Charles Williams was a writer of unusual genius. He had an ability to make theological matters not merely interesting to the lay person; but to make them appear, what they in fact are, matters of Life and Death.
Sanford Schwartz offers a penetrating new reading of Lewis's celebrated Space Trilogy. Taken together, Schwartz's readings call into question Lewis's self-styled image as a "dinosaur" out of step with the main currents of modern thought. Far from a simple struggle between an old-fashioned Christian humanism and a newfangled heresy, Lewis's Space Trilogy should be seen as the searching effort of a modern religious apologist to sustain and enrich the former through critical engagement with the latter.
This compact book for laity introduces the major concepts of the Christian faith in a quick, easy-to-read fashion. The author begins with a brief overview of Christian history from biblical times to the present, with references to key people and events that shaped the faith. He follows this with sections on God, Jesus, and the Holy Spirit. For each of these topics, he sketches the basic ideas of the Bible and then shows how Christians in different centuries and contexts have applied these ideas to their own lives and circumstances. Author James White shows us the variety of Christian ideas about God but puts it all in order so that laypeople can understand how it all fits together. The end result is an inspiring overview of Christianity in its theological diversity and its continuing relevance for today, showing believers just how rich this deep tradition of faith can be. The book includes discussion questions and a glossary and is ideal for use in adult study groups.
This unique approach to understanding the history of the Anglican and Episcopal Churches was originally part of the 1979 Church’s Teaching Series. Rather than writing a simple chronological history of the Church, John Booty, one of the premier experts in church history, explores the subject thematically. Booty addresses four major areas: ? the Church and its essential nature ? how a weak and faltering Church can be renewed and reformed ? how Christ, culture, church, and state relate to one another ? the Church’s historical and current understanding of its mission Throughout, Booty concentrates not only on the history itself, but how that history relates to today’s Church. Excellent for course work, or for lay study. John Booty taught Church History at Virginia Seminary and the Episcopal Theological School. He was also professor of Anglican Studies at The University of the South, where he served as Dean of the School of Theology. He currently resides in Center Sandwich, New Hampshire.
T. S. Eliot's career as a successful stage dramatist gathers pace throughout the fascinating letters of this volume. Following his early experimentation with the dark comedy Sweeney Agonistes (1932), Eliot is invited to write the words of an ambitious scenario sketched out by the producer-director E. Martin Browne (who was to direct all of Eliot's plays) for a grand pageant called The Rock (1934). The ensuing applause leads to a commission from the Bishop of Chichester to write a play for the Canterbury Festival, resulting in the quasi-liturgical masterpiece of dramatic writing, Murder in the Cathedral (1935). A huge commercial success, it remains in repertoire after eighty years.Even while absorbed in time-consuming theatre work, Eliot remains untiring in promoting the writers on Faber's ever broadening lists - George Barker, Marianne Moore and Louis MacNeice among them. In addition, Eliot works hard for the Christian Church he has espoused in recent years, serving on committees for the Church Union and the Church Literature Association, and creating at Faber & Faber a book list that embraces works on church history, theology and liturgy. Having separated from his wife Vivien in 1933, he is anxious to avoid running into her; but she refuses to comprehend that her husband has chosen to leave her and stalks him across literary society, leading to his place of work at the offices of Faber & Faber. The correspondence draws in detail upon Vivien's letters and diaries to provide a picture of her mental state and way of life - and to help the reader to appreciate her thoughts and feelings.
Williams gives a contemporary setting to the traditional story of the Search for the Holy Grail. Examining the distinction between magic and religion, War in Heaven is an eerily disturbing book, one that graphically portrays a metaphysical journey filled with marvels and black magic, God and the Devil. "The telephone was ringing wildly," begins War in Heaven, "but without result, since there was no-one in the room but the corpse." From this abrupt - and darkly humorous - start, Williams takes us on a 20th-century version of the Grail quest, with an Archdeacon, a Duke, and an editor playing the old Arthurian roles. Throughout, Williams reminds us that these legends were above all about divine, not just human, romance.
This book explores the shifting and negotiated boundaries of religion, spirituality, and secular thinking in Britain and North America during the twentieth century. It contributes to a growing scholarship that problematises secularization theory, arguing that religion and spirituality increasingly took diverse new forms and identities, rather than simply being replaced by a monolithic secularity. The volume examines the way that thinkers, writers, and artists manipulated and reimagined orthodox belief systems in their work, using the notion of heresy to delineate the borders of what was considered socially and ethically acceptable. It includes topics such as psychospiritual approaches in medicine, countercultures and religious experience, and the function of blasphemy within supposedly secular politics. The book argues that heresy and heretical identities established fluid borderlands. These borderlands not only blur simple demarcations of the religious and secular in the twentieth century, but also infer new forms of heterodoxy through an exchange of ideas. This collection of essays offers a nuanced take on a topic that pervades the study of religion. It will be of great use to scholars of Heresy Studies, Religious Studies and Comparative Religion, Social Anthropology, History, Literature, Philosophy, and Cultural Studies.
While Kierkegaard is primarily known as a philosopher or religious thinker, his writings have also been used extensively by literary writers, critics and artists. This use can be traced in the work of major cultural figures not just in Denmark and Scandinavia but also in the wider world. They have been attracted to his creative mixing of genres, his complex use of pseudonyms, his rhetoric and literary style, and his rich images, parables, and allegories. The present volume documents this influence in the different language groups and traditions. Tome IV examines Kierkegaard’s surprisingly extensive influence in the Anglophone world of literature and art, particularly in the United States. His thought appears in the work of the novelists Walker Percy, James Baldwin, Flannery O’Connor, William Styron, Don Delillo, and Louise Erdrich. He has also been used by the famous American literary critics, George Steiner and Harold Bloom. The American composer Samuel Barber made use of Kierkegaard in his musical works. Kierkegaard has also exercised an influence on British and Irish letters. W.H. Auden sought in Kierkegaard ideas for his poetic works, and the contemporary English novelist David Lodge has written a novel Therapy, in which Kierkegaard plays an important role. Cryptic traces of Kierkegaard can also be found in the work of the famous Irish writer James Joyce.