Join inspector DeKok in his investigations in the DeKok series by Dutch bestselling author Baantjer. A clown is found dead, but what does his murder have to do with an antique jewel collection? Without the slightest trace, an antique jewel collection disappears from a house along one of the great canals in Amsterdam. Inspector DeKok feels compelled to help the victim of the theft, unknowingly signing up for a homicide case, as well. Soon after commencing his investigation into the robbery, DeKok and his partner Vledder are called to the foot of The Criers’ Tower. A clown lies dead along the canal with a large, shining knife protruding from his back, creating a blossom of blood around the murder weapon. After interviewing the clown’s variety troupe members, DeKok stumbles upon a connection between the two crimes...
Tom Bland's The Death of a Clown is an audacious and essential take on authenticity, alienation and sexuality that simultaenously estranges itself from and relates to its audience. Audience, rather than readers--this book is performance, mask, role play, seminar, B movie and YouTube clip. A peep hole into the most shocking of all our roles: human.
Washington Post columnist Dana Milbank takes a fair and balanced look at the unsettling rise of the silly Fox News host Glenn Beck. Thomas Jefferson famously wrote that “the tree of Liberty must be refreshed from time to time with the blood of patriots and tyrants. It is its natural manure.” In America in 2010, Glenn Beck provides the very refreshment Jefferson had in mind: Whether he’s the patriot or the tyrant, he’s definitely full of manure. The wildly popular Fox News host with three million daily viewers perfectly captures the vitriol of our time and the fact-free state of our political culture. The secret to his success is his willingness to traffic in the fringe conspiracies and Internet hearsay that others wouldn’t touch with a ten-foot pole: death panels, government health insurance for dogs, FEMA concentration camps, an Obama security force like Hitler’s SS. But Beck, who is, according to a recent Gallup poll, admired by more Americans than the Pope, has nothing in his background that identifies him as an ideologue, giving rise to the speculation that his right-wing shtick is just that—the act of a brilliant showman, known for both his over-the-top daily outrages and for weeping on the air. Milbank describes, with lacerating wit, just how the former shock jock without a college degree has managed to become the most recognizable leader of antigovernment conservatives and exposes him as the guy who is single-handedly giving patriotism a bad name.
Love Death Circus is a love letter to the Bay Area circus community that has been the author's artistic home for over four decades. The novel follows Frank Singer, a veteran clown, through a year of death and dying, first a colleague, then his mother, his best friend and a mentor. As exotic as the characters are on-stage, they face the same scary world as everyone else when illness hits their community. Framed by a series of benefit performances, Love Death Circus takes you deep into an idiosyncratic community of artists with an outrageous sense of adventure reminiscent of Carl Hiaasen or Walter Mosley.
The police cannot decide if the clown sightings reported around Grambling pose a threat or are just a hoax. That is, until a young homeless boy is lured away from his parents in the dead of night. Malachi has been dreaming of the little boy he could not save in Afghanistan. He is pulled between the deep need to drink and drown his past and his desire to try and help save the little boy who was snatched from Tent City, under his nose. Then a man dressed in a clown's outfit is found bludgeoned to death. Brangian reports and watches in horror as the crime is connected to her property and members of her own family are once again suspects. Can Branigan and Malachi help to bring the truth to light before the little boy is harmed, and before the wrong person is convicted of murder...
Shalimar the Clown is a masterpiece from one of our greatest writers, a dazzling novel that brings together the fiercest passions of the heart and the gravest conflicts of our time into an astonishingly powerful, all-encompassing story. Max Ophuls’ memorable life ends violently in Los Angeles in 1993 when he is murdered by his Muslim driver Noman Sher Noman, also known as Shalimar the Clown. At first the crime seems to be politically motivated—Ophuls was previously ambassador to India, and later US counterterrorism chief—but it is much more. Ophuls is a giant, an architect of the modern world: a Resistance hero and best-selling author, brilliant economist and clandestine US intelligence official. But it is as Ambassador to India that the seeds of his demise are planted, thanks to another of his great roles—irresistible lover. Visiting the Kashmiri village of Pachigam, Ophuls lures an impossibly beautiful dancer, the ambitious (and willing) Boonyi Kaul, away from her husband, and installs her as his mistress in Delhi. But their affair cannot be kept secret, and when Boonyi returns home, disgraced and obese, it seems that all she has waiting for her is the inevitable revenge of her husband: Noman Sher Noman, Shalimar the Clown. He was an acrobat and tightrope walker in their village’s traditional theatrical troupe; but soon Shalimar is trained as a militant in Kashmir’s increasingly brutal insurrection, and eventually becomes a terrorist with a global remit and a deeply personal mission of vengeance. In this stunningly rich book everything is connected, and everyone is a part of everyone else. A powerful love story, intensely political and historically informed, Shalimar the Clown is also profoundly human, an involving story of people’s lives, desires and crises, as well as—in typical Rushdie fashion—a magical tale where the dead speak and the future can be foreseen.
A gorgeously rendered graphic novel of Daniel Alarcón’s story City of Clowns. From the author of The King Is Always Above the People, which was longlisted for the 2017 National Book Award for Fiction. Oscar “Chino” Uribe is a young Peruvian journalist for a local tabloid paper. After the recent death of his philandering father, he must confront the idea of his father’s other family, and how much of his own identity has been shaped by his father’s murky morals. At the same time, he begins to chronicle the life of street clowns, sad characters who populate the violent and corrupt city streets of Lima, and is drawn into their haunting, fantastical world. This remarkably affecting story by Daniel Alarcón was included in his acclaimed first book, War by Candlelight, and now, in collaboration with artist Sheila Alvarado, it takes on a new, thrilling form. This graphic novel, with its short punches of action and images, its stark contrasts between light and dark, truth and fiction, perfectly corresponds to the tone of Chino’s story. With the city of Lima as a character, and the bold visual language from the story, City of Clowns is moving, menacing, and brilliantly vivid.
Clown Town is true story/social Chicago history of a baby boomer's struggle with death phobia filtered through a child's perspective. The title refers to an imaginary world created by the young protagonist, Pudgie, to pacify his younger friend's curiosity about the real world of school. Pudgie's real world, however, is a horrific world of indignity, humiliation, anger, and fear. Clown Town is a utopian world of fantasy for young boys growing up in a Chicago suburb during the 1950s. The Prologue establishes the adult first-person narrator in the present tense. He is forced to reminisce about his youth when the eminent death of his mother rekindles old fears and personality quirks that had haunted his life. His journey backward leads the reader to the death of a neighborhood man, the death of Pudgie's grandfather, and the death of a schoolmate in a historic Chicago school fire of 1958. Pudgie also struggles with a volatile temper when teased about his crossed left eye. The temper threatens his existence in a "normal" school. Along the way, the narrative treats the reader to a nostalgic look at the 1950s (the music, the cars, the TV shows, the movies, the mores), a naive child's interpretation of sex, and an adult perspective of childhood adventures such as smoking, competing in sports, and participating in petty crime.
Marion Wink is esteemed for bringing humor and wit to that most unavoidable of subjects: death. At last, Winik's critically acclaimed, cult favorites, Glen Rock Book of the Dead and Baltimore Book of the Dead, have been carefully combined in their proper chronological order, revealing more clearly than ever before the character hidden throughout these stories: Winik herself. Featuring twelve additional vignettes along with a brand–new introduction, The Big Book of the Dead continues Winik's work as an empathetic, witty chronicler of life.
