A gazetteer of the many fine Shropshire country houses, which covers the architecture, the owners' family history, and the social and economic circumstances that affected them.
This fully-illustrated guide to Shropshire treats each city, town, and village in a detailed gazetteer and includes a variety of helpful maps, plans, and indexes along with an illustrated glossary. The book is an invaluable reference work on the appealing and unspoiled county of Shropshire, where many historic towns, including Shrewsbury and Ludlow, are especially plentiful in Georgian and timber-framed buildings. Shropshire boasts the Cistercian abbey of Buildwas and many important country houses, including the 13th-century fortified mansions at Acton Burnell and Stokesay; John Nash's Italianate villa at Cronkhill; and Norman Shaw's splendid Late Victorian mansion at Adcote. Shropshire is also home to numerous prehistoric hill-forts and the Roman town at Wroxeter as well as Coalbrookdale's spectacular bridge, the first in the world to be built of iron. The unspoiled county of Shropshire is among the most appealing in England for lovers of architecture. The county's many historic towns, of which Shrewsbury and Ludlow are the largest, are especially plentiful in Georgian and timber-framed buildings. Shropshire's villages, intriguingly varied in plan and building materials, reflect the diverse landscape of plains, hills and moorland and the rich and complex underlying geology. The Cistercian abbey of Buildwas is the finest of several notable monastic ruins, and outstanding medieval parish churches and castles are also numerous. Many of the country houses have a central place in the story of English architecture: the fortified mansions at Acton Burnell and Stokesay, thirteenth-century design at its most sophisticated; the vigorous Baroque houses of John Prince and Francis Smith; John Nash's Italianate villa at Cronkhill, looking like something in a Claude painting; Norman Shaw's splendid Late Victorian mansion at Adcote. Shropshire is also unrivalled for its early industrial remains, including the spectacular bridge at Coalbrookdale, the first in the world to be built of iron. More ancient cultures are represented by the numerous prehistoric hill-forts and the celebrated Roman town at Wroxeter. Each city, town or village is treated in a detailed gazetteer. A general introduction provides a historical and artistic overview. Numerous maps and plans, over a hundred new colour photographs, full indexes and an illustrated glossary help to make this book invaluable as both reference work and guide.
Beginning with new evidence that cites the presence of books in Roman villas and concluding with present day vicissitudes of collecting, this generously illustrated book presents a complete survey of British and Irish country house libraries. Replete with engaging anecdotes about owners and librarians, the book features fascinating information on acquisition bordering on obsession, the process of designing library architecture, and the care (and neglect) of collections. The author also disputes the notion that these libraries were merely for show, arguing that many of them were profoundly scholarly, assembled with meticulous care, and frequently used for intellectual pursuits. For those who love books and the libraries in which they are collected and stored, The Country House Library is an essential volume to own.
Originally published in 1982, and based on extensive research in estates’ archives, this book outlines the changing fate of the 500 largest estates in England over the centuries. It examines estates in their heyday and looks at their changing role as they declined in the twentieth century, showing how some estates have survived and describing the differing uses to which country houses have been put.
The story of how the country house, historically a site of violent disruption, came to symbolize English stability during the eighteenth century. Country houses are quintessentially English, not only architecturally but also in that they embody national values of continuity and insularity. The English country house, however, has more often been the site of violent disruption than continuous peace. So how is it that the country how came to represent an uncomplicated, nostalgic vision of English history? This book explores the evolution of the country house, beginning with the Reformation and Civil War, and shows how the political events of the eighteenth century, which culminated in the reaction against the French Revolution, led to country houses being recast as symbols of England’s political stability.
The way a man thinks about his day-to-day living and the needs of his household reveals a great deal about his ambitions, his idea of himself, and his role in the community. And his house or castle offers many clues to his habits as well as those of the members of his household. This intriguing book explores the evolution of country house plans throughout Britain and Ireland, from medieval times to the eighteenth century. With photographs and detailed architectural plans of each house under discussion, the book presents a whole range of new insights into how these homes were designed and what their varied designs tell us about the lives of their residents. Starting with fortified medieval tower houses, the book traces patterns that developed and sometimes repeated in country house design over the centuries. It discusses who slept in the bedchambers, where food was prepared, how rooms were arranged for official and private activities, what towers signified, and more. Groundbreaking in its depth, the volume offers a rare tour of country houses for scholar and general reader alike.
Country houses and the British empire, 1700–1930 assesses the economic and cultural links between country houses and the Empire between the eighteenth and twentieth centuries. Using sources from over fifty British and Irish archives, it enables readers to better understand the impact of the empire upon the British metropolis by showing both the geographical variations and its different cultural manifestations. Barczewski offers a rare scholarly analysis of the history of country houses that goes beyond an architectural or biographical study, and recognises their importance as the physical embodiments of imperial wealth and reflectors of imperial cultural influences. In so doing, she restores them to their true place of centrality in British culture over the last three centuries, and provides fresh insights into the role of the Empire in the British metropolis.