This book explores Henry James's imaginative engagements with the burgeoning consumer culture of the late nineteenth and early twentieth centuries, focusing on his hitherto neglected fascination with shops and the shopping experience. Examining a wide range of the author's fiction and non-fiction in the context of developments such as the rise of the department store, the growing public presence of women shoppers and shop workers, and the increasing sophistication of commodity display and advertising, the book argues that consumer desire constitutes an integral part of James's understanding of modern subjectivity. It also demonstrates that the structures and strategies of commodity culture are deeply embedded in his style, his aesthetic and his conception of authorship. The study offers new readings of familiar and less familiar texts, and includes a wealth of original historical documentation that has been gleaned from contemporary newspapers, periodicals, advertising manuals, sales catalogues and guidebooks.
A major figure in nineteenth-century American politics and reform movements, Greeley was also a key actor in a worldwide debate about the meaning of freedom that involved progressive thinkers on both sides of the Atlantic, including Margaret Fuller, Ralph Waldo Emerson, and Karl Marx." "In the first comprehensive biography of Greeley to be published in nearly half a century, Williams captures Greeley from all sides: editor, reformer, political candidate, eccentric, and trans-Atlantic public intellectual; examining headlining news issues of the day, including slavery, westward expansion, European revolutions, the Civil War, the demise of the Whig and the birth of the Republican parties, transcendentalism, and other intellectual currents of the era."
Presented in conjunction with the September 2000 exhibition at the Metropolitan Museum, this volume presents the complex story of the proliferation of the arts in New York and the evolution of an increasingly discerning audience for those arts during the antebellum period. Thirteen essays by noted specialists bring new research and insights to bear on a broad range of subjects that offer both historical and cultural contexts and explore the city's development as a nexus for the marketing and display of art, as well as private collecting; landscape painting viewed against the background of tourism; new departures in sculpture, architecture, and printmaking; the birth of photography; New York as a fashion center; shopping for home decorations; changing styles in furniture; and the evolution of the ceramics, glass, and silver industries. The 300-plus works in the exhibition and comparative material are extensively illustrated in color and bandw. Oversize: 9.25x12.25". Annotation copyrighted by Book News Inc., Portland, OR
The celebrated annotator of "The Wizard of Oz" and "The Adventures of Huckleberry Finn" has now prepared a sumptuous new edition of the Dickens classic.
A Civil War history classic, now back in print. Braxton Bragg and Confederate Defeat, Volume I, examines General Braxton Bragg's military prowess beginning with his enlistment in the Confederate Army in 1862 to the spring of 1863. First published in 1969, this is the first of two volumes covering the life of the Confederacy's most problematic general. It is now back in print and available in paperback for the first time. A West Point graduate, Mexican War hero, and retired army lieutenant colonel, Bragg was one of the most distinguished soldiers to join the Confederacy, and for a time one of the most impressive. Grady McWhiney's research shows that Bragg was neither as outstanding nor as incompetent as scholars and contemporaries suggest, but held positions of high responsibility throughout the war. Not an overwhelming success as commander of the Confederacy's principal western army, Bragg nevertheless directed the Army of Tennessee longer than any other general, and, after being relieved of army command, he served as President Davis's military adviser. Of all the Confederacy's generals, only Robert E. Lee exercised more authority over such an extended period as Bragg. Yet less than two years later Bragg was the South's most discredited commander. Much of this criticism was justified, for he had done as much as any Confederate general to lose the war. The army's failures were Bragg's failures, and after his defeat at Chattanooga in November 1863 Bragg was relieved of field command.
