The Dakini Codex is a compilation of poetry that describes ancient and esoteric truths, hidden mysteries, and deeply spiritual and metaphysical subjects placed into simplistic forms. It is much like a zip drive that compresses information. Through the processes of a spiritual awakening, the book takes the reader through a journey of consciousness. It includes work that was compiled as an adolescent describing aspects of life that touches the wisdom of the ages. It provides snapshots of visuals through words to describe picturesque scenes. It resorts to sonnets of love that determined kings in Sumerian ages. It is written from the lineage of the lotus-born masters and ties in with the genealogy of Mary Magdalene and Isis. It is reminiscent of ancient technologies and creation aspects. This is written as a gift to mankind and to the evolutionary and creative forms of enlightenment and spiritual complexes.
An exploration of the role that dreaming, psychedelic experiences, and mystical visions play in visionary art • Includes discussions with 18 well-known female artists, including Josephine Wall, Allyson Grey, Amanda Sage, Martina Hoffmann, Penny Slinger, and Carolyn Mary Kleefeld • Reveals how they have all been inspired by deep inner experiences and seek to express non-ordinary visions of reality, reminiscent of shamanic trance states, lucid dreams, and spiritually transcendent experiences • Shows how visionary art often contains an abundance of feminine energy, helping us to heal ourselves and see that we are all connected Since early humans first painted from their mystic eye onto cave walls, artists have sought to share their sacred visions with the world. Created in every medium, from oil painting and sculpture to contemporary digital modeling, these visionary works of art give those who experience them a chance to “see the unseen,” realize wider modes of perception, and discover spiritual and mystical realms. In this full-color illustrated book, David Jay Brown and Rebecca Ann Hill examine the work and inspirations of eighteen of today’s leading female visionary artists, including Josephine Wall, Allyson Grey, Amanda Sage, Martina Hoffmann, Penny Slinger, and Carolyn Mary Kleefeld. They explore the creative process and the role that dreaming, psychedelic experiences, sexuality, and divine guidance play in the work of these women, alongside full-color examples of their art. They discuss the future of visionary art and reveal how these artists have all been informed and inspired by deep inner experiences and seek to express non-ordinary visions of reality, often reminiscent of those encountered in shamanic trance, lucid dreams, psychedelic states, spiritually transcendent experiences, and other altered states. Showing how visionary art often contains an abundance of feminine energy, helping us to heal ourselves and see that we are all connected, the authors explore with each artist what it is about being a woman that has most influenced their artwork. They also examine the connection between visionary art and spirituality, the influence of Nature and sacred geometry, and how this creative form is simultaneously ancient, futuristic, and timeless, providing an accessible doorway into the visionary realm.
Pema Chödrön, Joan Halifax, and ten other female Tibetan Buddhist teachers share inspiring personal stories, revealing how we can embody Buddhist wisdom and overcome everyday challenges What drives a young London librarian to board a ship to India, meditate in a remote cave by herself for twelve years, and then build a flourishing nunnery in the Himalayas? How does a surfer girl from Malibu become the head of the main international organization for Buddhist women? Why does the daughter of a music executive in Santa Monica dream so vividly of peacocks one night that she chases these images to Nepal, where she finds the love of her life in an unconventional young Tibetan master? The women featured in Dakini Power—contemporary teachers of Tibetan Buddhism, both Asians and Westerners, who teach in the West—have been universally recognized as accomplished practitioners and brilliant teachers whose life stories demonstrate their immense determination and bravery. Meeting them in this book, readers will be inspired to let go of old fears, explore new paths, and lead the lives they envision. Featured here are: Jetsun Khandro Rinpoche (This Precious Life) Dagmola Sakya (Princess in the Land of Snows) Jetsun Tenzin Palmo/Diane Perry (Into the Heart of Life) Pema Chödrön/Deirdre Blomfield-Brown (When Things Fall Apart; Start Where You Are) Khandro Tsering Chödron (late aunt of Sogyal Rinpoche, author of The Tibetan Book of Living and Dying) Thubten Chodron/Cherry Greene (Buddhism for Beginners; Taming the Mind) Karma Lekshe Tsomo/Patricia Zenn (Buddhism Through American Women ’s Eyes) Chagdud Khadro/Jane Dedman (P ’howa Commentary; Life in Relation to Death) Sangye Khandro/Nanci Gay Gustafson (Meditation, Transformation, and Dream Yoga) Roshi Joan Halifax (Being with Dying) Lama Tsultrim Allione/Joan Rousmanière Ewing (Women of Wisdom; Feeding Your Demons) Elizabeth Mattis-Namgyel (The Power of an Open Question)
This work offers a multifaceted exploration of new rituals, such as Celebrating Kwanzaa and of the ways entrenched rituals, such as Mardi Gras, gift giving, and weddings have changed. Moreover, it examines the influence of both cultures and subcultures.
Suka—the Initiated One—has entered a new sphere of training in the yogic crafts. To become an adept monk, he must learn how to master the mysterious Time-Trix—the Kaalchakra. However, a series of supernatural phenomena invades the School of Yog, unleashing powerful beings and astonishing secrets that are thousands of years old. The ancient civilization of the yogis is threatened with enslavement, Suka loses his magical abilities and the Wheel of Time begins to spin out of control. Yet, the fate of the world still rests in the hands of the Initiated One. Will Suka master the Kaalchakra before it is too late? Will he summon the higher powers of Mahakaal? Will he gain the Supreme Force?
