The Disintegration of Shakespeare
Author: Edmund Kerchever Chambers
Publisher:
Published: 1966
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Edmund Kerchever Chambers
Publisher:
Published: 1966
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOKAuthor: Edmund K. Chambers
Publisher:
Published: 1980-07-01
Total Pages:
ISBN-13: 9780849507984
DOWNLOAD EBOOKAuthor: Edmund Kerchever Chambers
Publisher:
Published: 1970
Total Pages: 22
ISBN-13:
DOWNLOAD EBOOKAuthor: Allardyce Nicoll
Publisher: Cambridge University Press
Published: 2002-11-28
Total Pages: 208
ISBN-13: 9780521523783
DOWNLOAD EBOOKThe first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.
Author: Grace Ioppolo
Publisher: Harvard University Press
Published: 1991
Total Pages: 270
ISBN-13: 9780674766969
DOWNLOAD EBOOKIn Revising Shakespeare Grace Ioppolo addresses the question of Shakespeare's integrity. Through analysis of variant texts spanning the history of the plays, she arrives at an interpretation of Shakespeare as author and reviser. Ioppolo stars with the physical text. As textual studies of King Lear have shown, the text of Shakespeare is not as given. The text is nearly always a revision of another text. Critics can no longer evaluate plots, structure, and themes, nor can scholars debate what constitutes (or how to establish) a copy-text that stands as the most authoritative version of a Shakespeare play, without reconsidering the implications of revision for traditional and modern interpretations.
Author:
Publisher:
Published:
Total Pages: 573
ISBN-13: 0198117353
DOWNLOAD EBOOKAuthor: Sir Edmund Kerchever CHAMBERS
Publisher:
Published: 1924
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: David A. Watson
Publisher:
Published: 2013
Total Pages: 188
ISBN-13:
DOWNLOAD EBOOKAuthor: David Margolies
Publisher: Manchester University Press
Published: 1994
Total Pages: 180
ISBN-13: 9780719034411
DOWNLOAD EBOOKDavid Margolies provides a new and accessible way for teachers and students of Shakespeare to understand the immediacy of the plays for a contemporary audience.
Author: Samuel Crowell
Publisher:
Published: 2016-05-23
Total Pages: 302
ISBN-13: 9780990733546
DOWNLOAD EBOOKWho wrote the plays and poems attributed to William Shakespeare? This simple yet provocative question has long bedeviled Shakespearean studies. According to traditional scholars, the canonical texts can only trace to the singular genius of a glover's son from the small town of Stratford-on-Avon. But dissident voices have disrupted this consensus for more than 150 years, and while skeptics who engage the "authorship question" have often been dismissed as marginal cranks or elitists (or, in contemporary parlance, as "deniers"), their ranks have included such luminaries as Mark Twain, Henry James, and Sigmund Freud-as well as such acclaimed Shakespearean actors as Derek Jacobi and Mark Rylance. The counterweight to the claim that "Shakespeare wrote Shakespeare" typically hinges on the promotion of a single alternate candidate. Popular contenders have included Francis Bacon, Christopher Marlowe, and more recently, Edward de Vere, the 17th Earl of Oxford. In Willam Fortyhands, Samuel Crowell argues that this is the wrong way to approach the problem. The real problem, according to Crowell, rests in our fundamental perspective on the First Folio-the inaugural collection of Shakespeare published seven years after his death. Drawing on the history of Shakespearean scholarship, literary criticism, philosophy, and even science fiction, William Fortyhands seeks to show not only how our understanding of Shakespeare has been distorted, but how analytical tendencies have allowed the plays to be parceled out to other authors, only to find Shakespeare's hand, even today, throughout Elizabethan literature. William Fortyhands is also a memorial-without a tomb-for Shakespeare's many gifted and highly educated peers, whose contributions have been scanted in favor of simplistic narratives pitting the Bard of Avon against some single rival claimant. Among those profiled are the prolific bohemian Robert Greene, the brilliant satirist Thomas Nashe, the learned sailor and doctor Thomas Lodge, the outrageous and supremely poetic Christopher Marlowe, the whimsical and humane Thomas Dekker, the encyclopedic Michael Drayton, and the earnest historian Samuel Daniel. William Fortyhands throws a light on the creative efflorescence that was Elizabeth's London-but from which only one name has emerged.