In the darkest period, when the heavy insurgents of attacks were very obvious in my life, I felt the need to fight back, I wanted to fight differently. I was so tired of the constant harassments. Then came the voice of God ; He said to me, “You cannot do what you are planning to do, put it in writing, tell the world your story. The book shall be titled “The Devil of America Wants Me!” That voice gave birth to this book, I have the complete puzzle, I have the answer. This is my memoir, and also an inspiration from God.
NATIONAL BOOK AWARD FINALIST • A sweeping, genre-bending “masterpiece” (Minneapolis Star Tribune) exploring Black art, music, and culture in all their glory and complexity—from Soul Train, Aretha Franklin, and James Brown to The Fresh Prince of Bel-Air, Whitney Houston, and Beyoncé ONE OF THE TEN BEST BOOKS OF THE YEAR: Chicago Tribune, The Philadelphia Inquirer, The Dallas Morning News, Publishers Weekly “Gorgeous essays that reveal the resilience, heartbreak, and joy within Black performance.”—Brit Bennett, #1 New York Times bestselling author of The Vanishing Half “I was a devil in other countries, and I was a little devil in America, too.” Inspired by these few words, spoken by Josephine Baker at the 1963 March on Washington, MacArthur “Genius Grant” Fellow and bestselling author Hanif Abdurraqib has written a profound and lasting reflection on how Black performance is inextricably woven into the fabric of American culture. Each moment in every performance he examines—whether it’s the twenty-seven seconds in “Gimme Shelter” in which Merry Clayton wails the words “rape, murder,” a schoolyard fistfight, a dance marathon, or the instant in a game of spades right after the cards are dealt—has layers of resonance in Black and white cultures, the politics of American empire, and Abdurraqib’s own personal history of love, grief, and performance. Touching on Michael Jackson, Patti LaBelle, Billy Dee Williams, the Wu-Tan Clan, Dave Chappelle, and more, Abdurraqib writes prose brimming with jubilation and pain. With care and generosity, he explains the poignancy of performances big and small, each one feeling intensely familiar and vital, both timeless and desperately urgent. Filled with sharp insight, humor, and heart, A Little Devil in America exalts the Black performance that unfolds in specific moments in time and space—from midcentury Paris to the moon, and back down again to a cramped living room in Columbus, Ohio. WINNER OF THE ANDREW CARNEGIE MEDAL AND THE GORDON BURN PRIZE • FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD AND THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, Time, The Boston Globe, NPR, Rolling Stone, Esquire, BuzzFeed, Thrillist, She Reads, BookRiot, BookPage, Electric Lit, The Rumpus, LitHub, Library Journal, Booklist
Scant years after the Civil War, a mysterious family confronts the legacy that has pursued them across centuries, out of slavery, and finally to the idyllic peace of the town of Rosetree. The shattering consequences of this confrontation echo backwards and forwards in time, even to the present day. "There’s so much here to appreciate and admire, fine storytelling with a clearly-realized setting and characters."--Locus At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Now get set for fabulous experience. When it's over, you're going to look differenct, feel differenct and be differenct. It is going to be exciting for you to watch the changes take place in your body as the techniques of this book become yours to use.
A New York Times Best Seller 2019 National Book Award Longlist, Nonfiction 2019 Kirkus Book Prize Finalist, Nonfiction A February IndieNext Pick Named A Most Anticipated Book of 2019 by Buzzfeed, Nylon, The A. V. Club, CBC Books, and The Rumpus, and a Winter's Most Anticipated Book by Vanity Fair and The Week Starred Reviews: Kirkus and Booklist "Warm, immediate and intensely personal."—New York Times How does one pay homage to A Tribe Called Quest? The seminal rap group brought jazz into the genre, resurrecting timeless rhythms to create masterpieces such as The Low End Theory and Midnight Marauders. Seventeen years after their last album, they resurrected themselves with an intense, socially conscious record, We Got It from Here . . . Thank You 4 Your Service, which arrived when fans needed it most, in the aftermath of the 2016 election. Poet and essayist Hanif Abdurraqib digs into the group’s history and draws from his own experience to reflect on how its distinctive sound resonated among fans like himself. The result is as ambitious and genre-bending as the rap group itself. Abdurraqib traces the Tribe's creative career, from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Their work is placed in the context of the broader rap landscape of the 1990s, one upended by sampling laws that forced a reinvention in production methods, the East Coast–West Coast rivalry that threatened to destroy the genre, and some record labels’ shift from focusing on groups to individual MCs. Throughout the narrative Abdurraqib connects the music and cultural history to their street-level impact. Whether he’s remembering The Source magazine cover announcing the Tribe’s 1998 breakup or writing personal letters to the group after bandmate Phife Dawg’s death, Abdurraqib seeks the deeper truths of A Tribe Called Quest; truths that—like the low end, the bass—are not simply heard in the head, but felt in the chest.