There is a growing awareness that we are doomed as a species and planet unless we have a radical shift in consciousness and the re-emergence of the Goddess is becoming the symbol and metaphor for this transformation. Feminine Mysticism in Art fills the void of Goddess imagery and wisdom in the West by providing images and writings by 70 contemporary visionary artists and writers (male and female) who have committed their life's work to the re-birth of the Divine Feminine in the West. Some of the visionary artists are: AfraShe Asungi, Yasmin Hernandez, Martina Hoffmann, Penny Slinger, Autumn Skye Morrison, Heather Taylor, Mark Henson, Abba Yahudah, David Joaquin, Andrew Annenberg, Paul Heussenstamm, etc. Some of the visionary writers are: Anne Baring, Margaret Starbird, Arisika Razak, Vicki Noble, Sandra Ingerman, Hank Wesselman, Llewellyn Vaughn Lee, Lotus Linton, and so many more. It is an epic co-creative effort by powerful voices in the Women's Spirituality movement, Inter-Spirituality movement, and Transcendental Art movement. The mission of the book is to not only document a genre of art referred to as feminine mysticism or Goddess art, but also to reveal powerful images of the Divine in his/her myriad forms. The ultimate mission of the book is to assist humanity in evolving our conceptualization of the Divine, transcending out of antagonistic, dualistic, and hierarchical gender associations and into a new mode of consciousness that is more inclusive of all of God's creation. In order for this to occur, however, it is essential that the sacred feminine be firmly rooted in human consciousness. Since the masculine side of God has been so heavily portrayed in Western culture, a large number of people are yearning for images of the Goddess in order to provide alternatives to the conventional dominance of men in religion and society. In contrast, the Goddesses show us that the female can also be symbolic of all the is creative and powerful in the universe as well as provide us with an orientation that can help us save the planet from ecological destruction. Feminine mysticism is a spiritual movement devoted to the re-enchantment of the feminine principle or feminine side of God. Feminine mysticism is a spiritual journey for women, as well as for men, which has been lost to many Westerners, but is beginning to resurface in various ways. In the past thirty years, scholars from various disciplines have documented the ancient cultures and religions of the Goddess and the ways in which they had been intentionally subjugated by the patriarchal religions of Judaism, Christianity, and Islam. Archeological and historical evidence all reveal that for thousands of years, matriarchal religions and patriarchal societies existed simultaneously, and that over time, matriarchal or "pagan" religions suffered under centuries of persecution and suppression by the patriarchal societies, which held male deities as supreme. As a result, the feminine side of God has been hidden from view, leading to a deconstructed perception of humanity and disrespect towards many attributes associated with the feminine. Although the reign of matriarchal societies is long gone, the time of union between the masculine and feminine principles are close at hand. The Goddess is revealing herself to the human psyche in an assortment of ways, from the arts to the sciences. Her re-emergence is crucial to our society's shift into a new paradigm, a symbiotic union between the masculine and feminine aspects within the human psyche, society, and the world of spirit. However, before this shift in consciousness can occur, the awakening of the Divine Mother needs to occur on a worldwide level, which is why is is crucial to get as many images of HER as possible into the public's view at this time. See book's website: www.mysticspiritart.com
Bodies in Balance: The Art of Tibetan Medicine is the first comprehensive, interdisciplinary exploration of the triangular relationship among the Tibetan art and science of healing (Sowa Rigpa), Buddhism, and arts and crafts. Generously illustrated with more than 200 images, Bodies in Balance includes essays on contemporary practice, pharmacology and compounding medicines, astrology and divination, history and foundational treatises. The volume brings to life the theory and practice of this ancient healing art. 2015 Best Art Book Accolade, ICAS Book Prize in the Humanities Category Bodies in Balance: The Art of Tibetan Medicine is the first comprehensive, interdisciplinary exploration of the triangular relationship among the Tibetan art and science of healing (Sowa Rigpa), Buddhism, and arts and crafts. This book is dedicated to the history, theory, and practice of Tibetan medicine, a unique and complex system of understanding body and mind, treating illness, and fostering health and well-being. Sowa Rigpa has been influenced by Chinese, Indian, and Greco-Arab medical traditions but is distinct from them. Developed within the context of Buddhism, Tibetan medicine was adapted over centuries to different health needs and climates across the region encompassing the Tibetan Plateau, the Himalayas, and Mongolia. Its focus on a holistic approach to health has influenced Western medical thinking about the prevention, diagnoses, and treatment of illness. Generously illustrated with more than 200 images, Bodies in Balance includes essays on contemporary practice, pharmacology and compounding medicines, astrology and divination, history and foundational treatises. The volume brings to life the theory and practice of this ancient healing art.
In Transcending Patterns: Silk Road Cultural and Artistic Interactions through Central Asian Textiles, Mariachiara Gasparini investigates the origin and effects of a textile-mediated visual culture that developed at the heart of the Silk Road between the seventh and fourteenth centuries. Through the analysis of the Turfan Textile Collection in the Museum of Asian Art in Berlin and more than a thousand textiles held in collections worldwide, Gasparini discloses and reconstructs the rich cultural entanglements along the Silk Road, between the coming of Islam and the rise of the Mongol Empire, from the Tarim to Mediterranean Basin. Exploring in detail the iconographic transfer between different agents and different media from Central Asian caves to South Italian churches, the author depicts and describes the movement and exchange of portable objects such as sculpture, wall painting, and silk fragments across the Asian continent and across the ages. Gasparini’s history offers critical perspectives that extend far beyond an outmoded notion of “Silk Road studies.” Her cross-media work shows readers how certain material cultures are connected not only by the physical routes they take but also because of the meanings and interpretations these objects engage in various places. Transcending Patterns is at once art history, material and visual cultural history, Asian studies, conservatory studies, and linguistics.
