In this time of Apostolic Age it is important that Men and Women know who and why they are. In society today our roles can no longer be defined by gender. So we must understand the original intent of Man and Woman in order to know where our power is.
Many women have false beliefs about who we are and what we must do to succeed. If you pit yourself against other women because of this, you’re holding yourself back. It’s time for a change. Women are ready to stop the vicious cycle of criticizing, judging, gossiping, and comparing themselves. We want to feel good in our own skin and know we’re enough, just as we are. This book is an evidence-based, actionable guide to creating a better life for yourself and a better world with more opportunity for women and girls. Strong Women Lift Each Other Up is perfect for any woman or girl who has ever: struggled with jealousy or comparing your life or body to other women. wanted to support or believe in women, but felt like they’re catty or tearing you down. felt like you’re competing with other women for opportunities that are scarce, or felt like you were made for more than the life you’re living now. Strong Women Lift Each Other Up will help you radiate confidence from the inside out, chase your dreams without worrying what others think, lift other women up, and live a life filled with a purposeful meaning. You’ll walk in a room feeling like you don’t have to compare yourself to other women. You’ll know exactly who you are and be damn proud of it!
Gandhari, the blindfolded queen-mother of the Kauravas, sees through it all... Gandhari has one day left to live. As she stares death in the face, her memories travel back to the beginning of her story, to life's unfairness at every point: A fiercely intelligent princess who wilfully blindfolded herself for the sake of her peevish, visually-impaired husband; who underwent a horrible pregnancy to mother one hundred sons, each as unworthy as the other; whose stern tapasya never earned her a place in people's hearts, nor commanded the respect that Draupadi and Kunti attained; who even today is perceived either as an ingratiatingly self-sacrificing wife or a bad mother who was unable to control her sons and was, therefore, partly responsible for the great war of the Mahabharata... In this insightful and sensitive portrayal, Aditi Banerjee rescues Gandhari from being reduced to a mere symbol of her blindfold. She builds her up, as Ved Vyasa did, as an unconventional heroine of great strength and iron will – who, when crossed, embarked upon a complex relationship with Lord Krishna, and became the queen who cursed a God...
Bestselling author of Odd Girl Out, Rachel Simmons exposes the myth of the Good Girl, freeing girls from its impossible standards and encouraging them to embrace their real selves In The Curse of the Good Girl, bestselling author Rachel Simmons argues that in lionizing the Good Girl we are teaching girls to embrace a version of selfhood that sharply curtails their power and potential. Unerringly nice, polite, modest, and selfless, the Good Girl is a paradigm so narrowly defined that it's unachievable. When girls inevitably fail to live up-experiencing conflicts with peers, making mistakes in the classroom or on the playing field-they are paralyzed by self-criticism, stunting the growth of vital skills and habits. Simmons traces the poisonous impact of Good Girl pressure on development and provides a strategy to reverse the tide. At once expository and prescriptive, The Curse of the Good Girl is a call to arms from a new front in female empowerment. Looking to the stories shared by the women and girls who attend her workshops, Simmons shows that Good Girl pressure from parents, teachers, coaches, media, and peers erects a psychological glass ceiling that begins to enforce its confines in girlhood and extends across the female lifespan. The curse of the Good Girl erodes girls' ability to know, express, and manage a complete range of feelings. It expects girls to be selfless, limiting the expression of their needs. It requires modesty, depriving the permission to articulate their strengths and goals. It diminishes assertive body language, quieting voices and weakening handshakes. It touches all areas of girls' lives and follows many into adulthood, limiting their personal and professional potential. Since the popularization of the Ophelia phenomenon, we have lamented the loss of self-esteem in adolescent girls, recognizing that while the doors of opportunity are open to twenty-first-century American girls, many lack the confidence to walk through them. In The Curse of the Good Girl, Simmons provides a catalog of tangible lessons in bolstering the self and silencing the curse of the Good Girl. At the core of Simmons's radical argument is her belief that the most critical freedom we can win for our daughters is the liberty not only to listen to their inner voice but also to act on it.
DIVDIVBefore she became Queen of the Amazons, young Hippolyta fought to break a goddess’s curse . . . /divDIV An ancient prophecy states that any Amazon who bears two sons must kill the second, lest he grow up to destroy all the Amazons. But Queen Otrere can’t bear to sacrifice her baby, so she gives him to her daughter, thirteen-year-old Hippolyta, begging her to take the child to his father, Laomedon, King of Troy. In order to save her baby brother’s life, Hippolyta must find a lost city and lift a goddess’s curse. Along the way, she will need help from an unexpected source: a newly discovered brother. But can Hippolyta bring herself to trust a boy in order to save the Amazons?/divDIV /divDIVThis ebook features personal histories by Jane Yolen and Robert J. Harris including rare images from the authors’ personal collections, as well as a timeline of the Heroic Age and a conversation between the two authors about the making of the series./div/div
Ananna of the Tanarau abandons ship when her parents try to marry her off to an allying pirate clan: she wants to captain her own boat, not serve as second-in-command to her handsome yet clueless fiance. But her escape has dire consequences when she learns the scorned clan has sent an assassin after her. And when the assassin, Naji, finally catches up with her, things get even worse. Ananna inadvertently triggers a nasty curse — with a life-altering result. Now Ananna and Naji are forced to become uneasy allies as they work together to break the curse and return their lives back to normal. Or at least as normal as the lives of a pirate and an assassin can be. From the Trade Paperback edition.
