Thomas Wyatt is the finest English poet between Chaucer and the Elizabethans. Many poems have been wrongly attributed to him, however, and the authenticity of different versions of his lyrics has been a matter of dispute. Richard Harrier makes a significant contribution both by establishing accurate texts and by determining the canon itself. The only solid foundation for the Wyatt canon is his personal copybook, the Egerton MS, here reproduced in a diplomatic text. The apparatus records all changes within the manuscript and all contemporary variants; explanatory notes are provided. This volume, which includes a detailed and comprehensive analysis of the sources, will stand as the ultimate authority for the text and canon of Wyatt's poems.
Thomas Wyatt (1503?-1542) was the first modern voice in English poetry. 'Chieftain' of a 'new company of courtly makers', he brought the Italian poetic Renaissance to England, but he was also revered as prophet-poet of the Reformation. His poetry holds a mirror to the secret, capricious world of Henry VIII's court, and alludes darkly to events which it might be death to describe. In the Tower, twice, Wyatt was betrayed and betrayer. This remarkably original biography is more - and less - than a Life, for Wyatt is so often elusive, in flight, like his Petrarchan lover, into the 'heart's forest'. Rather, it is an evocation of Wyatt among his friends, and his enemies, at princely courts in England, Italy, France and Spain, or alone in contemplative retreat. Following the sources - often new discoveries, from many archives - as far as they lead, Susan Brigden seeks Wyatt in his 'diverseness', and explores his seeming confessions of love and faith and politics. Supposed, at the time and since, to be the lover of Anne Boleyn, he was also the devoted 'slave' of Katherine of Aragon. Aspiring to honesty, he was driven to secrets and lies, and forced to live with the moral and mortal consequences of his shifting allegiances. As ambassador to Emperor Charles V, he enjoyed favour, but his embassy turned to nightmare when the Pope called for a crusade against the English King and sent the Inquisition against Wyatt. At Henry VIII's court, where only silence brought safety, Wyatt played the idealized lover, but also tried to speak truth to power. Wyatt's life, lived so restlessly and intensely, provides a way to examine a deep questioning at the beginning of the Renaissance and Reformation in England. Above all, this new biography is attuned to Wyatt's dissonant voice and broken lyre, the paradox within him of inwardness and the will to 'make plain' his heart, all of which make him exceptionally difficult to know - and fascinating to explore.
Songs and Sonnets (1557), the first printed anthology of English poetry, was immensely influential in Tudor England, and inspired major Elizabethan writers including Shakespeare. Collected by pioneering publisher Richard Tottel, it brought poems of the aristocracy - verses of friendship, war, politics, death and above all of love - into wide common readership for the first time. The major poets of Henry VIII's court, Sir Thomas Wyatt and Henry Howard, Earl of Surrey, were first printed in the volume. Wyatt's intimate poem about lost love which begins 'They flee from me, that sometime did me seke', and Surrey's passionate sonnet 'Complaint of a lover rebuked' are joined in the miscellany by a large collection of diverse, intriguingly anonymous poems both moral and erotic, intimate and universal.
The essential lyric works of the great Elizabethan playwright--newly revised and updated Though best known for his plays--and for courting danger as a homosexual, a spy, and an outspoken atheist--Christopher Marlowe was also an accomplished and celebrated poet. This long-awaited updated and revised edition of his poems and translations contains his complete lyric works--from his translations of Ovidian elegies to his most famous poem, "The Passionate Shepherd to His Love," to the impressive epic mythological poem "Hero and Leander." For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
For the courtiers of King Henry VIII, the writing of verse was a sign of a ready wit and social gracefulness. But their verse could also give coded expression to desires and resentments produced by competition amongst an elite for the favour of an increasingly tyrannical king. This study focuses primarily on the work of the two most successful courtier poets, Sir Thomas Wyatt (c.1503-1542) and Henry Howard, Earl of Surrey (1517-1547). Although Surrey admired and imitated Wyatt, each represents a significantly different element in the Henrician court. Wyatt was a 'new man', rising in the service of the King, while Surrey was a member of the old peerage, jealous of the erosion of traditional powers and privileges. The book offers readings of the full range of each man's writing, from amorous Italianate songs and sonnets, to classicizing epigrams and satires, and Reformist psalm paraphrases. The poetry is considered in the contexts of their careers, of the writing of contemporaries, and of the political and social conditions within which they lived. Dr Heale's analysis makes it clear that the lightest court song is often freighted with complex significance, while the poems of plain-speaking reflection prove to be wily approximations of the truth. This accessible and informative text will be a helpful resource for both undergraduate and postgraduate students of English literature and history, especially those taking courses on Renaissance and Early Modern writing, Tudor literature, and the Tudor court. -- Book cover.
Thomas Wyatt (1504?-42) may have written the first sonnet in English. His translation from Plutarch's Moralia was the first publication of a classical moral essay in English. He introduced continental forms such as ottava rima to the language, and his paraphrase of the Penitential Psalms sparked a century of popular psalm translations. Yet while decades of criticism have centered on a handful of his best-known poems, many others are poorly understood, in part because we lack an authoritative edition. This volume--the first in a planned two-volume collection of Wyatt's complete works--comprises scholarly editions of 35 letters or memoranda, Wyatt's Declaration from the Tower and his Defence speech against treason charges. It also includes the first scholarly edition of The Quyete of Mynde. Each text is extensively annotated, each letter has a prefacing headnote, and each grouping of texts is separately introduced. The recipient of one letter is identified here for the first time from new archival discoveries. Two letters of instruction from Henry VIII are included along with four appendices containing related documents. Biographical entries (totalling 17,000 words) identify and introduce 64 persons related to Wyatt's diplomatic service, including every known member of Wyatt's diplomatic household.
