'Diary of a Provincial Lesbian' juggles funny encounters with next-door neighbours, Dierdre and Martin, work colleagues like Tom, who's thinking of coming out, and Miriam a 'semi-retired' lesbian.
A “big-hearted” (The Daily Beast), “LOL-worthy” (Cosmopolitan) debut about a down-on-his-luck gay man working out how he fits into the world, making up for lost time, and opening himself up to life’s possibilities “Part of a new wave of authors releasing uplifting queer literature that casts its characters as the heroes of their lives . . . crammed with blossoming romances and glittery escapism.”—The Guardian Danny Scudd is absolutely fine. He always dreamed of escaping the small-town life of his parents’ fish-and-chip shop, moving to London, and becoming a journalist. And, after five years in the city, his career isn’t exactly awful, and his relationship with pretentious Tobbs isn’t exactly unfulfilling. Certainly his limited-edition Dolly Parton vinyls and many (maybe too many) house plants are hitting the spot. But his world is flipped upside down when a visit to the local clinic reveals that Tobbs might not have been exactly faithful. In fact, Tobbs claims they were never operating under the “heteronormative paradigm” of monogamy to begin with. Oh, and Danny’s flatmates are unceremoniously evicting him because they want to start a family. It’s all going quite well. Newly single and with nowhere to live, Danny is forced to move in with his best friend, Jacob, a flamboyant nonbinary artist whom he’s known since childhood, and their eccentric group of friends living in an East London “commune.” What follows is a colorful voyage of discovery through modern queer life, dating, work, and lots of therapy—all places Danny has always been too afraid to fully explore. Upon realizing just how little he knows about himself and his sexuality, he careens from one questionable decision (and man) to another, relying on his inscrutable new therapist and housemates to help him face the demons he’s spent his entire life trying to repress. Is he really fine, after all?
A look at how 'ordinary' people in London and Birmingham lived, worked and coped during World War II, through the diary of an "ordinary commonplace Londoner."
When Erika Drake, of the Westmount Drakes, met and fell in love with Marc Reiser, a Jew from northern Ontario, their respective worlds were turned upside down. Set against the backdrop of the first three years of the Second World War, Earth and High Heaven captured the hearts and minds of its generation and helped to shape the more diverse and inclusive culture we have today. Published in 1944, this classic novel was very timely; it spoke of the prejudices of its time, when Gentiles and Jews did not mix in society. Earth and High Heaven was the most successful novel of its time, winning many awards and prizes, including the Anisfield-Wolf Book Award in 1945 (an award founded to reward books that exposed racism or explored the richness of human diversity). It was translated into eighteen languages and the film rights were purchased by Samuel Goldwyn for a remarkable $100,000. Earth and High Heaven was the first Canadian novel to top the New York Times bestseller list for the better part of a year.
DigiCat Publishing presents to you this special edition of "Round about a Pound a Week" by Mrs. Pember Reeves. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
This novel, written by Rose Allatini under the pseudonym A.T. Fitzroy, is a landmark in gay and lesbian literature, and in the literature of pacifism. It was unavailable to readers for more than half of the 20th century: the British government seized the unsold copies in 1918 and arrested and prosecuted author Allatini and publisher C.W. Daniel under the Defence of the Realm Act. This was a dangerous book on several counts. Although the author was prosecuted for the political content of the book as detrimental to war morale, the trial judge also took pains to denounce the book's advocacy of homosexual rights. Just two decades after the Oscar Wilde trial, gay men and lesbians were still not allowed to plead equality. In a Wellsian peroration near the end of the book, reminiscent of that author's "The Food of the Gods, " and certainly influenced too by Edward Carpenter's "Towards Democracy, " Allatini stakes a claim for a gay and lesbian consciousness as part of humankind's evolution, demanding not only tolerance, but acceptance. Allatini equates the gentleness and empathy of gay men and women with an inherent antipathy toward the destructive stupidity of war. The British penal system seems to have agreed with her in part, declaring pacifists and homosexual persons as criminal bodies, to be isolated and punished. It seems no coincidence that the sentences meted out to men who would not fight was the same as that accorded to convicted homosexuals: imprisonment, hard labor, and abuse by jailers. Every pacifist was an Oscar Wilde. Writing before women had the right to vote in Great Britain, Allatini offers a free-spirited lesbian heroine who suffers a painful self-acceptance. She depicts brave women who, because there are fewer other choices available to them, become helpers and companions to pacifists; on the other side, she skewers the conventional women who are complicit in the war fever that sent their sons to meaningless deaths in the trenches. Closer to Dickens than to Virginia Woolf in method, Allatini nonetheless has the ability to dissect the patriotism-crazed society around her. She works her plot to convey in strong terms that, for the middle-class English mother, the price of unthinking patriotism was the dreaded telegraph from the front, or the return of the amputated soldier. When Allatini enters the narration in the guise of Dennis Blackwood, she conveys his torment, and his much more tortured self-acceptance, in a convincing way. The all-too-British reticence, evasions, panic, and finally, self-awareness make us see that whoever "made her understand," was an extraordinary confidante. This book might have saved lives, had it been available in the pre-Stonewall decades. Despised and Rejected was reprinted in 1975 as part of the series Homosexuality: Lesbians and Gay Men in Society, History and Literature, under the editorship of Jonathan Ned Katz. After one more reprint in the 1980s, the book seems to have dropped from sight again.
From beloved English author D.E. Stevenson who has sold more than 7 million books worldwide! In the first heartwarming book of this classic series, D.E. Stevenson proves that one little book can be the source of all kinds of trouble when residents of a small English village start to see themselves through someone else's eyes. Barbara Buncle is in a bind. Times are harsh, and Barbara's bank account has seen better days. Maybe she could sell a novel ... if she knew any stories. Stumped for ideas, Barbara draws inspiration from her fellow residents of Silverstream, the little English village she knows inside and out. To her surprise, the novel is a smash. It's a good thing she wrote under a pseudonym, because the folks of Silverstream are in an uproar. But what really turns Miss Buncle's world around is this: what happens to the characters in her book starts happening to their real-life counterparts. Does life really imitate art, and can she harness that power for good? With the wit and charm of a Jane Austen novel and the gossipy, small-town delight of the Flavia de Luce series, Miss Buncle's Book is D.E. Stevenson at her best!
Provides an account of the way the world has transformed for millions of gay people within a generation. This work features lesbians and gay men discussing their lives and work.