The Crown is the English translation of Mukut (1908), which was a dramatised version of the short story by the same name. King and Rebel was intended to be used as material for extra-curricular exercises for the students of Santiniketan, to create interest in dramatics for them.
The Crown is the English translation of Mukut (1908), which was a dramatised version of the short story by the same name. King and Rebel was intended to be used as material for extra-curricular exercises for the students of Santiniketan, to create interest in dramatics for them.
This medieval history of British rebellion examines how five centuries of uprisings and insurrections helped build the United Kingdom. Shakespeare’s Henry IV lamented ‘Uneasy lies the head that wears the crown’. It was true of that king’s reign and of many others before and after. From Hereward the Wake’s guerilla war, resisting the Norman invasion of William the Conqueror, through the Anarchy, the murder of Thomas Becket, the rebellions of Henry II’s sons, the deposition of Edward II, the Peasants’ Revolt and the rise of the over-mighty noble subject that led to the Wars of the Roses, kings throughout the medieval period came under threat from rebellions and resistance that sprang from the nobility, the Church, and even the general population. Serious rebellions arrived on a regular cycle throughout the period, fracturing and transforming England into a nation to be reckoned with. Matthew Lewis examines the causes behind the insurrections and how they influenced the development of England from the Norman Conquest until the Tudor period. Each rebellion’s importance and impact is assessed both individually and as part of a larger movement to examine how rebellions helped to build England.
'A superb biography, which paints a vivid picture of the times and of her subject' Daily Telegraph 'Fascinating, compelling, outrageous and ultimately tragic' Simon Sebag Montefiore 'It is the best royal biography I have read in years' A.N. Wilson From the Duff Cooper Prize-winning author of The Restless Republic, a remarkable biography of one of the most intriguing figures of the Restoration era. James, Duke of Monmouth, the favoured illegitimate son of Charles II, was born in exile the year his grandfather Charles I was executed and the English monarchy abolished. Abducted from his mother on his father's orders, he emerged from a childhood in the backstreets of Rotterdam to command the ballrooms of Paris, the brothels of Covent Garden and the battlefields of Flanders. Such was his appeal that when the monarchy itself came under threat, the cry was for Monmouth to succeed Charles II as king. He inspired both delight and disgust, adulation and abhorrence and, in time, love and loyalty. Louis XIV was his mentor, Nell Gwyn his protector, D'Artagnan his lieutenant, William of Orange his confidant, John Dryden his censor and John Locke his comrade. In The Last Royal Rebel, Anna Keay matches rigorous scholarship with a storyteller's gift to enrapturing effect. She paints a vivid portrait of the warm, courageous and handsome Duke of Monmouth, a man who by his own admission 'lived a very dissolute and irregular life', but who was ultimately prepared to risk everything for honour and justice. His story, culminating in his fateful invasion, provides a sweeping chronicle of the turbulent decades in which England as we know it was forged.
Robert de Bruce, scion of one of the most noble houses in Scotland, is propelled into rebellion by the "Hammer of the Scots." Edward Plantagenet, king of England, who uses Scotland's inherently unstable clan system to seize power and claim the disunited country as his own.
From New York Times and USA Today bestseller Lexi Blake comes a new novel in her Thieves world… After returning from the outer planes, Zoey expected a joyous reunion with family and friends. She couldn’t be more wrong. Her kingdom is in the hands of Myrddin, her friends are on the run, and her children are being hunted by the supernatural world. But that isn’t the worst of it. They aren’t just outlaws—they are fully grown adult outlaws. In the four days that passed while they were gone, twelve years have passed at home. Now Zoey, Danny, and Dev find themselves in the middle of a new war where they are hunted by old foes and former allies…some they could never have imagined would turn against them. As Myrddin’s plan becomes clear, Zoey realizes she just might hold the key to stopping him for good and reclaiming their kingdom. Doing so means risking it all to steal back an artifact out from under the wizard’s nose. The fate of everyone on the Earth plane hangs in the balance, and one wrong move could cost Zoey everything she loves.
