Charles Williams was a writer of unusual genius. He had an ability to make theological matters not merely interesting to the lay person; but to make them appear, what they in fact are, matters of Life and Death.
The Holy Spirit: Medieval Roman Catholic and Reformation Traditions (Sixth-Sixteenth Centuries) is the third in a series of three volumes devoted to the history of Christian pneumatology. In the first volume, The Holy Spirit: Ancient Christian Traditions (formerly titled The Spirit and the Church: Antiquity), Stanley M. Burgess detailed Christian efforts from the end of the first century to the end of the fifth century A.D. to understand the divine Third Person. Volume 1 explored the tensions between the developing institutional order and various prophetic elements in the Church. The second volume, The Holy Spirit: Eastern Christian Traditions, brought together a wealth of material on the Spirit from Eastern Christian traditions, a rich heritage often overlooked in Western Christianity. By exploring the various ways in which Eastern theologians understood the Third Person of the Trinity, volume 2 showed how modern Christians can gain a wider vision and fuller understanding of the workings of the Holy Spirit in history and in our own generation. This concluding volume examines medieval Roman Catholic and Reformation attitudes toward the Holy Spirit beginning with the writings of medieval Catholic theologians from Gregory the Great and Bede to Aquinas and Bonaventure. Subsequent sections describe the contributions of influential women such Hildegard of Bingen, Birgitta of Sweden, and Catherine of Siena; "fringe" figures such as Joachim of Fiore and the Cathars; the magisterial reformers Luther, Zwingli, and Calvin; leading Catholic reformers such as Ignatius of Loyola; and the "radical reformers" Thomas Muntzer and Menno Simons.
A Bible commentary with a difference, Words That Listen provides readings from world literature to accompany every Gospel passage of the Revised Common Lectionary for Years A, B and C. For each Sunday Gospel reading, it offers four extracts, with commentary, from fiction, nonfiction, poems, great speeches and sacred texts, to plays, television and film scripts, social commentaries, and theologians past and present. Authors featured include: • writers from the classical Christian tradition, from Origen to Rowan Williams • many literary greats, including Dante, Shakespeare, Tolstoy, Emily Bronte, T. S. Eliot, Virginia Woolf and Oscar Wilde • recent and contemporary poets: U. A. Fanthorpe, Seamus Heaney, Mary Oliver, Wendell Berry and Malcolm Guite • modern novelists and writers: P D James, Annie Dillard, Maya Angelou, Stephen King and Marilynne Robinson • filmmakers and screenwriters: Martin Scorcese, George Lucas, Steven Spielberg • songwriters and musicians: Leonard Cohen, U2, Led Zeppelin and Lady Gaga • paintings from leading artists that illuminate biblical events and encounters. Bound in two paperback volumes in a slipcase, Words That Listen brings together the worlds of art and faith to offer a unique resource for all who preach.
In Rethinking the Medieval Legacy for Contemporary Theology, six distinguished theologians bridge medieval and contemporary theologies by developing the theological significance of medieval insights in response to contemporary issues. Their nuanced readings of medieval texts, extended to major theological issues of our time, provide examples of the retrieval of the medieval tradition, an essential part of any contemporary theological reconstruction. Barbara Newman extends the theology of perichoresis or mutual indwelling to illuminate the relationship between donor and recipient in the case of organ transplants; Marilyn McCord Adams applies insights about divine friendship to the perennial issue of horrendous evil; and Kevin Madigan brings principles of medieval exegesis to bear on the contemporary historical critical approach to biblical interpretation. Ingolf U. Dalferth applies insights from the doctrine of divine omnipotence and creation ex nihilo to deconstruct Heidegger’s limitation of the possibilities of authentic existence to historical facticity. Pim Valkenberg explores the possibilities of a theological encounter between Christianity and Islam in the works of Aquinas and Nicholas of Cusa; and Anselm K. Min applies the analogical insights of Aquinas on the nature and limits of human knowledge of God to a critique of contemporary theologies that claim to know either too little or too much about God.
There is a rich vein of writing within Anglican tradition that has helped to form the theology and spirituality of the contemporary church. For many readers, much of this material remains unfamiliar and is often difficult to access. Love's Redeeming Work draws together the works of major writers from the sixteenth century to the present day who have contributed to this development. Each selected writer is introduced with a brief biography, which gives background information about the author, and highlights the relationships that existed with others from the same period. This will enable the reader to set the writings in their proper context, enhancing understanding of the material. The selections then follow. In some instances these may be familiar, but other examples will introduce fresh ideas for every reader. Each writer's selection is concluded with a list of source texts, which can encourage readers to explore in more depth those areas which intrigue and excite them. Love's Redeeming Work traces a path that has enabled Anglicanism in particular, and the wider church as well, to develop an ever-deepening awareness of the need for a spiritual depth in the Christian life informed by a better knowledge of tradition. In exploring this material, it is the compilers' hope that readers will find new riches that will encourage and sustain their own quest for holiness.
