Part notebook, part ethical treatise, part fantasized autobiography, The Diary of Kaspar Hauser is a striking collection of forty or so haiku-like compositions, diary entries imagined to have been penned by the "idiot" Kaspar Hauser and discovered, by chance, after his death by brutal murder, among the papers of his patron, Franz Paul Webern.
On Whit Monday 1828 a strange youth, barely able to speak and hardly able to walk appeared in Nuremberg. This new case of a 'wild man' excited widespread curiosity, and many prominent figures wanted to test their pedagogical and medical theories on such a promising subject. Who was he? Was he, as many claimed, the rightful heir to the Grand Duchy of Baden, or was he simply an ingenious fraud? This book examines the many ramifications of this fascinating case, and offers many insights into the social, political and intellectual life of Biedermeier Germany.
From his appearance on the streets of Nuremberg in 1828 to his disturbing murder only five years later, the enigmatic story of Kaspar Hauser has stirred feelings of love and admiration in countless people. He has been celebrated as the subject of films and plays, popular books and academic studies, yet even today – almost two hundred years after his death – he continues to arouse opposition and hatred from his detractors, who dismiss him as an opportunist and a fraud. In the first English-language edition of this classic text – the original, comprehensive attempt to illumine the mysterious life of Kaspar Hauser from a spiritual-scientific, anthroposophical perspective – historian Karl Heyer gathers the basic facts of the life and death of the ‘Child of Europe’, exploring his remarkable abilities and character. With impressive clarity, he goes on to study Hauser’s fate in relation to the mission and destiny of Middle Europe, focusing on the roles of the House of Baden and key political actors such as Napoleon and Otto von Bismarck. His original research leads to some shattering conclusions with significant consequences for Europe’s future. Heyer was initially drawn to the subject through a private conversation with Rudolf Steiner. That seed matured forty years later into intensive research and the first publication of this book in German in 1958. ‘For me’, said Heyer, ‘it represented the high point of my writing and a kind of crowning of my life’s work.’
“Hypnotic….It is ever tempting to try to fathom his restless spirit and his determination to challenge fate.” —Janet Maslin, New York Times Werner Herzog (Grizzly Man) is one of the most revered and enigmatic filmmakers of our time, and Fitzcarraldo is one of his most honored and admired films. More than just Herzog’s journal of the making of the monumental, problematical motion picture, which involved, among other things, major cast changes and reshoots, and the hauling (without the use of special effects) of a 360-ton steamship over a mountain , Conquest of the Useless is a work of art unto itself, an Amazonian fever dream that emerged from the delirium of the jungle. With fascinating observations about crew and players—including Herzog’s lead, the somewhat demented internationally renowned star Klaus Kinski—and breathtaking insights into the filmmaking process that are uniquely Werner Herzog, Conquest of the Useless is an eye-opening look into the mind of a cinematic master.
In 1828 a teenage boy was discovered on the streets of Nuremberg. Barely able to walk, he clutched a letter in his hand. This youth, Kaspar Hauser, who couldn't properly speak or write, was soon to become an international phenomenon known as "the Child of Europe." The story of Kaspar Hauser presents many mysteries. According to his account, the young boy spent most of his life confined in a darkened space. Unable to stand up, and with no knowledge of his captors, he was fed a diet of bread and water. Eventually released from this macabre prison, he survived an assassination attempt only to be stabbed to death in 1833. Why was a child kept in such squalid circumstances? Who were his parents? Who was responsible for such a cruel attack on childhood? Who murdered him? In this seminal work Peter Tradowsky addresses these questions through the insights of Anthroposophy. His analysis reveals some of the secrets of Kaspar Hauser's short life, and the occult significance of his incarnation, spiritual nature and individuality.
Kept in a dungeon for his entire childhood, Kaspar Hauser appeared in Nuremberg, Germany, in 1828 at age sixteen, barely able to walk or talk. When he was killed in 1833, his true identity and the motives for his unsolved murder became the subjects of intense speculation. This provocative essay sheds new light on this mystery and delves into fundamental questions about the long-term effects of child abuse.
"Kurt Tucholsky (1890-1935) achieved popular success in Germany before the First World War with a witty and sensitive novel of young love. But he is best known for his work as a satirist and critic, most of it written as a left-wing journalist in Berlin during the twenties and the years leading up to the Nazis, the fateful Weimar years. He is considered by some an exemplar of the intemperately critical spirit that doomed Weimar--a cautionary and bitter footnote to an era; by others, an indispensable moral and prophetic voice of the period, basically correct in his assessments and values." -- Book jacket.
Calvin Fletcher, born in Vermont in 1798, came to Indiana from Ohio in 1821, and in the next forty-five years made a fortune, raised eleven children, and was a pillar of the community. This pioneer Indianapolis lawyer, banker, and philanthropist kept a diary for most of his long life, and in it he recorded both the growth of his family and his community. Whether complaining, criticizing, observing shrewdly, or agonizing, Fletcher emerges as both a complex and unforgettable human being. Each of the set's nine volumes has a preface, chronology, and index. Volume nine includes a cumulative index.
"You know from seeing it that Herzog was up to something strange in filming Heart of Glass. Now the mystery is clarified. Alan Greenberg peers into the heart of darkness of the great artist." —Roger Ebert&“Mesmerizing . . . as poetic and mysterious as the film itself.&”—Jim JarmuschThis intimate chronicle of the visionary filmmaker Werner Herzog directing a masterwork is interwoven with Herzog's original screenplay to create a unique vision of its own. Alan Greenberg was, according to the director, the first &“outsider&” to seek him out and recognize his greatness. At the end of their first evening together Herzog urged Greenberg to work with him on his new film--and everything thereafter. In this film, Heart of Glass, Herzog exercised control over his actors by hypnotizing them before shooting their scenes. The result was one of the most haunting movies ever made. Not since Lillian Ross's classic 1950 book Picture has an American writer given such a close, first-hand, book-length account of how a director makes a movie. But this is not a conventional, journalistic account. Instead it presents a unique vision with the feel of a novel--intimate, penetrating, and filled with mystery. Alan Greenberg is a writer, film director, film producer, and photographer. He is also the author of Love in Vain: A Vision of Robert Johnson. Werner Herzog is considered one of the world's greatest filmmakers. His books include Conquest of the Useless and Of Walking in Ice.