Chief among Tolstoy' s shorter works is "The Death of Ivan Ilych," a masterful meditation on the act of dying. The first major fictional work published by Tolstoy after a mid-life psychological crisis, this novella reflects the author' s struggle to find meaning in life, a challenge Tolstoy resolved by developing a religious philosophy based on brotherly love, mutual support, and charity. These guiding principles are the dominant moral themes in "The Death of Ivan Ilych," an account of the spiritual conversion of a judge-- an ordinary, unthinking, vulgar man-- in the face of his terrible fear about death. Also included in this volume are "Family Happiness," an early work that traces the arc of a marriage; "The Kreutzer Sonata," a frank tale of sexual love that shocked readers when it first appeared; and "Hadji Murá d," Tolstoy' s final masterpiece about power politics, intrigue, and colonial conquest.
This edition includes: The Death of Ivan Ilyich, Happy Ever After, and The Cossacks. Mortality was one of Tolstoy's most persistent themes, and all of the stories in this volume are connected by this preoccupation, along with the author's simultaneous attempt to help us improve our lives.
First Published in 1998. This volume will surely be regarded as the standard guide to Russian literature for some considerable time to come... It is therefore confidently recommended for addition to reference libraries, be they academic or public.
"As a cultural history of post-Enlightenment Europe, this is an important book. As a teacher of culture courses, I know there is little available that is even close in terms of excitement, breadth, and innovation."--Russell A. Berman, Stanford University "As a cultural history of post-Enlightenment Europe, this is an important book. As a teacher of culture courses, I know there is little available that is even close in terms of excitement, breadth, and innovation."--Russell A. Berman, Stanford University
Defines the crisis of the legal profession as a spiritual one rather than an ethical one, and urges lawyers to rethink their careers in terms of a vocation in the context of legal practice.
The rapprochement of anthropology and literary studies, begun nearly fifteen years ago by such pioneering scholars as Clifford Geertz, Edward Said, and James Clifford, has led not only to the creation of the new scholarly domain of cultural studies but to the deepening and widening of both original fields. Literary critics have learned to "anthropologize" their studies--to ask questions about the construction of meanings under historical conditions and reflect on cultural "situatedness." Anthropologists have discovered narratives other than the master narratives of disciplinary social science that need to be drawn on to compose ethnographies. Culture/Contexture brings together for the first time literature and anthropology scholars to reflect on the antidisciplinary urge that has made the creative borrowing between their two fields both possible and necessary. Critically expanding on such pathbreaking works as James Clifford and George Marcus's Writing Culture and Marcus and Michael M. J. Fischer's Anthropology as Cultural Critique, contributors explore the fascination that draws the disciplines together and the fears that keep them apart. Their topics demonstrate the rich intersection of anthropology and literary studies, ranging from reading and race to writing and representation, incest and violence, and travel and time. The rapprochement of anthropology and literary studies, begun nearly fifteen years ago by such pioneering scholars as Clifford Geertz, Edward Said, and James Clifford, has led not only to the creation of the new scholarly domain of cultural studies but to the deepening and widening of both original fields. Literary critics have learned to "anthropologize" their studies--to ask questions about the construction of meanings under historical conditions and reflect on cultural "situatedness." Anthropologists have discovered narratives other than the master narratives of disciplinary social science that need to be drawn on to compose ethnographies. Culture/Contexture brings together for the first time literature and anthropology scholars to reflect on the antidisciplinary urge that has made the creative borrowing between their two fields both possible and necessary. Critically expanding on such pathbreaking works as James Clifford and George Marcus's Writing Culture and Marcus and Michael M. J. Fischer's Anthropology as Cultural Critique, contributors explore the fascination that draws the disciplines together and the fears that keep them apart. Their topics demonstrate the rich intersection of anthropology and literary studies, ranging from reading and race to writing and representation, incest and violence, and travel and time.
The rapprochement of anthropology and literary studies, begun nearly fifteen years ago by such pioneering scholars as Clifford Geertz, Edward Said, and James Clifford, has led not only to the creation of the new scholarly domain of cultural studies but to the deepening and widening of both original fields. Literary critics have learned to "anthropologize" their studies—to ask questions about the construction of meanings under historical conditions and reflect on cultural "situatedness." Anthropologists have discovered narratives other than the master narratives of disciplinary social science that need to be drawn on to compose ethnographies. Culture/Contexture brings together for the first time literature and anthropology scholars to reflect on the antidisciplinary urge that has made the creative borrowing between their two fields both possible and necessary. Critically expanding on such pathbreaking works as James Clifford and George Marcus's Writing Culture and Marcus and Michael M. J. Fischer's Anthropology as Cultural Critique, contributors explore the fascination that draws the disciplines together and the fears that keep them apart. Their topics demonstrate the rich intersection of anthropology and literary studies, ranging from reading and race to writing and representation, incest and violence, and travel and time. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.