A stunning novel of hopes and dreams, guilt and love—a book that offers a resonant new definition of what it means to be American and "illuminates the lives behind the current debates about Latino immigration" (The New York Times Book Review). When fifteen-year-old Maribel Rivera sustains a terrible injury, the Riveras leave behind a comfortable life in Mexico and risk everything to come to the United States so that Maribel can have the care she needs. Once they arrive, it’s not long before Maribel attracts the attention of Mayor Toro, the son of one of their new neighbors, who sees a kindred spirit in this beautiful, damaged outsider. Their love story sets in motion events that will have profound repercussions for everyone involved. Here Henríquez seamlessly interweaves the story of these star-crossed lovers, and of the Rivera and Toro families, with the testimonials of men and women who have come to the United States from all over Latin America.
INSTANT NEW YORK TIMES BESTSELLER A New York Times Editor’s Choice | A Kirkus Best Nonfiction Book of the Year The Inspiration for the HBO Original Documentary South to Black Power From journalist and New York Times bestselling author Charles Blow comes a powerful manifesto and call to action, "a must-read in the effort to dismantle deep-seated poisons of systemic racism and white supremacy" (San Francisco Chronicle). Race, as we have come to understand it, is a fiction; but, racism, as we have come to live it, is a fact. The point here is not to impose a new racial hierarchy, but to remove an existing one. After centuries of waiting for white majorities to overturn white supremacy, it seems to me that it has fallen to Black people to do it themselves. Acclaimed columnist and author Charles Blow never wanted to write a “race book.” But as violence against Black people—both physical and psychological—seemed only to increase in recent years, culminating in the historic pandemic and protests of the summer of 2020, he felt compelled to write a new story for Black Americans. He envisioned a succinct, counterintuitive, and impassioned corrective to the myths that have for too long governed our thinking about race and geography in America. Drawing on both political observations and personal experience as a Black son of the South, Charles set out to offer a call to action by which Black people can finally achieve equality, on their own terms. So what will it take to make lasting change when small steps have so frequently failed? It’s going to take an unprecedented shift in power. The Devil You Know is a groundbreaking manifesto, proposing nothing short of the most audacious power play by Black people in the history of this country. This book is a grand exhortation to generations of a people, offering a road map to true and lasting freedom.
THE DEVIL’S DOUBLE: is the first of 3 autobiographical books chronicling Latif Yahia’s incredible life-story. It vividly describes how Latif was forced to become Uday Hussein’s ‘fidai’ (body-double) and gives a unique insight into the extreme extravagance and cruelty of the Saddam regime. Latif survived assassination attempts and witnessed Uday’s psychotic temper, rapes, orgy parties, torture atrocities, and sadistic murders. The book has recently been made into a highly-acclaimed movie. Book Description: In 1987, Latif Yahia was taken to Saddam's headquarters to meet Uday, Saddam's eldest son, and told that a great honour had been bestowed upon him: that because of the great likeness between them, he had been chosen to be Uday's double. For many Iraqis it would have been the highlight of their lives, but for Latif, a peace-loving man who did not agree with Saddam's brutal regime, it was not. He refused. Following a week of torture, and realising he would be killed if he continued to refuse, Latif was forced to accept the role. After a gruesome training programme during which he was made to watch over thirty films of torture, hours of tapes of Uday, and undertake a final remodelling of his appearance, Latif was deemed ready. But it was only after the final test, a meeting with Saddam himself, that Latif made his first public appearance. And so began his life as Uday's double - a life on the perimeter of the inner circle of Saddam's eldest son, a witness to the horror of his insane life of debauchery, excess and brutality, and an experience for which he almost paid with his life on more than one occasion. In 1987, Latif Yahia was taken to Saddam's headquarters to meet Uday, Saddam's eldest son, and told that a great honour had been bestowed upon him: that because of the great likeness between them, he had been chosen to be Uday's double. For many Iraqis it would have been the highlight of their lives, but