The Context of Ancient Drama
The Context of Ancient Drama

Author: Eric Csapo

Publisher: University of Michigan Press

Published: 1995

Total Pages: 500

ISBN-13: 9780472082759

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An easy-to-use guide to the nature and stagecraft of ancient plays

A Guide to Ancient Greek Drama
A Guide to Ancient Greek Drama

Author: Ian C. Storey

Publisher: John Wiley & Sons

Published: 2008-04-15

Total Pages: 330

ISBN-13: 1405137630

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This Blackwell Guide introduces ancient Greek drama, which flourished principally in Athens from the sixth century BC to the third century BC. A broad-ranging and systematically organised introduction to ancient Greek drama. Discusses all three genres of Greek drama - tragedy, comedy, and satyr play. Provides overviews of the five surviving playwrights - Aeschylus, Sophokles, Euripides, Aristophanes, and Menander, and brief entries on lost playwrights. Covers contextual issues such as: the origins of dramatic art forms; the conventions of the festivals and the theatre; the relationship between drama and the worship of Dionysos; the political dimension; and how to read and watch Greek drama. Includes 46 one-page synopses of each of the surviving plays.

Theatre in Ancient Greek Society
Theatre in Ancient Greek Society

Author: J. R. Green

Publisher: Routledge

Published: 2013-04-15

Total Pages: 262

ISBN-13: 1134968809

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In Theatre in Ancient Greek Society the author examines the social setting and function of ancient Greek theatre through the thousand years of its performance history. Instead of using written sources, which were intended only for a small, educated section of the population, he draws most of his evidence from a wide range of archaeological material - from cheap, mass-produced vases and figurines to elegant silverware produced for the dining tables of the wealthy. This is the first study examining the function and impact of the theatre in ancient Greek society by employing an archaeological approach.

The Cambridge Companion to Greek and Roman Theatre
The Cambridge Companion to Greek and Roman Theatre

Author: Marianne McDonald

Publisher: Cambridge University Press

Published: 2007-05-31

Total Pages:

ISBN-13: 1139827251

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This series of essays by prominent academics and practitioners investigates in detail the history of performance in the classical Greek and Roman world. Beginning with the earliest examples of 'dramatic' presentation in the epic cycles and reaching through to the latter days of the Roman Empire and beyond, this 2007 Companion covers many aspects of these broad presentational societies. Dramatic performances that are text-based form only one part of cultures where presentation is a major element of all social and political life. Individual chapters range across a two thousand year timescale, and include specific chapters on acting traditions, masks, properties, playing places, festivals, religion and drama, comedy and society, and commodity, concluding with the dramatic legacy of myth and the modern media. The book addresses the needs of students of drama and classics, as well as anyone with an interest in the theatre's history and practice.

Nothing to Do with Dionysos?
Nothing to Do with Dionysos?

Author: John J. Winkler

Publisher: Princeton University Press

Published: 1990

Total Pages: 438

ISBN-13: 9780691015255

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'The more we learn about the original production of tragedies and comedies in Athens the more it seems wrong even to call them plays in the modern sense of the word, ' write the editors in this collection of critically diverse innovative essays aimed at restoring the social context of ancient Greek drama.

Tragic Heroines in Ancient Greek Drama
Tragic Heroines in Ancient Greek Drama

Author: Hanna M. Roisman

Publisher: Bloomsbury Publishing

Published: 2021-01-14

Total Pages: 329

ISBN-13: 1350104000

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The heroines of Greek tragedy presented in the plays by Aeschylus, Sophocles and Euripides have long captivated audiences and critics. In this volume each of the eleven chapters discusses one of the heroines: Clytemnestra, Hecuba, Medea, Iphigenia, Alcestis, Antigone Electra, Deianeira, Phaedra, Creusa and Helen. The book focuses on characterisation and the motivations of the women, as well as on those of the male playwrights, and offers multiple viewpoints and critiques that enable readers to understand the context of each play and form their own views. Four core themes bridge the depictions of the heroines: the socio-political dynamic of ancient Greek expectations of women and their roles in society, the conflict of masculinity versus femininity, the alternation of defiance and submission, and the interplay between deceit and rhetoric. Each chapter offers clear descriptions of plot and mythical background, and builds on the text of the plays to enable reflections on language and performance. All technical terms are explained and key topics or references are pulled out into box features that provide further background information. Discussion points at the ends of chapters enable readers to explore various topics more deeply.

Greek Theater in Ancient Sicily
Greek Theater in Ancient Sicily

Author: KATHRYN G. BOSHER

Publisher:

Published: 2022-03-10

Total Pages: 233

ISBN-13: 9781108725651

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Explores the origins and development of ancient drama, especially comedy, on Sicily and its relationship to the political situation.

A Cultural History of Theatre in Antiquity
A Cultural History of Theatre in Antiquity

Author: Martin Revermann

Publisher: Bloomsbury Publishing

Published: 2019-08-08

Total Pages: 273

ISBN-13: 1350135291

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Theatre was at the very heart of culture in Graeco-Roman civilizations and its influence permeated across social and class boundaries. The theatrical genres of tragedy, comedy, satyr play, mime and pantomime operate in Antiquity alongside the conception of theatre as both an entertainment for the masses and a vehicle for intellectual, political and artistic expression. Drawing together contributions from scholars in Classics and Theatre Studies, this volume uniquely examines the Greek and Roman cultural spheres in conjunction with one another rather than in isolation. Each chapter takes a different theme as its focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.