War brought them together. Love will tear them apart. Auranos has been conquered and the three kingdoms—Auranos, Limeros, and Paelsia—are now unwillingly united as one country called Mytica. But alluring, dangerous magic still beckons, and with it the chance to rule not just Mytica, but the world. . . . CLEO is now a prisoner in her own palace, forced to be an ambassador for Mytica as the evil King Gaius lies to her people MAGNUS stands to eventually inherit the new kingdom but is still obsessed with his feelings for his adopted sister, Lucia LUCIA is haunted by the deadly outcome of her breathtaking display of magic that allowed her father to capture the kingdoms JONAS watches at the palace gates, a troop of rebels behind him, waiting for him to tell them how he plans to overtake King Gaius When Gaius announces that a road is to be built into the Forbidden Mountains, formally linking all of Mytica together, he sets off a chain of cataclysmic events that will forever change the face of this land. Praise for Falling Kingdoms “From an opening dripping with blood, magic, and betrayal through complex interweaving plots detailing treachery, deceit, and forbidden love, this novel . . . will immediately engage readers and keep them intrigued.”—Booklist “[It] will gut you emotionally . . . make you ache, cry, and beg for the sequel as you turn the last page. I absolutely loved it.”—Julie Kagawa, New York Times bestselling author of The Iron Queen “This triple-layered tale of bloodshed, heartbreak, and tangled court intrigue kept me turning pages very late into the night.”—Lesley Livingston, author of Wondrous Strange and Starling Richelle Mead, bestselling author of the Vampire Academy and Bloodlines series, sits down with Morgan Rhodes to talk about Rebel Spring, the much-anticipated second book in her bestselling Falling Kingdoms series. Richelle Mead: Morgan Rhodes (aka Michelle Rowen) has been my friend for a number of years. We've hung out together at conferences and swooned over each other's books. When she was able to work on Vampire Academy: The Ultimate Guide, I couldn't believe how lucky I was to have someone who was already a fan of the VA world and whose writing I personally loved. I'm just as excited about her Falling Kingdoms series and couldn't resist this chance to ask her some questions about Rebel Spring, the next book in the series! Morgan Rhodes: I was thrilled for the chance to write the VA Ultimate Guide! I remember Richelle telling me there were plans for the book and I piped up with: “I totally want to write that!” And what fun it was to delve back into a series that I loved (and am still in love with thanks to the wonderful Bloodlines spinoff). I’m counting down the days for the VA movie! Richelle is not only a friend, but one of my very favorite authors, so it’s a real honor to be interviewed by her about Rebel Spring. RM: So without further ado, let’s start talking about the new book. The world of Falling Kingdoms is so vivid and detail-rich. When it comes to world-building for these novels, where do you get your inspiration? MR: I get my inspiration from pretty much everywhere, although I’m visually inspired by some of my favorite TV shows and movies, which run the gamut from Lord of the Rings to The Princess Bride to Game of Thrones, to name just a few. RM: At the end of Falling Kingdoms, things are looking pretty bleak in Mytica. Is it fair to say that Rebel Spring will be quite a bit darker than book 1? MR: The stakes have been raised and sharpened, for sure. Blood will spill and lives will be lost. But I don’t think I would ever want to write a book that was unrelentingly bleak from beginning to end. I can promise that Rebel Spring contains plenty of comic relief and romance to counterbalance the darker bits. RM: The Falling Kingdoms books are written from multiple POVs, and each of your narrators has such a unique voice and perspective. How does your experience vary from POV to POV? Are there some characters that are more difficult than others? Do you have a favorite? MR: It’s been a wonderful and exciting challenge to write in multiple points of view from my diverse cast. I will admit, some POVs are always a joy to write and others prove to be a challenge. I try to put myself in the head of that character and see the world from their eyes, no matter who they are or what their goals are. I get into the heads of a couple different characters in Rebel Spring, including a villain who definitely sees things from a darker angle than anything I’ve written before – which was fun. The characters whose scenes I most look forward to writing since they are very specific personalities and basically take over and make things easier for me are Cleo and Magnus. They tend to surprise me while the other characters usually stick to the outline! RM: Let’s talk body count. You’re very good at making me fall in love with your characters, but you’re also very good at killing them off when I least expect it. How do you decide the who, how, when, and why when it comes to killing off your characters? MR: I never knew how much I enjoyed killing characters until I started writing this series. *evil grin* However! I like to think those who get the ax (sometimes, um, literally) are necessary deaths. It’s all for a purpose, to change another character in the face of their shock and grief, to lead them down a path they never would