for Latif, a peace-loving man who did not agree with Saddam's brutal regime, it was not. He refused. Following a week of torture, and realising he would be killed if he continued to refuse, Latif was forced to accept the role. After a gruesome training programme during which he was made to watch over thirty films of torture, hours of tapes of Uday, and undertake a final remodelling of his appearance, Latif was deemed ready. But it was only after the final test, a meeting with Saddam himself, that Latif made his first public appearance. And so began his life as Uday's double - a life on the perimeter of the inner circle of Saddam's eldest son, a witness to the horror of his insane life of debauchery, excess and brutality, and an experience for which he almost paid with his life on more than one occasion. THE DEVIL’S DOUBLE: is the first of 3 autobiographical books chronicling Latif Yahia’s incredible life-story. It vividly describes how Latif was forced to become Uday Hussein’s ‘fidai’ (body-double) and gives a unique insight into the extreme extravagance and cruelty of the Saddam regime. Latif survived assassination attempts and witnessed Uday’s psychotic temper, rapes, orgy parties, torture atrocities, and sadistic murders. The book has recently been made into a highly-acclaimed movie. THE BLACK HOLE: gives a fascinating account of what happened to Latif in Europe after he escaped from Iraq. How he was treated by western governments and the CIA. How Uday sought revenge on Latif and vice-versa. How he was offered a British passport by Saudis to murder a dissident and how they beheaded Latif’s Saudi princess lover. How Latif made and lost a fortune. How he strived in vain for a peaceful life and survived 4 more assassination attempts. Forty Shades of Conspiracy: brings Latif’s story right up to date by detailing his time in Ireland. His run-ins with drug-dealers, Corrupt Irish Garda officers and Irish politicians who continually denied him Irish citizenship. His despair as a beggar on the streets and the happiness he found after he met the love of his life. His reaction to Uday and Saddam’s deaths and his opinion on the current political situation in Iraq all makes fascinating reading. In 1987, Latif Yahia was taken to Saddam's headquarters to meet Uday, Saddam's eldest son, and told that a great honour had been bestowed upon him: that because of the great likeness between them, he had been chosen to be Uday's double. For many Iraqis it would have been the highlight of their lives, but for Latif, a peace-loving man who did not agree with Saddam's brutal regime, it was not. He refused. Following a week of torture, and realising he would be killed if he continued to refuse, Latif was forced to accept the role. After a gruesome training programme during which he was made to watch over thirty films of torture, hours of tapes of Uday, and undertake a final remodelling of his appearance, Latif was deemed ready. But it was only after the final test, a meeting with Saddam himself, that Latif made his first public appearance. And so began his life as Uday's double - a life on the perimeter of the inner circle of Saddam's eldest son, a witness to the horror of his insane life of debauchery, excess and brutality, and an experience for which he almost paid with his life on more than one occasion. THE DEVIL’S DOUBLE: is the first of 3 autobiographical books chronicling Latif Yahia’s incredible life-story. It vividly describes how Latif was forced to become Uday Hussein’s ‘fidai’ (body-double) and gives a unique insight into the extreme extravagance and cruelty of the Saddam regime. Latif survived assassination attempts and witnessed Uday’s psychotic temper, rapes, orgy parties, torture atrocities, and sadistic murders. The book has recently been made into a highly-acclaimed movie. THE BLACK HOLE: gives a fascinating account of what happened to Latif in Europe after he escaped from Iraq. How he was treated by western governments and the CIA. How Uday sought revenge on Latif and vice-versa. How he was offered a British passport by Saudis to murder a dissident and how they beheaded Latif’s Saudi princess lover. How Latif made and lost a fortune. How he strived in vain for a peaceful life and survived 4 more assassination attempts. Forty Shades of Conspiracy: brings Latif’s story right up to date by detailing his time in Ireland. His run-ins with drug-dealers, Corrupt Irish Garda officers and Irish politicians who continually denied him Irish citizenship. His despair as a beggar on the streets and the happiness he found after he met the love of his life. His reaction to Uday and Saddam’s deaths and his opinion on the current political situation in Iraq all makes fascinating reading.
