The Communists of Paris, 1871
The Communists of Paris, 1871

Author: Bertall

Publisher:

Published: 1873

Total Pages: 200

ISBN-13:

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A superb series of plates depicting the communards of the 1871 insurrection, an event welcomed by Marx as a 'glorious harbinger of a new society' but referred to Bertall here as 'that strange and disastrous Masquerade.' Included are images of the barricades, the female petrol bombers (les Pétroleuses), a communist 'Zoave', the Minister of War etc. Bertall was editor of the Pairs Soir and editor and illustrator of the satirical Grelot during the commune.

Getty Research Journal, Number 5
Getty Research Journal, Number 5

Author: Thomas W. Gaehtgens

Publisher: Getty Publications

Published: 2013-03-05

Total Pages: 224

ISBN-13: 1606061364

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The Getty Research Journal publishes the original research underway at the Getty and seeks to foster an environment of collaborative scholarship among art historians, museum curators, and conservators. Articles explore the collections of the J. Paul Getty Museum and Research Institute, as well as the annual themes and ongoing research projects of the Research Institute. Shorter texts highlight new acquisitions and discoveries, and focus on the diverse tools for scholarship being developed at the Getty. This issue features essays on early modern alchemy; portraits of the Orsini family; a decorative design for a Borghese palace; the Eruditi Italiani archive; the collecting habits of Louis-Philippe, duc d'Orléans; Félix Bracquemond's sketches of the Paris Commune; the art dealer David Croal Thomson; the Russian avant-garde book Mirskontsa; Malvina Hoffman's Heads and Tales; and Yves Klein at Galerie Schmela. In a new section about tools of art historical scholarship, authors discuss the Spanish translation of the Art & Architecture Thesaurus® and the creative potential of digital architectural taxonomies. Short texts examine ancient Roman terracotta fragments, prints by Albrecht Dürer, designs for the Palacio Salvo in Montevideo, the textile collection of Ulrich Middeldorf, a New York "pottery happening," and the German writer Christa Wolf.

Immoral Memories
Immoral Memories

Author: Sergei Eisenstein

Publisher: Peter Owen Publishers

Published: 2014

Total Pages: 0

ISBN-13: 9780720615579

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"Sergei Eisenstein (1898-1948), creator of such masterpieces as Battleship Potemkin, Alexander Nevsky and Ivan the Terrible, was perhaps the greatest of all film directors. He wrote his autobiography in 1946, two years before his death, and it is a work of major importance in the light it sheds on his personality and mercurial genius. Vivid, eccentric and free-ranging, Immoral Memories is written in a style reminiscent of the brilliant visual effects of montage and dynamic progression that characterize its author's film-making technique. He recounts his life in Russia from the time of the Revolution, during which he served in the Bolshevik army as a volunteer, his travels in the West and his encounters with a remarkable medley of individuals during his long career. He gives us unique insights, too, into his triumphs and tribulations. His disappointments and despair were exemplified by the banning of the film Ivan the Terrible, Part II, which was not released until fifteen years after his death. And he never expected his autobiography to be published in Russia. Yet in answer to his query "Has there been life" he replied that there had been "life lived acutely, joyously, tormentedly, at times even sparkling, unquestionably colourful, and such a life that, I suppose, I would not exchange for another""--Publisher's description.

Sketches of the Nineteenth Century
Sketches of the Nineteenth Century

Author: Martina Lauster

Publisher: Palgrave MacMillan

Published: 2007-05-02

Total Pages: 392

ISBN-13:

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This new study discusses the visual and verbal city sketches which proliferated during the 'journalistic revolution' of the 1830s and 1840s. English, French and German/Austrian illustrated serials illuminate the pivotal position of sketches in the nineteenth-century culture of knowledge and entertainment. Martina Lauster demonstrates how, as a dynamic form of cognition, sketches transformed models of visual and printed media (panorama and encyclopaedia) and of life science (physiology) into a unique kind of sociology, presenting a self-critique of the middle class on the brink of industrial modernity.