This Companion explores the life and work of this remarkably creative man. It provides a comprehensive analysis and appraisal of all the available music and includes a complete catalogue of his musical works, along with a discography. Several works...both music and literary are here newly catalogued and discussed. Altogether, the volume gives a broad picture of Scott's entire output in literary, dramatic and philosophical genres.--Publisher.
Published to coincide with the 50th anniversary of his death, this book presents new articles by leading authorities on John Ireland and his music, together with transcriptions of his broadcast talks and of interviews with the composer. John Ireland [1879-1962] was one of the most distinctive and distinguished of a generation of exceptional British composers that included Vaughan Williams, Gustav Holst, Frank Bridge and Arnold Bax. They emerged in the decade before the First World War and, in the inter-war years, produced a remarkable body of music. In Ireland's case his was not only the most popular British Piano Concerto of its time, but he also composed a splendid repertoire of songs, piano music, chamber music and orchestral and choral scores. This richly illustrated Companion will be essential for all admirers of the composer. Not only for the performer - pianist, singer, conductor - but for thewider musical public, record collectors and music historians, academics and anyone interested in British music of the earlier twentieth century. Lewis Foreman has drawn on his extensive research into Ireland's life and letters over many years, and, in association with the John Ireland Charitable Trust, has not only commissioned a wide range of chapters from leading performers and writers of today, but has brought together in one convenient format Ireland's own writings on music, the memories of his friends and students (including Britten, Moeran and Arnell) and a selection of important earlier articles. The Companion also includes a complete list of works and themost comprehensive discography of Ireland ever compiled. The accompanying CD contains historical recordings featuring the voice of John Ireland, with two of his broadcast talks, as well as otherwise unobtainable performances of Ireland's music from the composer himself and from other well-known performers of the past. LEWIS FOREMAN is author of Bax: A Composer and His Time [Boydell, 2007] and London: a Musical Gazetteer [Yale 2005]. Contributors: FELIX APRAHAMIAN, RICHARD ARNELL, BENJAMIN BRITTEN, JOCELYN BROOKE, ALAN BUSH, GEOFFREY BUSH, GEORGE DANNATT, JULIE DELLER, JEREMY DIBBLE, EDWIN EVANS, LEWIS FOREMAN, NORAH KIRBY, FREDERICK LAMOND, PHILIP LANCASTER, STEPHEN LE PROVOST, STEPHEN LLOYD, CHARLES MARKES, ROBERT MATTHEW-WALKER, E.J. MOERAN, ANGUS MORRISON, ERIC PARKIN, BRUCE PHILLIPS, C. B. REES, FIONA RICHARDS, ALAN ROWLANDS, R. MURRAY SCHAFER, MARION SCOTT, COLIN SCOTT-SUTHERLAND, HUMPHREY SEARLE, FREDA SWAIN, KENNETH THOMPSON, RODERICK WILLIAMS, KENNETH A. WRIGHT
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Twelve authors, from W.B. Yeats to Franz Kafka, and how the TLS reacted to their work on its first appearance, and something of how it has come to be viewed in retrospect.
This Companion offers a concise and authoritative survey of the string quartet by eleven chamber music specialists. Its fifteen carefully structured chapters provide coverage of a stimulating range of perspectives previously unavailable in one volume. It focuses on four main areas: the social and musical background to the quartet's development; the most celebrated ensembles; string quartet playing, including aspects of contemporary and historical performing practice; and the mainstream repertory, including significant 'mixed ensemble' compositions involving string quartet. Various musical and pictorial illustrations and informative appendixes, including a chronology of the most significant works, complete this indispensable guide. Written for all string quartet enthusiasts, this Companion will enrich readers' understanding of the history of the genre, the context and significance of quartets as cultural phenomena, and the musical, technical and interpretative problems of chamber music performance. It will also enhance their experience of listening to quartets in performance and on recordings.
My book begins with a brief consideration of what we mean by “English music” and what factors are involved. I explain the reasons behind my choice of composers for consideration, and for the omissions from the survey.
How do people come up with truly original ideas? The answer is to think outside the box—way outside. For the past decade, Cyril Bouquet, Jean-Louis Barsoux, and Michael Wade, professors of innovation and strategy at IMD Business School, have studied inventors, scientists, doctors, entrepreneurs, and artists. These people, or “aliens,” as the authors call them, are able to make leaps of creativity, and use five patterns of thinking that distinguish them from the rest of us. These five patterns—Attention, Levitation, Imagination, Experimentation, and Navigation—lead to a fresh and flexible approach to problem-solving. Alien thinkers know how to free the imagination so it can detect hard-to-observe patterns. They practice deliberate ways to retreat from the world in order to see the big picture underlying a problem. And they approach ideas in systematic ways that reflect the constraints of reality. Through surprising and compelling stories, the authors show how readers can use this method to develop out-of-this-world ideas. ALIEN Thinking can help any of us find innovative solutions to the most difficult problems.
A comprehensive reassessment of this towering figure of twentieth-century music, examining works, cultural context and reception in Britain and beyond.
Why does the University of Illinois campus at Urbana-Champaign look as it does today? Drawing on a wealth of research and featuring more than one hundred color photographs, An Illini Place provides an engrossing and beautiful answer to that question. Lex Tate and John Franch trace the story of the university's evolution through its buildings. Oral histories, official reports, dedication programs, and developmental plans both practical and quixotic inform the story. The authors also provide special chapters on campus icons and on the buildings, arenas and other spaces made possible by donors and friends of the university. Adding to the experience is a web companion that includes profiles of the planners, architects, and presidents instrumental in the campus's growth, plus an illustrated inventory of current and former campus plans and buildings.