THE DEVIL’S DOUBLE: is the first of 3 autobiographical books chronicling Latif Yahia’s incredible life story. It vividly describes how Latif was forced to become Uday Hussein’s ‘fidai’ (body double) and gives a unique insight into the extreme extravagance and cruelty of the Saddam regime. Latif survived assassination attempts and witnessed Uday’s psychotic temper, rapes, orgy parties, torture atrocities, and sadistic murders. The book has recently been made into a highly acclaimed movie. THE BLACK HOLE: gives a fascinating account of what happened to Latif in Europe after he escaped from Iraq. How he was treated by western governments and the CIA. How Uday sought revenge on Latif and vice-versa. How he was offered a British passport by Saudis to murder a dissident and how they beheaded Latif’s Saudi princess lover. How Latif made and lost a fortune. How he strived in vain for a peaceful life and survived 4 more assassination attempts. Forty Shades of Conspiracy: brings Latif’s story right up to date by detailing his time in Ireland. His run-ins with drug-dealers, Corrupt Irish Garda officers and Irish politicians who continually denied him Irish citizenship. His despair as a beggar on the streets and the happiness he found after he met the love of his life. His reaction to Uday and Saddam’s deaths and his opinion on the current political situation in Iraq all makes fascinating reading. Book Description: In 1987, Latif Yahia was taken to Saddam's headquarters to meet Uday, Saddam's eldest son, and told that a great honour had been bestowed upon him: that because of the great likeness between them, he had been chosen to be Uday's double. For many Iraqis it would have been the highlight of their lives, but for Latif, a peace-loving man who did not agree with Saddam's brutal regime, it was not. He refused. Following a week of torture, and realising he would be killed if he continued to refuse, Latif was forced to accept the role. After a gruesome training programme during which he was made to watch over thirty films of torture, hours of tapes of Uday, and undertake a final remodelling of his appearance, Latif was deemed ready. But it was only after the final test, a meeting with Saddam himself, that Latif made his first public appearance. And so began his life as Uday's double - a life on the perimeter of the inner circle of Saddam's eldest son, a witness to the horror of his insane life of debauchery, excess and brutality, and an experience for which he almost paid with his life on more than one occasion.
Description This novel is based upon true events in the lives of the author and her family members. The narrator, Lana, is three years old when she stands on a hill with her mother and sisters for the first time, waiting for butterflies to land on her. Thus Nily Naiman begins this sensual, emotional, and ever-surprising saga of a very special family. The complex narrative spreads over two lifetimes and four continents, over times of war and peace, and poverty and plenty. The women of this novel are larger than life. Only at the age of 18 does Lana come to the realization that not everything has been known to her about her family, and she begins an adventurous journey in search of her roots and her identity. Her mother, Sara, a determined and passionate woman who found herself in the wilderness of Mongolia during the Second World War, relates a life story of exceptional bravery and turmoil. Lana's two sisters are polar opposites as personalities, but each in her own way is fascinating and brings the reader to tears. Farah, an Arab woman who lives under the Israeli occupation is a symbol of strength and incredible pride in her identity. Lana's captivating daughters each uniquely combine the attributes of sensitivity and courage. Lana herself lives through an extraordinary and unexpected series of events that bring forth all the special strengths that she has within her. Although this complex tale is focused primarily in Mongolia it reaches throughout much of the world. Author Naiman is able to transmit the magical atmosphere of each locale that she describes, from the hard, constricted, narrow-minded climate of Israel, a tiny country at war, to the distant, open terrain of Mongolia, its mountains, lakes, deserts, and forests, and its open-minded people. One thread of the narrative is an old belief that when a girl stands on a hill where butterflies are about, the number that land on her will foretell the number of husbands that she will have. The men in this book, the butterflies, are all interesting in their own right, sensitive, strong and caring. They supply the physical and emotional needs of the women and provide critical support in times of severe stress. But it is the women who are central. Coping with the setbacks and crises of life is a major theme of the story. Both Lana and later her eldest daughter live through shocking events that cause them to retreat within themselves. They lose the capacity to speak or even utter a sound. The book explores in depth the phenomenon of post-traumatic muteness, the horrendous conscious fears and frustrations that accompany it, and the paradoxical and contradictory underlying reality that this kind of mental collapse temporarily frees the individual from her normal relationship with her surroundings, a convenient and all too enticing form of escape. This silence has a "language" of its own. It speaks, it cries, it shouts out in anger, all in the mind of the sufferer. Through the experiences of Lana and her daughter the book describes not only the horrible anxiety and loneliness that are a part of post-traumatic muteness, but the exceptional strength and courage that must be brought to bear to fight one's way out of the suffering and renew one's relationship with the world. Of all the demonstrations of strength and determination in the course of the saga, the struggles of Lana and her daughter in this regard are perhaps the greatest examples. About the AuthorBorn in Israel in 1953, Nily Naiman grew up among Holocaust survivors and their children. Israel of the 1950's was a confused mix of conflicting cultures, traditions, and tragic personal histories, all grating against each other in a new society struggling to define itself. This was the bewildering brew into which she was born. Her work is inspired by her childhood memories of the stories of her parents and their contemporaries. Only now has she begun writing down the pieces of her life that are incorporated int
