The Conscript
The Conscript

Author: Gebreyesus Hailu

Publisher: Ohio University Press

Published: 2012-01-23

Total Pages: 93

ISBN-13: 082144445X

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Eloquent and thought-provoking, this classic novel by the Eritrean novelist Gebreyesus Hailu, written in Tigrinya in 1927 and published in 1950, is one of the earliest novels written in an African language and will have a major impact on the reception and critical appraisal of African literature. The Conscript depicts, with irony and controlled anger, the staggering experiences of the Eritrean ascari, soldiers conscripted to fight in Libya by the Italian colonial army against the nationalist Libyan forces fighting for their freedom from Italy’s colonial rule. Anticipating midcentury thinkers Frantz Fanon and Aimé Césaire, Hailu paints a devastating portrait of Italian colonialism. Some of the most poignant passages of the novel include the awakening of the novel’s hero, Tuquabo, to his ironic predicament of being both under colonial rule and the instrument of suppressing the colonized Libyans. The novel’s remarkable descriptions of the battlefield awe the reader with mesmerizing images, both disturbing and tender, of the Libyan landscape—with its vast desert sands, oases, horsemen, foot soldiers, and the brutalities of war—uncannily recalled in the satellite images that were brought to the homes of millions of viewers around the globe in 2011, during the country’s uprising against its former leader, Colonel Gaddafi.

Conscript Nation
Conscript Nation

Author: Elizabeth Shesko

Publisher: University of Pittsburgh Press

Published: 2020-05-12

Total Pages: 0

ISBN-13: 9780822946021

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Military service in Bolivia has long been compulsory for young men. This service plays an important role in defining identity, citizenship, masculinity, state formation, and civil-military relations in twentieth-century Bolivia. The project of obligatory military service originated as part of an attempt to restrict the power of indigenous communities after the 1899 civil war. During the following century, administrations (from oligarchic to revolutionary) expressed faith in the power of the barracks to assimilate, shape, and educate the population. Drawing on a body of internal military records never before used by scholars, Elizabeth Shesko argues that conscription evolved into a pact between the state and society. It not only was imposed from above but was also embraced from below because it provided a space for Bolivians across divides of education, ethnicity, and social class to negotiate their relationships with each other and with the state. Shesko contends that state formation built around military service has been characterized in Bolivia by multiple layers of negotiation and accommodation. The resulting nation-state was and is still hierarchical and divided by profound differences, but it never was simply an assimilatory project. It instead reflected a dialectical process to define the state and its relationships.

Conscripts of Modernity
Conscripts of Modernity

Author: David Scott

Publisher: Duke University Press

Published: 2004-12-03

Total Pages: 291

ISBN-13: 0822386186

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At this stalled and disillusioned juncture in postcolonial history—when many anticolonial utopias have withered into a morass of exhaustion, corruption, and authoritarianism—David Scott argues the need to reconceptualize the past in order to reimagine a more usable future. He describes how, prior to independence, anticolonialists narrated the transition from colonialism to postcolonialism as romance—as a story of overcoming and vindication, of salvation and redemption. Scott contends that postcolonial scholarship assumes the same trajectory, and that this imposes conceptual limitations. He suggests that tragedy may be a more useful narrative frame than romance. In tragedy, the future does not appear as an uninterrupted movement forward, but instead as a slow and sometimes reversible series of ups and downs. Scott explores the political and epistemological implications of how the past is conceived in relation to the present and future through a reconsideration of C. L. R. James’s masterpiece of anticolonial history, The Black Jacobins, first published in 1938. In that book, James told the story of Toussaint L’Ouverture and the making of the Haitian Revolution as one of romantic vindication. In the second edition, published in the United States in 1963, James inserted new material suggesting that that story might usefully be told as tragedy. Scott uses James’s recasting of The Black Jacobins to compare the relative yields of romance and tragedy. In an epilogue, he juxtaposes James’s thinking about tragedy, history, and revolution with Hannah Arendt’s in On Revolution. He contrasts their uses of tragedy as a means of situating the past in relation to the present in order to derive a politics for a possible future.