Costume in the Comedies of Aristophanes

Costume in the Comedies of Aristophanes

Author: Gwendolyn Compton-Engle

Publisher: Cambridge University Press

Published: 2015-04-27

Total Pages: 217

ISBN-13: 1107083796

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This book interprets the handling of costume in the plays of the ancient Greek comic playwright Aristophanes, using as evidence the surviving plays as well as vase-paintings and terracotta figurines. This book fills a gap in the study of ancient Greek drama, focusing on performance, gender, and the body.


Fragments of Old Comedy, Volume II

Fragments of Old Comedy, Volume II

Author: Ian C. Storey

Publisher: Harvard University Press

Published: 2011-06-30

Total Pages: 535

ISBN-13: 0674996631

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The era of Old Comedy (ca. 485–ca. 380 BC), when theatrical comedy was created and established, is best known through the extant plays of Aristophanes. But the work of many other poets, including Cratinus and Eupolis, the other members, with Aristophanes, of the canonical Old Comic Triad, survives in fragments.


Philosophy & Comedy

Philosophy & Comedy

Author: Bernard Freydberg

Publisher: Indiana University Press

Published: 2008

Total Pages: 504

ISBN-13: 0253351065

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Reveals comedy's contributions to the philosophical enterprise


Aristophanes and the Poetics of Competition

Aristophanes and the Poetics of Competition

Author: Zachary P. Biles

Publisher: Cambridge University Press

Published: 2011-01-27

Total Pages: 303

ISBN-13: 1139494724

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Athenian comic drama was written for performance at festivals honouring the god Dionysos. Through dramatic action and open discourse, poets sought to engage their rivals and impress the audience, all in an effort to obtain victory in the competitions. This book uses that competitive performance context as an interpretive framework within which to understand the thematic interests shaping the plots and poetic quality of Aristophanes' plays in particular, and of Old Comedy in general. Studying five individual plays from the Aristophanic corpus as well as fragments of other comic poets, it reveals the competitive poetics distinctive to each. It also traces thematic connections with other poetic traditions, especially epic, lyric, and tragedy, and thereby seeks to place competitive poetics within broader trends in Greek literature.


Aristophanes

Aristophanes

Author: James Robson

Publisher: A&C Black

Published: 2013-10-16

Total Pages: 257

ISBN-13: 1472519620

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This accessible introduction to the work of one of the world's greatest comic writers tackles key questions posed by Aristophanes' plays, such as staging, humour, songs, obscene language, politics and the modern translation and performance of Aristophanic comedy. The book opens up exciting and contentious areas of Aristophanic scholarship in a way that is engaging and readily comprehensible to a non-specialist audience, never losing sight of the fact that Aristophanes' plays are vibrant literary texts, designed primarily to appeal to a classical Athenian audience as pieces of living drama. Key to the book's appeal is that James Robson conceives of the plays as dynamic texts, containing a treasure trove of information not only about how they might have been performed and received in classical Athens, but also how they might be read and understood today. Most importantly, readers are given the tools and information to make their own minds up about the debates that still rage about Aristophanic comedy in the modern world.


Ancient Greek Comedy

Ancient Greek Comedy

Author: Almut Fries

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2020-06-22

Total Pages: 371

ISBN-13: 3110646269

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This volume, in honour of Angus M. Bowie, collects seventeen original essays on Greek comedy. Its contributors treat questions of origin, genre and artistic expression, interpret individual plays from different angles (literary, historical, performative) and cover aspects of reception from antiquity to the 20th century. Topics that have not received much attention so far, such as the prehistory of Doric comedy or music in Old Comedy, receive a prominent place. The essays are arranged in three sections: (1) Genre, (2) Texts and Contexts, (3) Reception. Within each section the chapters are as far as possible arranged in chronological order, according to historical time or to the (putative) dates of the plays under discussion. Thus readers will be able to construe their own diachronic and thematic connections, for example between the portrayal of stock characters in early Doric farce and developed Attic New Comedy or between different forms of comic reception in the fourth century BC. The book is intended for professional scholars, graduate and undergraduate students. Its wide range of subjects and approaches will appeal not only to those working on Greek comedy, but to anyone interested in Greek drama and its afterlife.


Aristophanes' Comedy of Names

Aristophanes' Comedy of Names

Author: Nikoletta Kanavou

Publisher: Walter de Gruyter

Published: 2011

Total Pages: 243

ISBN-13: 3110247062

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Aristophanes, the celebrated Greek comic poet, is famous for his plays on contemporary themes, in which he exercises fierce political satire. Ancient political comedy made ample use of comically significant proper names - much as is the case in modern satire. Comic names used by Aristophanes for his satirical targets (public figures, everyday Athenians) provide the main subject of this book, which addresses questions such as why particular names are chosen (or invented), and how they relate to the plays' characters and themes.


Female Characters in Fragmentary Greek Tragedy

Female Characters in Fragmentary Greek Tragedy

Author: P. J. Finglass

Publisher: Cambridge University Press

Published: 2020-07-02

Total Pages: 297

ISBN-13: 1108864708

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How were women represented in Greek tragedy? This question lies at the heart of much modern scholarship on ancient drama, yet it has typically been approached using evidence drawn only from the thirty-two tragedies that survive complete - neglecting tragic fragments, especially those recently discovered and often very substantial fragmentary papyri from plays that had been thought lost. Drawing on the latest research on both gender in tragedy and on tragic fragments, the essays in this volume examine this question from a fresh perspective, shedding light on important mythological characters such as Pasiphae, Hypsipyle, and Europa, on themes such as violence, sisterhood, vengeance, and sex, and on the methodology of a discipline which needs to take fragmentary evidence to heart in order to gain a fuller understanding of ancient tragedy. All Greek is translated to ensure wide accessibility.