The Cuban and Porto Rican Campaigns is an unchanged, high-quality reprint of the original edition of 1898. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1898 edition. Excerpt: ... CHAPTER VIII THE PORTO RICAN CAMPAIGN Seal of the Corporation of the City of Ponce after the WHEN the men who accompanied our array to Porto Rico returned to their own people again, they found that at home the Porto Rican campaign was regarded as something in the way of a successful military picnic, a States. The original seal . contained the arms of sort ot comic-opera war, a mag Ponce, a lion on a bridge. nified field-day at Van Cortlaudt Park. This point of view was hardly fair, either to the army in Porto Rico or to the people at home. It cheated the latter of their just right to feel proud. In comparison to the Santiago nightmare, the Porto Ricau expedition was a fete des fleurs; but the reason for this, apart from the fact that the country, unlike Cuba, had not been devastated and that the Porto Ricans, unlike the Cubans, were most friendly, was one which should make all Americans pleased with themselves and with their army. It should give them such confidence in the army and its generals as we like to honestly feel when we boast of anything to which we can prefix the possessive pronoun, whether it be our local base-ball nine, our express trains or elevators, or our army and navy. Porto Rico was a picnic because the commanding generals would not permit the enemy to make it otherwise. The Spaniards were willing to make it another nightmare--they were just as ready to kill in Porto Rico as in Cuba--but our commanding General in Porto Rico was able to prevent their doing so. A performance of any sort always appears the most easy when we see it well done by an expert--even golf looks possible as Whigham plays it. All he does is to hit a ball with a stick. But you might go out and hit the same ball with the same stick for a year, and no...
Excerpt from The Cuban and Porto Rican Campaigns About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Richard Harding Davis (April 18, 1864 - April 11, 1916) was an American journalist and writer of fiction and drama, known foremost as the first American war correspondent to cover the Spanish-American War, the Second Boer War, and the First World War.His writing greatly assisted the political career of Theodore Roosevelt and he also played a major role in the evolution of the American magazine. His influence extended to the world of fashion and he is credited with making the clean-shaven look popular among men at the turn of the 20th century. Davis was born on April 18, 1864 in Philadelphia, Pennsylvania.His mother Rebecca Harding Davis was a prominent writer in her day. His father, Lemuel Clarke Davis, was himself a journalist and edited the Philadelphia Public Ledger. As a young man, Davis attended the Episcopal Academy. In 1882, after an unhappy year at Swarthmore College, Davis transferred to Lehigh University, where his uncle, H. Wilson Harding, was a professor.While at Lehigh, Davis published his first book, The Adventures of My Freshman (1884), a collection of short stories. Many of the stories had originally appeared in the student magazine the Lehigh Burr. In 1885, Davis transferred to Johns Hopkins University. After college, his father helped him gain his first position as a journalist at the Philadelphia Record but he was soon dismissed. After another brief position at the Philadelphia Press, Davis accepted a better-paying position at the New York Evening Sun where he gained attention for his flamboyant style and his writing on controversial subjects such as abortion, suicide and execution.He first attracted attention in May to June 1889, by reporting on the devastation of Johnstown, Pennsylvania, following the infamous flood and added to his reputation by reporting on other noteworthy events such as the first electrocution of a criminal (the execution of William Kemmler in 1890)...... Frederick Coffay Yohn (February 8, 1875 - June 6, 1933), often recognized only by his initials, F. C. Yohn, was an artist and magazine illustrator.Yohn's work appeared in publications including Scribner's Magazine, Harper's Magazine, and Collier's Weekly. Books he illustrated included Jack London's A Daughter of the Snows, Frances Hodgson Burnett's The Dawn of a To-morrow and Henry Cabot Lodge's Story of the American Revolution. He studied at the Indianapolis Art School during his first student year and then studied at the Art Students League of New York under Henry Siddons Mowbray (1858-1928). Mowbray studied at the Atelier of Leon Bonnat in Paris. Yohn often specialized in historical military themes, especially of the American Revolution, as well as the First World War. He designed the 2 cent US Postal Service stamp in 1929 to commemorate the 150th Anniversary of George Rogers Clark's Victory over the British at Sackville. He is best known for his painting of George Washington at Valley Forge."
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