This book analyses the positions of external church doorways in England to investigate the significance that positioning had for the function and design of these buildings. The author proposes a link between the design and function of parochial churches and chapels with the number and attributes of their doorways.
THE DEVIL'S DOOR is offered as a grimoire of Infernal Witchcraft, connecting the modern Aspirant to deeper tradition. The symbolism identifies this work as of the Widdershins or 'Left Hand' Path; that which has been called Black Magick. For those to whom this work is intended, there is much to be gained. The Devil's Door swings wide, and leads directly to the inmost of Mysteries.
Thought to be the father of modern witchcraft, Gerald Gardner published The Meaning of Witchcraft in 1959, not long after laws punishing witches were repealed. It was the first sympathetic book written from the point of view of a practicing witch. The Meaning of Witchcraft is an invaluable source book for witches today. Chapters include: Witch's Memories and Beliefs, The Stone Age Origins of Witchcraft, Druidism and the Aryan Celts, Magic Thinking, Curious Beliefs about Witches, Signs and Symbols, The Black Mass, Some Allegations Examined. The Meaning of Witchcraft is a record of witches' roots-and a tribute to a founding pioneer with the courage to set that record straight.
The mythological, folkloric, and religious beliefs of Western culture have resulted in a long and ongoing history of esoteric themes in theatre from the Middle Ages to the present in Spain and the America. Now Robert Lima, a noted comparatist, brings to bear on this material his wide knowledge of the world of the occult. Lima defines the terms "occult" and "occultism" broadly to embrace the many ways in which humans have sought to fathom a secret knowledge held to be accessible only through such supernatural agencies as alchemy, angelology, asceticism, astrology, demonolatry, divination, ecstasy, magic, necromancy, possession, Santeria, séances, voudoun, and witchcraft. The dramatic works covered range from medieval materializations of Hell to the Golden Age plays of Lope de vega, Tirso de Molina, and Calderón de la Barca, to modern stage works by Valle-Inclán, García Lorca, Casona, Miras, and a number of significant Afro-Brazilian and Caribbean dramatists. The concluding comprehensive bibliography of the drama of the occult is invaluable.
