The Anthology and the Rise of the Novel
The Anthology and the Rise of the Novel

Author: Leah Price

Publisher: Cambridge University Press

Published: 2003-07-17

Total Pages: 236

ISBN-13: 9780521539395

DOWNLOAD EBOOK

The Anthology and the Rise of the Novel, first published in 2000, brings together two traditionally antagonistic fields, book history and narrative theory, to challenge established theories of 'the rise of the novel'. Leah Price shows that far from leveling class or gender distinctions, as has long been claimed, the novel has consistently located them within its own audience. Shedding new light on Richardson and Radcliffe, Scott and George Eliot, this book asks why the epistolary novel disappeared, how the book review emerged, why eighteenth-century abridgers designed their books for women while Victorian publishers marketed them to men, and how editors' reproduction of old texts has shaped authors' production of new ones. This innovative study will change the way we think not just about the history of reading, but about the genealogy of the canon wars, the future of intellectual property, and the role that anthologies play in our own classrooms.

Sir Charles Grandison
Sir Charles Grandison

Author: Sylvia Kasey Marks

Publisher: Associated University Presse

Published: 1986

Total Pages: 178

ISBN-13: 9780838750902

DOWNLOAD EBOOK

The first book-length monograph to examine Samuel Richardson's last and least-known work. Marks considers this novel a natural outgrowth and culmination of the conduct-book form -- indeed, the finest example of the genre.

Satire, Celebrity, and Politics in Jane Austen
Satire, Celebrity, and Politics in Jane Austen

Author: Jocelyn Harris

Publisher: Bucknell University Press

Published: 2017-08-03

Total Pages: 389

ISBN-13: 1611488435

DOWNLOAD EBOOK

In Satire, Celebrity, and Politics in Jane Austen, Jocelyn Harris argues thatJane Austen was a satirist, a celebrity-watcher,and a keen political observer.In Mansfield Park, she appears to baseFanny Price on Fanny Burney, criticizethe royal heir as unfit to rule, and exposeSusan Burney’s cruel husband throughMr. Price. In Northanger Abbey, she satirizes the young Prince of Wales as the vulgar John Thorpe; in Persuasion, she attacks both the regent’s failure to retrench, and his dangerous desire to become another Sun King. For Elizabeth Bennet in Pride and Prejudice, Austen may draw on the actress Dorothy Jordan, mistress of the pro-slavery Duke of Clarence, while her West Indian heiress in Sanditon may allude to Sara Baartman, who was exhibited in Paris and London as “The Hottentot Venus,” and adopted as a test case by the abolitionists. Thoroughly researched and elegantly written, this new book by Jocelyn Harris contributes significantly to the growing literature about Austen’s worldiness by presenting a highly particularized web of facts, people, texts, and issues vital to her historical moment.