Lord of the Flies meets Never Let Me Go in this “moving and totally involving” (Stephen King) dystopian thriller from the internationally best-selling author of Behind Her Eyes Toby’s life was perfectly normal . . . until it was unraveled by something as simple as a blood test. Taken from his family, Toby now lives in the Death House; an out-of-time existence far from the modern world, where he, and the others who live there, are studied by Matron and her team of nurses. They’re looking for any sign of sickness. Any sign of their wards changing. Any sign that it’s time to take them to the sanatorium. No one returns from the sanatorium. Living in his memories of the past, Toby spends his days fighting his fear. But then a new arrival in the house shatters the fragile peace, and everything changes. Because everybody dies. It’s how you choose to live that counts.
A gripping inside look at people living every day in the shadow of capital punishment When a prisoner on death row gets executed, it's not just the families of the victim and the murderer who feel the effects. The attorneys, the jury, the law enforcement officers, the prison guards, the wardens overseeing the execution, the chaplains and advisors, even the technicians "who prepare the syringe and prick the vein" -- all of these people are affected, and they all have powerful stories to tell, stories that are beautifully woven together in the poignant narrative of Living Next Door to the Death House. Authors Virginia Stem Owens and David Clinton Owens live in Huntsville, Texas, which has earned a reputation as "the death penalty capital of the world." With the prison system there employing almost a quarter of the town's residents, the ultimate punishment -- meted out as often as once a week -- is always "next door" in Huntsville. Through candid interviews with Huntsville folks connected both personally and professionally to the Texas prison system and death row, the authors explore how the steady stream of executions in the town has affected these people and the community at large. As the Owenses show, the ever-present death chamber "reaches out like tentacles to touch the lives of everyone who lives here." Some of the people they talk to are in favor of the death penalty, some are against it, many are conflicted, and a few refuse to share their opinions. But this book is not first of all about people's opinions, nor is it about policy or polemic or issues. Rather, the focus is on personal stories. Living Next Door to the Death House unforgettably shows the human face of one of the mostcontroversial and hotly debated issues today in the U.S. Readers on all sides of the debate will be drawn in and moved by these stories arising out of life lived in the shadow of death.
FORMER TEXAS PRISON CHAPLAIN REV. CARROLL PICKETT, WORKING WITH TWO-TIME EDGAR AWARD WINNER AND NEW YORK TIMES BESTSELLING AUTHOR CARLTON STOWERS, PROVIDES THIS ELOQUENT, UNFLINCHING LOOK AT CAPITAL PUNISHMENT. Within These Walls is the powerful memoir of Rev. Carroll Pickett, who spent fifteen years as the death house chaplain at “The Walls,” the Huntsville unit of the Texas prison system. In that capacity, Reverend Pickett ministered to ninety-five men before they were put to death by lethal injection. They came with sinister nicknames like “The Candy Man” and “The Good Samaritan Killer,” some contrite, some angry—a few who might even have been innocent. All of them found in Reverend Pickett their last chance for an unbiased confessor who would look at them only as fellow humans, not simply as the convicted criminals the rest of society had already dismissed them as. This firsthand experience gave Reverend Pickett the unique insight needed to write an impassioned statement on the realities of capital punishment in America. The result is a thought-provoking and compelling book that takes the reader inside the criminal mind, inside the execution chamber, and inside the heart of a remarkable man who shares his thoughts and observations not only about capital punishment, but about the dark world of prison society
Welcome to the Dead House. Three students: dead. Carly Johnson: vanished without a trace. Two decades have passed since an inferno swept through Elmbridge High, claiming the lives of three teenagers and causing one student, Carly Johnson, to disappear. The main suspect: Kaitlyn, "the girl of nowhere." Kaitlyn's diary, discovered in the ruins of Elmbridge High, reveals the thoughts of a disturbed mind. Its charred pages tell a sinister version of events that took place that tragic night, and the girl of nowhere is caught in the center of it all. But many claim Kaitlyn doesn't exist, and in a way, she doesn't - because she is the alter ego of Carly Johnson. Carly gets the day. Kaitlyn has the night. It's during the night that a mystery surrounding the Dead House unravels and a dark, twisted magic ruins the lives of each student that dares touch it. Debut author Dawn Kurtagich masterfully weaves together a thrilling and terrifying story using psychiatric reports, witness testimonials, video footage, and the discovered diary - and as the mystery grows, the horrifying truth about what happened that night unfolds.