In this new novel, the first by a black woman ever to win the coveted Prix Goncourt, Marie NDiaye creates a luminous narrative triptych as harrowing as it is beautiful. This is the story of three women who say no: Norah, a French-born lawyer who finds herself in Senegal, summoned by her estranged, tyrannical father to save another victim of his paternity; Fanta, who leaves a modest but contented life as a teacher in Dakar to follow her white boyfriend back to France, where his delusional depression and sense of failure poison everything; and Khady, a penniless widow put out by her husband’s family with nothing but the name of a distant cousin (the aforementioned Fanta) who lives in France, a place Khady can scarcely conceive of but toward which she must now take desperate flight. With lyrical intensity, Marie NDiaye masterfully evokes the relentless denial of dignity, to say nothing of happiness, in these lives caught between Africa and Europe. We see with stunning emotional exactitude how ordinary women discover unimagined reserves of strength, even as their humanity is chipped away. Three Strong Women admits us to an immigrant experience rarely if ever examined in fiction, but even more into the depths of the suffering heart.
Is the "Holy Pail" cursed? Every owner of the vintage Chappy Wheeler lunchbox—a prototype based on the 1940s TV western—has died. And now Sterling Price, business tycoon and a client of Odelia Grey's law firm, has been fatally poisoned. Is it a coincidence that Price's one-of-a-kind lunch pail—worth over thirty grand—has disappeared at the same time? Treading cautiously since a recent run-in with a bullet, Odelia takes small bites of this juicy, calorie-free mystery—and is soon ravenous for more! Her research reveals a sixty-year-old unsolved murder and Price's gold-digging ex-fiancée with two married men wrapped around her breasts...uh, finger. Mix in a surprise marriage proposal that sends an uncertain Odelia into chocolate sedation, and you've got an unruly recipe for delicious disaster. Praise: "I'd like to spend more time with Sue Ann Jaffarian's Odelia."—The New York Times "Plus-size paralegal Odelia Grey gets more than she bargained for when she accepts an unusual gift from a favorite client...Jaffarian plays the formula with finesse, keeping love problems firmly in the background while giving her heroine room to use her ample wit and grit."—Kirkus Reviews "Jaffarian offers the perfectly flawed alternative for readers sick and tired of picture-perfect characters." —Booklist "Odelia Grey is a keeper."—Library Journal "Jaffarian's writing is sharp and sassy—like her protagonist—and she knows how to keep the suspense high."—Mystery Scene "I have enjoyed both books in the series. Odelia is a resourceful woman, and I didn't chafe at her amateur sleuthing. The book has an inspired cookie recipe."—Deadly Pleasures "Even better than her first...a major hoot!"—Thomas B. Sawyer, bestselling author of TheSixteenth Man, former head writer/producer of Murder, She Wrote "Odelia Gray is a wonderful addition to the mystery genre, a smart, funny, engaging plus-size heroine who takes readers on a plus-size ride. You root for her, laugh with her and cheer at her ultimate triumph. If I were in trouble, I'd want Odelia on my side."—Denise Hamilton, Edgar and Willa Cather Award-finalist and national bestselling author of Prisoner of Memory "More fun than a lunch pail full of plump paralegals, The Curse of the Holy Pail is a tale as bouncy as its bodacious protagonist."—Bill Fitzhugh, author of Highway 61 and Resurfaced "With a legendary curse, a possibly murderous little person, ruthless heirs, [and] charismatic thugs... a lively caper that will keep you guessing right till the end."—Kris Neri, award-winning author of the Tracy Eaton mysteries "A funny read, with off the wall characters, a twisty plot and not a surplus calorie to be had. Recommended."—Bookbitch.com "Well written and nicely paced, this is a good beach or airplane read."—Cycling.Finial.com "Big women of the world, hang on to your hats, you're going to love Sue Ann Jaffarian's plus-sized Odelia Grey, amateur sleuth. This is funny, sexy, romantic, you name it, all wrapped up in one great mystery."—Cozylibrary.com
Scottish teenage werewolf Kalix MacRinnalch tries to settle in London though she still struggles with anxiety, depression, and self-abuse. Her new friends support her as she goes to college to learn to read and write, but her old enemies won't leave her alone. Many powerful werewolves want Kalix dead, and the Guild of Werewolf Hunters is still dedicated to wiping out the entire Werewolf Clan. Life might be easier for Kalix if her werewolf family were to help, but her sister the Enchantress needs all of her sorcerous powers to locate the perfect pair of high heels, her brother Markus is busy in Scotland organising an opera, and her cousin Dominil is engaged in her own merciless vendetta with her enemies. The MacRinnalch Werewolf Clan has problems of its own, from angry Fire Elementals to uncooperative fashion editors, leaving Kalix to struggle on alone. Kalix finds it's difficult enough for a young werewolf to pay the rent, without struggling against werewolf hunters and college exams at the same time.
Based on Portuguese legend, this #OwnVoices historical fantasy is an epic tale of mystery, magic, and making the impossible choice between love and duty... With just one touch, bread turns into roses. With just one bite, cheese turns into lilies. There’s a famine plaguing the land, and Princess Yzabel is wasting food simply by trying to eat. Before she can even swallow, her magic—her curse—has turned her meal into a bouquet. She’s on the verge of starving, which only reminds her that the people of Portugal have been enduring the same pain for years. If only it were possible to reverse her magic. Then she could turn flowers into food. Fatyan, a beautiful Enchanted Moura, is the only one who can help. But she is trapped by magical binds. She can teach Yzabel how to control her curse—if Yzabel sets her free with a kiss. As the King of Portugal’s betrothed, Yzabel would be committing treason, but what good is a king if his country has starved to death? With just one kiss, Fatyan is set free. And with just one kiss, Yzabel is yearning for more. She’d sought out Fatyan to help her save the people. Now, loving her could mean Yzabel’s destruction. A Curse of Roses includes themes, imagery, and content that might be triggering for some readers. Discussions of religious-based self harm, religious-based eating disorders, and religious-based internalized homophobia appear throughout the novel.