A timely, “solidly researched [and] gracefully written” (The Wall Street Journal) biography of President Andrew Jackson that offers a fresh reexamination of this charismatic figure in the context of American populism—connecting the complex man and the politician to a longer history of division, dissent, and partisanship that has come to define our current times. Andrew Jackson rose from rural poverty in the Carolinas to become the dominant figure in American politics between Jefferson and Lincoln. His reputation, however, defies easy description. Some regard him as the symbol of a powerful democratic movement that saw early 19th-century voting rights expanded for propertyless white men. Others stress Jackson’s prominent role in removing Native American peoples from their ancestral lands, which then became the center of a thriving southern cotton kingdom worked by more than a million enslaved people. A combative, self-defined champion of “farmers, mechanics, and laborers,” Jackson railed against East Coast elites and Virginia aristocracy, fostering a brand of democracy that struck a chord with the common man and helped catapult him into the presidency. “The General,” as he was known, was the first president to be born of humble origins, first orphan, and thus far the only former prisoner of war to occupy the office. Drawing on a wide range of sources, The First Populist takes a fresh look at Jackson’s public career, including the pivotal Battle of New Orleans (1815) and the bitterly fought Bank War; it reveals his marriage to an already married woman and a deadly duel with a Nashville dandy, and analyzes his magnetic hold on the public imagination of the country in the decades between the War of 1812 and the Civil War. “By assessing the frequent comparisons between Jackson and Donald Trump…the hope is that a fresh understanding of the divisive times of ‘the country’s original anti-establishment president’ might shed light on our own” (The Christian Science Monitor).
From Kirkus Reviews: A friendly yet not uncritical biography of the secretary of state in the Lincoln and Andrew Johnson Cabinets. Taylor--who chronicled his father's life in General Maxwell Taylor (1987)- -offers neither much original scholarship nor
Alexander Hamilton and the Persistence of Myth explores the shifting reputation of our most controversial founding father. Since the day Aaron Burr fired his fatal shot, Americans have tried to come to grips with Alexander Hamilton's legacy. Stephen Knott surveys the Hamilton image in the minds of American statesmen, scholars, literary figures, and the media, explaining why Americans are content to live in a Hamiltonian nation but reluctant to embrace the man himself. Knott observes that Thomas Jefferson and his followers, and, later, Andrew Jackson and his adherents, tended to view Hamilton and his principles as "un-American." While his policies generated mistrust in the South and the West, where he is still seen as the founding "plutocrat," Hamilton was revered in New England and parts of the Mid-Atlantic states. Hamilton's image as a champion of American nationalism caused his reputation to soar during the Civil War, at least in the North. However, in the wake of Gilded Age excesses, progressive and populist political leaders branded Hamilton as the patron saint of Wall Street, and his reputation began to disintegrate. Hamilton's status reached its nadir during the New Deal, Knott argues, when Franklin Roosevelt portrayed him as the personification of Dickensian cold-heartedness. When FDR erected the beautiful Tidal Basin monument to Thomas Jefferson and thereby elevated the Sage of Monticello into the American Pantheon, Hamilton, as Jefferson's nemesis, fell into disrepute. He came to epitomize the forces of reaction contemptuous of the "great beast"-the American people. In showing how the prevailing negative assessment misrepresents the man and his deeds, Knott argues for reconsideration of Hamiltonianism, which rightly understood has much to offer the American polity of the twenty-first century. Remarkably, at the dawn of the new millennium, the nation began to see Hamilton in a different light. Hamilton's story was now the embodiment of the American dream-an impoverished immigrant who came to the United States and laid the economic and political foundation that paved the way for America's superpower status. Here in Stephen Knott's insightful study, Hamilton finally gets his due as a highly contested but powerful and positive presence in American national life.
At the Table of Power is both a cookbook and a culinary history that intertwines social issues, personal stories, and political commentary. Renowned culinary historian Diane M. Spivey offers a unique insight into the historical experience and cultural values of African America and America in general by way of the kitchen. From the rural country kitchen and steamboat floating palaces to marketplace street vendors and restaurants in urban hubs of business and finance, Africans in America cooked their way to positions of distinct superiority, and thereby indispensability. Despite their many culinary accomplishments, most Black culinary artists have been made invisible—until now. Within these pages, Spivey tells a powerful story beckoning and daring the reader to witness this culinary, cultural, and political journey taken hand in hand with the fight of Africans in America during the foundation years, from colonial slavery through the Reconstruction era. These narratives, together with the recipes from the nineteenth and twentieth centuries, expose the politics of the day and offer insight on the politics of today. African American culinary artists, Spivey concludes, have more than earned a rightful place at the table of culinary contribution and power.