Attempting to rebuild her life after a violent relationship, Maggie Turner, a successful young artist, moves from London to Allihies and buys an ancient abandoned cottage. Keen to concentrate on her art, she is captivated by the wild beauty of her surroundings. After renovations, she hosts a house-warming weekend for friends. A drunken game with a Ouija board briefly descends into something more sinister, as Maggie apparently channels a spirit who refers to himself simply as 'The Master'. The others are visibly shaken, but the day after the whole thing is easily dismissed as the combination of suggestion and alcohol. Maggie immerses herself in her painting, but the work devolves, day by day, until her style is no longer recognisable. She glimpses things, hears voices, finds herself drawn to certain areas: a stone circle in the nearby hills, the reefs at the west end of the beach behind her home ... A compelling modern ghost story from a supremely talented writer. From the Costa Short Story Award Finalist, Billy O'Callaghan. 'a welcome voice to the pantheon of new Irish writing' - Edna O'Brien
*The basis for the wonderfully funny and moving TV series developed by Amy Poehler and Scout Productions* A charming, practical, and unsentimental approach to putting a home in order while reflecting on the tiny joys that make up a long life. In Sweden there is a kind of decluttering called döstädning, dö meaning “death” and städning meaning “cleaning.” This surprising and invigorating process of clearing out unnecessary belongings can be undertaken at any age or life stage but should be done sooner than later, before others have to do it for you. In The Gentle Art of Swedish Death Cleaning, artist Margareta Magnusson, with Scandinavian humor and wisdom, instructs readers to embrace minimalism. Her radical and joyous method for putting things in order helps families broach sensitive conversations, and makes the process uplifting rather than overwhelming. Margareta suggests which possessions you can easily get rid of (unworn clothes, unwanted presents, more plates than you’d ever use) and which you might want to keep (photographs, love letters, a few of your children’s art projects). Digging into her late husband’s tool shed, and her own secret drawer of vices, Margareta introduces an element of fun to a potentially daunting task. Along the way readers get a glimpse into her life in Sweden, and also become more comfortable with the idea of letting go.
Inside are the stories of 41 murderers who were sentenced to die in Dannemora's electric chair. Graphic details of many brutal attacks are covered, including victims' injuries as provided in coroner and autopsy reports, so this is not a book for the squeamish-but it is a book for fans of true-crime stories. There's plenty of drama, passion, and angst throughout in stories ranging from shocking to frightening to just plain remarkable.
Highly Commended by the Sheffield Children's Book Award 2010. Lauren and her aunt and uncle are returning to London after years living away in Cornwall. For Lauren it is a return to the sight of a terrible family tragedy and a house full of ghosts. When she was six years old her mum and little sister were murdered in their home ... and Lauren's dad was put in prison for the crime. Now she is living a stone's throw from her old house, and despite her trepidation, Lauren is curious to know who lives there now, and how the house will make her feel. When she becomes friendly with Nathan, the son of the new owners, she finds herself back at the scene of so many nightmares...of memories, but also of things forgotten. Lauren blocked out a lot of that fateful day, but now that she's older, things are coming back to her...things that could mean her dad is innocent, not guilty of murder. After all these years of hating him Lauren now faces the prospect of loving her dad once again. But is it that easy?
Good houseguests don’t get accused of murder . . . Kate Sharp loves the perks of her location scout profession. When she fills in for a researcher at a Regency-themed English house party, she’s looking forward to indulging in the posh atmosphere of tea on the lawn and elegant candlelight dinners, but when the guest next-door is murdered in a locked room, Kate becomes the prime suspect. As she turns her attention to the guests, the staff, and the owners, Kate must unlock the mystery and uncover the murderer before she’s arrested for a crime she didn’t commit. Death in a Stately Home is the third installment in the Murder on Location collection, a series of British cozy mysteries. If you love engaging characters, compelling British detective mysteries, the works of Jane Austen, and vivid locations that transport you to another place, then you’ll love Sara Rosett’s latest whodunit. Buy Death in a Stately Home to escape into another Kate Sharp mystery today! MURDER ON LOCATION SERIES: Book One - Death in the English Countryside Book Two - Death in an English Cottage Book Three - Death in a Stately Home Book Four - Death in an Elegant City Book Five - Menace at the Christmas Market (Novella) Book Six - Death in an English Garden Book Seven - Death at an English Wedding Have you read Sara Rosett’s other mystery series? If you like historical mysteries with lady detectives, check out the HIGH SOCIETY LADY DETECTIVE mystery series. If you like travel with your mystery, check out the ON THE RUN INTERNATIONAL MYSTERIES.
In this almost documentary account of his own experiences of penal servitude in Serbia, Dostoevsky describes the physical and mental suffering of the convicts, the squalor and the degradation, in relentless detail. The inticate procedure whereby the men strip for the bath without removing their ten-pound leg-fetters is an extraordinary tour de force, compared by Turgenev to passages from Dante's Inferno. Terror and resignation - the rampages of a pyschopath, the brief serence interlude of Christmas Day - are evoked by Dostoevsky, writing several years after his release, with a strikingly uncharacteristic detachment. For this reason, House of the Dead is certainly the least Dostoevskian of his works, yet, paradoxically, it ranks among his great masterpieces.
