The David D'Angers Gallery
Author: Viviane Huchard
Publisher:
Published: 1990
Total Pages: 32
ISBN-13: 9782737306471
DOWNLOAD EBOOKPosts
David D'Angers
Author: Emerson Bowyer
Publisher:
Published: 2013
Total Pages: 112
ISBN-13: 9780912114590
DOWNLOAD EBOOKUniversal Catalogue of Books on Art: A to K
Author: National Art Library (Great Britain)
Publisher: New York : B. Franklin
Published: 1870
Total Pages: 1048
ISBN-13:
DOWNLOAD EBOOKThe Chateaux of the Loire
Author: Marcel Monmarché
Publisher:
Published: 1919
Total Pages: 320
ISBN-13:
DOWNLOAD EBOOKFirst Proofs of the Universal Catalogue of Books on Art
Author: National Art Library (Great Britain)
Publisher:
Published: 1870
Total Pages: 1046
ISBN-13:
DOWNLOAD EBOOKThe First Proofs of the Universal Catalogue of Books on Art
Author: ohne Autor
Publisher: BoD – Books on Demand
Published: 2020-04-12
Total Pages: 1034
ISBN-13: 3846048305
DOWNLOAD EBOOKReprint of the original, first published in 1870.
The First Proofs of the Universal Catalogue of Books on Art Compiled for the Use of the National Art Library and the Schools of Art in the United Kingdom by Order of the Lords of the Committee of Council on Education
Author: Great Britain. Department of Science and Art
Publisher:
Published: 1870
Total Pages: 1044
ISBN-13:
DOWNLOAD EBOOKOfficial Catalogue of the Fine Art Department
Author:
Publisher:
Published: 1862
Total Pages: 348
ISBN-13:
DOWNLOAD EBOOKArt against censorship
Author: Erin Duncan-O'Neill
Publisher: Manchester University Press
Published: 2024-07-02
Total Pages: 249
ISBN-13: 1526168405
DOWNLOAD EBOOKHonoré Daumier (1808–79), who was imprisoned early on for a politically offensive cartoon, painted scenes from seventeenth-century theatre and literature at moments of stifling censorship later in his career. He continued to find form for dangerous political dissent in the face of intense and shifting censorship laws by drawing on La Fontaine, Molière, and Cervantes, masters of dissimulation and critique in a newly glorified literary past. This book reveals new connections between legal repression and subversive fine-arts practice, showing the force of Daumier’s role in the broader stories of image-text relationships and political expression.
