Mia’s ordinary life is disrupted for good in the most horrifying way possible when she is possessed by a hungry and powerful demon—and saved only by the arrival of relatives from Italy, the country her grandfather fled many decades ago. Now her cousins, the charming and gorgeous Emilio and stern, elderly Giuliano, say the only way to keep Mia safe is for her to come back with them to Milan, to live, to learn Italian, to fall in and out of love, and to master the family trade: fighting all demons with the ancient lore of bell, book, and candle. Milan is not what Mia expected, but it will change her forever.
For fans of Lauren Kate and Cassandra Clare, a romance with a paranormal streak. Mia has settled into her life with the Della Torres -- Milan's premier demon-catching family, accompanying them to exorcisms and even learning some way to be useful in the family trade. Then Bernardo comes into her life, handsome, well-mannered, someone who makes her forget her impossible crush on Emilio, her cousin. But always lurking in the background is the demon who possessed Mia once before, and who has not given up on possessing her again--this time for good. *"Mia has a strong gift for the family trade, which, like the novel's other elements...are portrayed in exquisite, affectionate detail. This one goes to the head of the class." - Kirkus, starred review "Sets the stage for a thrilling sequel. By the book's close, Mia is armed and ready--she whispers to the demon lurking beyond, 'You'll have to wait. But I'm coming. Believe me, I'm coming.' Readers will be ready, too." - Booklist "A supernatural novel with a fresh promise, worthy of note." - School Library Journal
The most current and complete guide to a favorite teen genre, this book maps current releases along with perennial favorites, describing and categorizing fantasy, paranormal, and science fiction titles published since 2006. Speculative fiction continues to be of consuming interest to teens, so if you work with that age group, keeping up with the explosion of new titles in this category is critical. Likewise, understanding the many genres and subgenres into which these titles fall—wizard fantasy, alternate worlds, fantasy mystery, dystopian fiction, science fantasy, and more—is also key if you want to motivate young readers and direct them to books they'll enjoy. Written to help you master a complex array of genres and titles, this guide includes more than 1,500 books, most published since 2006, organizing them by genre, subgenre, and theme. Subgenres growing in popularity such as "steampunk" are highlighted to keep you current with the latest trends. The guide will serve three audiences. Of course, you can turn to it as you help your teenage patrons select the books and genres that will interest them most. Teen readers, whether devoted fans or newcomers, can use it themselves to find titles and subgenres they might like. In addition, the guide will help teachers and parents match students with the right books.
Once every century, the barrier between the human world and the demon realm begins to break down. Creatures gather, anxiously waiting to cross the divide, to bring death and destruction from their world to ours. This time is called The Shadowing. Callum Scott has always known that there is a supernatural world out there—he's seen ghosts for as long as he can remember. Lately, he's had visions of children being brutally murdered by a terrifying creature. Then the visions start coming true, and Callum realizes that he's being hunted, too. Driven by a dark destiny, he must stand against the demons that threaten our world. And The Shadowing is almost here. . .
A teenager struggles through physical loss to the start of acceptance in an absorbing, artful novel at once honest and insightful, wrenching and redemptive. (Age 12 and up) On a sunny day in June, at the beach with her mom and brother, fifteen-year-old Jane Arrowood went for a swim. And then everything -- absolutely everything -- changed. Now she’s counting down the days until she returns to school with her fake arm, where she knows kids will whisper, "That’s her -- that’s Shark Girl," as she passes. In the meantime there are only questions: Why did this happen? Why her? What about her art? What about her life? In this striking first novel, Kelly Bingham uses poems, letters, telephone conversations, and newspaper clippings to look unflinchingly at what it’s like to lose part of yourself - and to summon the courage it takes to find yourself again.
"Mia [Dellatorri] is happy to be settled in Milan, learning her family's ancient trade of demon hunting, and able to put her fear of her own, personal demon aside--until she falls in love and realizes how much more than her own happiness is at stake"--
A panoramic global history of the nineteenth century A monumental history of the nineteenth century, The Transformation of the World offers a panoramic and multifaceted portrait of a world in transition. Jürgen Osterhammel, an eminent scholar who has been called the Braudel of the nineteenth century, moves beyond conventional Eurocentric and chronological accounts of the era, presenting instead a truly global history of breathtaking scope and towering erudition. He examines the powerful and complex forces that drove global change during the "long nineteenth century," taking readers from New York to New Delhi, from the Latin American revolutions to the Taiping Rebellion, from the perils and promise of Europe's transatlantic labor markets to the hardships endured by nomadic, tribal peoples across the planet. Osterhammel describes a world increasingly networked by the telegraph, the steamship, and the railways. He explores the changing relationship between human beings and nature, looks at the importance of cities, explains the role slavery and its abolition played in the emergence of new nations, challenges the widely held belief that the nineteenth century witnessed the triumph of the nation-state, and much more. This is the highly anticipated English edition of the spectacularly successful and critically acclaimed German book, which is also being translated into Chinese, Polish, Russian, and French. Indispensable for any historian, The Transformation of the World sheds important new light on this momentous epoch, showing how the nineteenth century paved the way for the global catastrophes of the twentieth century, yet how it also gave rise to pacifism, liberalism, the trade union, and a host of other crucial developments.
A heart-pounding, claustrophobic new story from Melissa Grey, the author of RATED. Ten years ago, disaster struck the remote town of Indigo Falls. A horrific event drove the residents underground, into shelters that keep them safe from the danger on the surface. No one speaks about what happened that fateful day, but even the youngest still remember the fear and, most of all, the searing pain when sunlight touched their skin. Now, a handful of families inhabit this bunker together, guided by a charismatic leader named Dr. Imogen Moran. There are many rules Dr. Moran has instilled to govern life belowground. You must always tell the truth. You must avoid the light of the sun. You must never touch skin to skin. But the most important rule, the one that was drilled into their heads from the moment the hatch slammed shut all those years ago, was at the very end of the list. It rattled around in their skulls when all was silent, echoing in the quiet, lonely dark. You must never go outside.
Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe? Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.
