In a 70-year period, the dukes of Leinster fell from being Ireland's premier aristocratic family, close friends of the British monarchy, secure within the world's most powerful empire, to relative obscurity in an independent Irish Free State that did not recognize titles. The narrative of decline and fall unfolds against such historical watersheds as the Land War of the 1880s and the simultaneous rise of the home rule movement; the breakup of Irish landed estates after 1903; the Great War of 1914-18; the revolutionary turmoil of 1916-23; and the 1920s global economic depression.
Outrageously handsome, witty and clever, Harry Cust was reputed to be one of the great womanisers of the late Victorian era. In 1893, while a Member of Parliament, he caused public scandal by his affair with artist and poet Nina Welby Gregory. When she revealed she was pregnant, horror swept through their circle known as 'the Souls', a cultured, mostly aristocratic group of writers, artists and politicians who also rubbed shoulders with luminaries such as Oscar Wilde and H. G. Wells. For the rest of their lives, Harry and Nina would fight to rebuild their reputations and maintain the marriage they were pressurised to enter. In Tangled Souls, acclaimed biographer Jane Dismore tells the tumultuous story of the romance which threatened to tear apart this distinguished group of friends, revealing pre-war society at its most colourful and most conflicted.
This final volume in the Cambridge History of Ireland covers the period from the 1880s to the present. Based on the most recent and innovative scholarship and research, the many contributions from experts in their field offer detailed and fresh perspectives on key areas of Irish social, economic, religious, political, demographic, institutional and cultural history. By situating the Irish story, or stories - as for much of these decades two Irelands are in play - in a variety of contexts, Irish and Anglo-Irish, but also European, Atlantic and, latterly, global. The result is an insightful interpretation on the emergence and development of Ireland during these often turbulent decades. Copiously illustrated, with special features on images of the 'Troubles' and on Irish art and sculpture in the twentieth century, this volume will undoubtedly be hailed as a landmark publication by the most recent generation of historians of Ireland.
'Delightful' A HISTORY BOOK OF THE YEAR / BOOK OF THE WEEK, Daily Mail 'Goodwood curator James Peill writes with a wonderfully light touch . . . The Goodwood story is extraordinary and rightly celebrated' Country Life The history of Goodwood, England's greatest sporting estate Goodwood has been the home of English sport for centuries. The story of how a small hunting lodge became the iconic location for the globally-renowned Festival of Speed, Glorious Goodwood and Goodwood Revival events is inextricably intertwined with the tale of the Dukes of Richmond. The Dukes were, variously, patrons of the arts, political influencers, royal confidantes, architectural innovators, horticultural enthusiasts and stewards of the community. Above all, they were passionate about the sports for which Goodwood is best known: horseracing, motor sports, foxhunting, cricket, shooting and golf. Drawing upon the wealth of the Goodwood archives, James Peill vividly captures the character of each Duke, some radical and others staunchly traditional, and the wide-ranging impact they had on the Goodwood of today. The broader context is a sweeping history of England, and one family's part in it. Beginning with Charles II and his mistress Louise de Keroualle, the parents of the first Duke, Glorious Goodwood takes the reader on a journey through time, from the seventeenth century to present day, via the Jacobite Rising, the Battle of Waterloo and the First and Second World Wars. There are cameo appearances from George Stubbs, Canaletto, Alexander, Emperor of Russia, Queen Victoria, Jackie Stewart and Edward VII, who famously hosted Privy Council meetings in the Tapestry Drawing Room during race week. Glorious Goodwood is a vivid and intimate portrait of a house and its inhabitants set against a dazzling, panoramic backdrop of English history. At the heart of this colourful and compelling story is a rich sense of the British heritage Goodwood embodies.
This book brings together new research on loyalism in the 26 counties that would become the Irish Free State. It covers a range of topics and experiences, including the Third Home Rule crisis in 1912, the revolutionary period, partition, independence and Irish participation in the British armed and colonial service up to the declaration of the Republic in 1949. The essays gathered here examine who southern Irish loyalists were, what loyalism meant to them, how they expressed their loyalism, their responses to Irish independence and their experiences afterwards. The collection offers fresh insights and new perspectives on the Irish Revolution and the early years of southern independence, based on original archival research. It addresses issues of particular historiographical and political interest during the ongoing 'Decade of Centenaries', including revolutionary violence, sectarianism, political allegiance and identity and the Irish border, but, rather than ceasing its coverage in 1922 or 1923, this book - like the lives with which it is concerned - continues into the first decades of southern Irish independence. CONTRIBUTORS: Frank Barry, Elaine Callinan, Jonathan Cherry, Seamus Cullen, Ian d'Alton, Sean Gannon, Katherine Magee, Alan McCarthy, Pat McCarthy, Daniel Purcell, Joseph Quinn, Brian M. Walker, Fionnuala Walsh, Donald Wood