have taken before, and to spark a desire for revolution and vengeance in the hearts of those who might previously have been passive and peaceful. Plus, I always think when things seem a bit too ideal and characters are getting too comfortable, it’s a good time to get a few heads rolling to keep things interesting for readers – and for me as the writer! RM: What’s going on with Magnus? He seems like kind of a jerk in Falling Kingdoms, but I get the sense he’s got a soft spot. MR: With a father like King Gaius, whose nickname is the “King of Blood,” it would be pretty hard for a prince to grow up as a nice dude with a sunny disposition! Magnus really came alive on the page for me, more so than any other character in the cast. Initially, he was supposed to be a jerk through and through, but he’s really more of a lost soul whose entire life has been devoted to attempting to gain his cruel and driven father’s love and respect. However, Magnus has begun to learn that he might have a different set of morals than the king, even though he knows following in Daddy’s footsteps would make life easier for him. This isn’t to say that Magnus hasn’t made (and will make) some rather dreadful decisions that will certainly cast a shadow over his future relationships and experiences. RM: Jonas has a lot of axes to grind by the end of book 1. What can we expect from him in Rebel Spring? MR: I think the main thing with Jonas is that beneath his thirst for vengeance (focused on both the murderer of his brother Aron and King Gaius) is that he really does mean well. He cares about the people of downtrodden Paelsia, and he’s someone, unlike his fellow countrymen, who doesn’t believe his future is ruled by uncontrollable fate. In Rebel Spring, Jonas has been thrust into the position of rebel leader, which will be a challenge for him on many levels. RM: Okay, ultimate personality test: Are you a Cleo or a Lucia? MR: Both are princesses from vastly different kingdoms and upbringings – Cleo is a girl who has favored parties and frivolity in the past, while Lucia prefers learning and solitude. Cleo is stubborn and sometimes reckless, and Lucia is more measured and controlled, but may be considered naïve in many ways. I wouldn’t say I’m much like either princess, really, although I am blond like Cleo and I love books like Lucia. :) RM: Lastly, can you talk a little bit about your writing process? MR: It would be next to impossible to undertake a large tapestry of a series like Falling Kingdoms if I didn’t plan a lot of it ahead of time. I work from a detailed outline and map out character goals and conflicts and relationship arcs, but I’m still surprised by some of the things my characters say and do that can take me in a direction different from what was meticulously planned. So far, it’s been a lot of fun to explore these unexpected paths to see where they lead.
Thirty-four essays and interviews with some of the greatest individuals, malcontents and free thinkers of the last 150 years - including Louise Brooks, Richard Pryor, David Bowie, Liam Gallagher and Daniel Day-Lewis - this is a collection that exonerates the maverick and celebrates the individual. It is an essential read for the left of field.
An in-depth look at the British monarchy that’s “a superb synthesis of historical analysis, politics, and top-notch royal gossip” (Kirkus Reviews). Since William the Conqueror, duke of Normandy, crossed the English Channel in 1066 to defeat King Harold II and unite England’s various kingdoms, forty-one kings and queens have sat on Britain’s throne. “Shining examples of royal power and majesty alongside a rogue’s gallery of weak, lazy, or evil monarchs,” as Tracy Borman describes them in her sparkling chronicle, Crown & Sceptre. Ironically, during very few of these 955 years has the throne’s occupant been unambiguously English—whether Norman French, the Welsh-born Tudors, the Scottish Stuarts, and the Hanoverians and their German successors to the present day. Acknowledging the intrinsic fascination with British royalty, Borman lifts the veil to reveal the remarkable characters and personalities who have ruled and, since the Restoration of the monarchy in 1660, more ceremonially reigned. It is a crucial distinction explaining the staying power of the monarchy as the royal family has evolved and adapted to the needs and opinions of its people, avoiding the storms of rebellion that brought many of Europe’s royals to an abrupt end. Richard II; Henry VIII; Elizabeth I; George III; Victoria; Elizabeth II: their names evoke eras and the dramatic events Borman recounts. She is equally attuned to the fabric of monarchy: royal palaces; the way monarchs have been portrayed in art, on coins, in the media; the ceremony and pageantry surrounding the crown. Elizabeth II is already one of the longest reigning monarchs in history. Crown & Sceptre is a fitting tribute to her remarkable longevity and that of the magnificent institution she represents. “Crown & Sceptre brings us in short, vivid chapters from William the Conqueror to Elizabeth herself, much of it constituting a dark record of bumping off adversaries, rivals and spouses, confiscating vast estates and military invasions…. [A] lucid, character-rich book.” —Minneapolis Star-Tribune “Borman’s deep understanding of English royalty shines.” —Chris Schluep, Amazon Editors’ Picks, The Best History Books of February 2022