dome, Jean-Jacques Degroof describes how MIT's problem-solving ethos, multidisciplinary approach, and experimental mindset nurture entrepreneurship. Degroof explains that, at first, the culture of entrepreneurship sprang from such extracurricular activities as forums, clubs, and competitions. Eventually, the Institute formally supported these activities, offering courses in entrepreneurship. Degroof describes why entrepreneurship is so uniquely aligned with MIT's culture: a history of bottom-up decision-making, a tradition of academic excellence, a keen interest in problem-solving, a belief in experimentation, and a tolerance for failure on the way to success. Entrepreneurship is the logical outcome of MIT's motto, Mens et Manus (mind and hand) ), translating theories and scientific discoveries into products and businesses--many of which have the goal of solving some of the world's most pressing problems. Degroof maps MIT's current entrepreneurial ecosystem of students, faculty, and researchers; considers the effectiveness of teaching entrepreneurship; and outlines ways that the MIT story could inspire conversations in other institutions about promoting entrepreneurship.
He's passed his college entrance exams with flying colors. He can do pretty much whatever he wants. But what teenager Ron Morgan wants most is for his father to quit telling him what to do. Quit running his life. What better way to unwind than having a last blowout on Labor Day in the domed playground of Fun City: Manhattan. Inside the dome, however, Ron loses his wallet and identity card. Worse, he's trapped when the dome closes for the season. There's no way out. Gangs roam the street. Food is scarce. Ron is on his own. All Ron wanted was some fun. He'll be lucky to escape New York alive.... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
In the spring and summer of 2004, Iraq was coming apart at the seams. Sectarian violence pitted Shiite against Sunni. American proconsul L. Paul Bremer had disbanded the Iraqi Army, placing disgruntled young men on the street without jobs or the prospect of getting one. Their anger developed into a full-blown insurgency fed by a relentless campaign by the clergy for jihad against the occupation force. In August, a Shiite cleric named Muqtada Al-Sadr called upon his thousands of armed followers, the Mahdi Militia, to resist the occupation. Fighting broke out in several locations, including the holy city of Najaf, the site of the largest Moslem cemetery in the world, and the Imam Ali Mosque. The U.S. forces fought in 120-degree heat through a tangle of crypts, mausoleums, and crumbling graves. The fight was brutal, pitting religious zealots against the highly motivated and disciplined U.S. Army and Marine Corps troops. It makes for a riveting account of Americans in battle.
The discovery of a strange signal makes a young technician and his uncle question all they know about their utopian refuge. Now, they must solve the biggest mystery of all: Is there life beyond Dome Six? The Dome Project was meant to protect America’s best and brightest from a climate catastrophe. When they lost contact with the outside world, all they could do was wait and hope. But four generations later, Dome Six is still waiting, and hope is in short supply. When a suspected saboteur threatens the safety of the Dome, Owen and his conspiracy-loving uncle uncover a mysterious signal that may point the way out. But a veil of lies has long obscured the Dome's secrets, and the ruling Authority will kill to protect them. As the only world they've ever known crumbles around them, Owen and his friends must stop the Authority and escape before the Dome becomes their tomb. Dome Six is a gripping and suspenseful dystopian novel with influences from Logan's Run to The Island and 1984. If you can relate to the search for hope and humanity in a world run amok, you'll devour this thought-provoking take on a near-future America.
"Pioneer Works Press, in partnership with The Song Cave, is pleased to present the release of CHARAS: The Improbable Dome Builders, by Syeus Mottel (2017), a fascinating account of six ex-gang members who broke ground to construct a geodesic dome on a vacant lot in the shadow of the Manhattan Bridge after a 1970 meeting with the celebrated and revolutionary architect R. Buckminster Fuller, also known as Bucky. Originally published in 1973, this republication speaks to the issues at the heart of the CHARAS project as gentrification seems to multiply faster than communities can work to preserve themselves against it. The book acts as a record to highlight ways people have united to activate empty spaces before gentrification. As a group, CHARAS was interested in physically altering the housing conditions in their immediate neighborhood, the Lower East Side. Influenced by Bucky's teachings, the young men of CHARAS began a period of devoted study to solid geometry, spherical trigonometry, and the principles of dome building. Following this period, CHARAS developed a program that encouraged community autonomy and the reclaiming public space. More than simply a documentation of the project, the book offers stories, profiles, interviews, and images, and the group's process from their intensive study to the obstacles they faced while physically constructing domes."--pioneerworks.org