From tragic generals to nuns on the run – the extraordinary stories of the Irish on the frontlines of the First World War that you've never heard before Based on first-hand accounts of the First World War, The Glorious Madness is a collection of character portraits and stirring anecdotes that brings to life the hopes, fears and ambitions that defined the generation of Irish men and women lost to the catastrophe of the first great modern war. From the generals and field commanders through to the troopers and nurses on the front lines, from the trenches of the Somme to the beaches of Gallipoli, the Irish served at every turn in the Great War. Popular historian Turtle Bunbury is renowned for uncovering important forgotten stories from our past. Here he reveals many never-before-heard tales of the Irish heroes and heroines whose lives coincided with one of the most brutal conflicts our world has ever known – including nuns, artists, sportsmen, poets, aristocrats, nationalists, nurses, clergymen and film directors. From the dramatic story of the nuns of Ypres and their escape to Ireland to found Kylemore Abbey, to the multiple-escapist who became the one-legged nemesis of Michael Collins, and the five tragic, rugby-loving pals from the same Dublin team massacred at Gallipoli, the stories that Turtle Bunbury unearths about Irish men and women offer a new and timely perspective on Irish participation in the Great War. An important book, by turns poignant, enlightening, whimsical and darkly comic, this is history as it should – free-wheeling and finely tuned to the rhythms of the human heart. Reviews [In The Glorious Madness] Turtle continues the wonderful listening and yarn-spinning he has honed in the Vanishing Ireland series, applying it to veterans of the First World War. The stories he recreates are poignant, whimsical and bleakly funny, bringing back into the light the lives of people who found themselves on the wrong side of history after the struggle for Irish independence. This is my kind of micro-history. John Grenham, The Irish Times A wonderful book packed with great individual stories and pictures which bring the Irish participation in the Great War vividly alive. Sean Farrell, Irish Independent Based on first-hand accounts of the conflict, this collection of character portraits and stirring anecdotes brings to life the hopes, fears and ambitions that defined Ireland's 'lost generation'. Peter Costello, The Irish Catholic Turtle Bunbury's book about the Great War is a great read, a dramatic confection of remarkable stories about remarkable events and individuals slapped together with great dexterity and professionalism. ... This is military history as entertainment on a scale we have not seen since, well, the First World War ... This is one book that can be judged by its cover. Pádraig Yeates, Dublin Review of Books The impressively versatile Turtle Bunbury is known for his sensitively written, well-observed Vanishing Ireland series of books and his appearance on RTE's Genealogy Roadshow. He also toured this year as one of the lecturers in the Great War Roadshow, headed by Myles Dungan. Now, also marking the centenary of the outbreak of the First World War, Bunbury marches into what once would have been a no-man's land for historians. There is much to enjoy here. Bunbury has an eye for irony and pathos and a fluid attractive writing style. It's packed with personalities and stories of courage under fire amid truly unimaginable slaughter, of mind-boggling military incompetence and of individuals emotionally afflicted by reports of courage in another cause at home. Emmanuel Kehoe, Sunday Business Post
The gripping story of the tumultuous destruction of the Irish country house, spanning the revolutionary years of 1912 to 1923 During the Irish Revolution nearly three hundred country houses were burned to the ground. These "Big Houses" were powerful symbols of conquest, plantation, and colonial oppression, and were caught up in the struggle for independence and the conflict between the aristocracy and those demanding access to more land. Stripped of their most important artifacts, most of the houses were never rebuilt and ruins such as Summerhill stood like ghostly figures for generations to come. Terence Dooley offers a unique perspective on the Irish Revolution, exploring the struggles over land, the impact of the Great War, and why the country mansions of the landed class became such a symbolic target for republicans throughout the period. Dooley details the shockingly sudden acts of occupation and destruction--including soldiers using a Rembrandt as a dart board--and evokes the exhilaration felt by the revolutionaries at seizing these grand houses and visibly overturning the established order.
This book explores the life and career of Frederick Temple Hamilton-Temple-Blackwood, 1st Marquess of Dufferin and Ava (1826–1902). Dufferin was a landowner in Ulster, an urbane diplomat, literary sensation, courtier, politician, colonial governor, collector, son, husband and father. The book draws on episodes from Dufferin’s career to link the landowning and aristocratic culture he was born into with his experience of governing across the British Empire, in Canada, Egypt, Syria and India. This book argues that there was a defined conception of aristocratic governance and purpose that infused the political and imperial world, and was based on two elements: the inheritance and management of a landed estate, and a well-defined sense of ‘rule by the best’. It identifies a particular kind of atmosphere of empire and aristocracy, one that was riven with tensions and angst, as those who saw themselves as the hereditary leaders of Britain and Ireland were challenged by a rising democracy and, in Ireland, by a powerful new definition of what Irishness was. It offers a new perspective on both empire and aristocracy in the nineteenth century, and will appeal to a broad scholarly audience and the wider public.
A sweeping survey of the arts of Ireland spanning 150 years and an astonishing range of artists and media This groundbreaking book captures a period in Ireland's history when countless foreign architects, artisans, and artists worked side by side with their native counterparts. Nearly all of the works within this remarkable volume--many of them never published before--have been drawn from North American collections. This catalogue accompanies the first exhibition to celebrate the Irish as artists, collectors, and patrons over 150 years of Ireland's sometimes turbulent history. Featuring the work of a wide range of artists--known and unknown--and a diverse array of media, the catalogue also includes an impressive assembly of essays by a pre-eminent group of international experts working on the art and cultural history of Ireland. Major essays discuss the subjects of the Irish landscape and tourism, Irish country houses, and Dublin's role as a center of culture and commerce. Also included are numerous shorter essays covering a full spectrum of topics and artworks, including bookbinding, ceramics, furniture, glass, mezzotints, miniatures, musical instruments, pastels, silver, and textiles.
This provocative volume stimulates debate about lost 'heritage' by examining the history of the hundreds of great houses demolished in Britain and Ireland in the twentieth century. Seven lively essays debate our understanding of what is meant by loss and how it relates to popular conceptions of the great house.