Narnia, Perelandra—places of wonder and longing. The White Witch, Screwtape—personifications of evil. Aslan—a portrait of the divine. Like Turkish Delight, some of C.S. Lewis’s writing surprises and whets our appetite for more. But some of his works bite and nip at our heels. What enabled C.S. Lewis to create such vivid characters and compelling plots? Perhaps it was simply that C.S. Lewis had an unsurpassed imagination. Or perhaps he had a knack for finding the right metaphor or analogy that awakened readers’ imaginations in new ways. But whatever his gifts, no one can deny that C.S. Lewis had a remarkable career, producing many books in eighteen different literary genres, including: apologetics, autobiography, educational philosophy, fairy stories, science fiction, and literary criticism. And while he had and still has critics, Lewis' works continue to find devoted readers. The purpose of this book is to introduce C.S. Lewis through the prism of imagination. For Lewis, imagination is both a means and an end. And because he used his own imagination well and often, he is a practiced guide for those of us who desire to reach beyond our grasp. Each chapter highlights Lewis’s major works and then shows how Lewis uses imagination to captivate readers. While many have read books by C.S. Lewis, not many readers understand his power to give new slants on the things we think we know. More than a genius, Lewis disciplined his imagination, harnessing its creativity in service of helping others believe more deeply. “Truly fresh, rhetorically astute works about C. S. Lewis are rare, but this provocative new volume by Jerry Root and Mark Neal emerges at just the right time to reinvigorate Lewis scholarship beyond the clichés we continue to repeat to each other. The Surprising Imagination of C. S. Lewis delivers just that salvo, an ingenious, empathetic, lavishly informed elucidation of Lewis’s understanding of the life of the imagination.” —Bruce L. Edwards, Professor Emeritus of English and Africana Studies, Bowling Green State University, Bowling Green, OH “Our grasp of ‘imagination’ is such a pale and paltry thing; Neal and Root offer a much-needed corrective by illustrating Lewis’s robust use of the word. The happy result is a more accurate and nuanced reading of Lewis. But there is more: through their careful work, we are graced with a rich, new vocabulary to discern and describe the many uses of creative imagination all around us.” —Diana Pavlac Glyer, Professor of English at Azusa Pacific University, Azusa, CA, author of The Company They Keep: C .S. Lewis and J. R. R. Tolkien as Writers in Community “This fabulous book on Lewis’s imagination will delight readers new to Lewis and those who, like the authors, have been reading him for decades. It shimmers with the joy of exploration and discovery. The Surprising Imagination of C. S. Lewis is a reliable and inspiring guide not only to Lewis but to a treasure trove of imaginative books that fired Lewis’s own imagination. In Robert Frost’s delightful phrase, this book is the occasion for a ‘fresh think.’” —Wayne Martindale, Emeritus Professor of English, Wheaton College, Wheaton, IL “Jerry Root and Mark Neal make excellent use of Lewis's literary criticism of other authors to show how he employed different varieties of imagination in his own works. The result is a good book about Lewis and an even better one on the capacity of imagination to enrich each of our lives every day.” —Mark Noll, Francis A. McAnaney Professor of History, University of Notre Dame, Notre Dame, IN “For nearly four decades I have been reading books and articles in the field of Lewis studies. This volume is one of the most original and fascinating books on Lewis to appear in a long time.” —Lyle W. Dorsett, Billy Graham Professor of Evangelism, Beeson Divinity School, Samford University, Birmingham, AL
In a world gone wonky, people are looking for a system of belief that can offer them hope. This book offers the reader more than just believing in “something.” It is about BE-Living through cultivating a deeper awareness of the presence of God in one’s everyday life.
Human character is best described by telling stories about people. The Lent Factor describes forty very different people - one for each day of Lent - who have a special quality about them, and uses their stories to reflect on how faith and character are connected. A theme from each brief story is illuminated by reflection on a scene, passage or word from the Bible. The appropriateness of the use of a cross to mark out the 'X' factor within human beings becomes the more pertinent as the journey through Lent approaches Holy Week and Easter. The cast list includes Edith Cavell, Philip Toynbee (father of Polly), U.A. Fanthorpe, Dorothy Sayers, Charles Wesley, Rabbi Hugo Gryn, Julian of Norwich, Kathleen Ferrier, Eva Peron and many others from different backgrounds and diverse periods of history, some famous and some entirely unknown.
This book grew out of the author's wish to go beyond a formal definition of fantasy to discover a basic urge and interest common to the genre. He finds this urge to be the celebration of identity. Fantasy is ultimately concerned to heighten and praise being, whether that being is God's creation, the world, or the creations of the fantasy writer themselves. This interest can take the form of direct eulogy or of more unconscious fascination. It is seen in fantasy's conservatism and its frequently elegiac mode, and is demonstrated through its formal characteristics such as circular structure and the use of juxtaposition to heighten individuality. It is more overtly present in modern than in pre-1800 fantasy, partly because modern fantasy developed as a Romantic reaction against technology and everything that reduced direct contact between people and the environment. These aspects of fantasy are illustrated from detailed discussion of the tales of Grimm, Walter de la Mare's Told Again, W. M. Thackeray's The Rose and the Ring, Charles Williams's prose fantasies, Ursula le Guin's Earthsea trilogy, E. Nesbit's magic books, George MacDonald's Phantastes and Lilith, T. H. White's The Once and Future King, Mervyn Peake's Gormenghast novels, William Morris's late romances, Lord Dunsany's The King of Elfland's Daughter, E. R. Eddison's The Worm Ouroboros, and Peter Beagle's The Last Unicorn. Together these authors and works provide a cross-section of what is a fundamentally panegyric genre demonstrating its variety, its strengths, and its limitations.
Examining the roots of the relationship between literature and theology, this book offers the first serious attempt to probe the deep theological purposes of the study of literature. Through an exploration of themes of evil, forgiveness, sacrament and what it means to be human, David Jasper draws from international research and discussions on literature and theology and employs an historical and profoundly personal journey through the later part of the last century up to the present time. Combining fields such as bible and literature, poetry and sacrament, this book sheds new light on how Christian theology seeks to remain articulate in our global, secular and multi-faith culture.