In The Color of Dusk, Robin Caton bridges traditions of secular, religious, modernist, and post modernist writing to encounter word at its most unsettling, provocative, and urgent. At times conversational, elliptic, meditative, minimalist, expansive, Caton's poems are unified by an insistence to reach, with language, through language, to turn words toward what is ever outside their ability to name.
In a magical world where the sun never sets, a gifted girl dreams to be in the royal court but once inside, she may not be prepared for the drama. Sylvie has always known she deserves more. Out in the permanent twilight of the Dusklands, her guardians called her power to create illusions a curse. But Sylvie knows it gives her a place in Coeur d’Or, the palais of the Amber Empress and her highborn legacies. So Sylvie sets off toward the Amber City, a glittering jewel under a sun that never sets, to take what is hers. But her hope for a better life is quickly dimmed. The empress invites her in only as part of a wicked wager among her powerful courtiers. Sylvie must assume a new name, Mirage, and begin to navigate secretive social circles and deadly games of intrigue in order to claim her spot. Soon it becomes apparent that nothing is as it appears and no one, including her cruel yet captivating sponsor, Sunder, will answer her questions. As Mirage strives to seize what should be her rightful place, she’ll have to consider whether it is worth the price she must pay . . . Lyra Selene weaves a lush and thrilling story of sacrifice, secrets, and star-crossed love set in a Parisian-inspired world where the sun never sets in this remarkable YA fantasy debut. Praise for Amber & Dusk “A shimmering tapestry of language, woven through with soaring beauty and subtle menace.” —Sara Holland, New York Times–bestselling author of the Everless series “Full of riotous color, fantastical locations, and surprising plot twists.” —School Library Journal
Phyllis Demarecauxs story began during the Great Depression in rural Montana, where her parents struggled to raise five children in the years leading up to the Second World War. She lost touch with her mothers Cherokee culture when the family left Wolf Point and moved to Sidney. The accidental death of their brother and fending for themselves while their parents partied caused Phyllis and her siblings to grow up quickly. After a failed marriage and the loss of her child, Phyllis enlisted in the Womens Army Corps and gained some notoriety as Miss Subways and as film host and model. Leaving behind the fallout from a second divorce, she moved to Paris,where she began writing childrens stories, working for the publishing house Hachette, and ultimately giving birth to her son, Sean. In 1980 she met her future husband, the screenwriter and film producer Robert Joseph. Phyllis worked alongside her husband in the film industry until his death in 2002. From humble beginnings to Hollywood, Phyllis Demarecaux has woven a fascinating story that traces the arc of her long, colorful life.
With Dusk (originally published in the Philippines as Po-on), F. Sionil Jose begins his five-novel Rosales Saga, which the poet and critic Ricaredo Demetillo called "the first great Filipino novels written in English." Set in the 1880s, Dusk records the exile of a tenant family from its village and the new life it attempts to make in the small town of Rosales. Here commences the epic tale of a family unwillingly thrown into the turmoil of history. But this is more than a historical novel; it is also the eternal story of man's tortured search for true faith and the larger meaning of existence. Jose has achieved a fiction of extraordinary scope and passion, a book as meaningful to Philippine literature as One Hundred Years of Solitude is to Latin American literature. "The foremost Filipino novelist in English, his novels deserve a much wider readership than the Philippines can offer."--Ian Buruma, New York Review of Books "Tolstoy himself, not to mention Italo Svevo, would envy the author of this story."--Chicago Tribune
'A glorious tapestry of magic and murderous gods' - BuzzFeed News 'Fans of A Darker Shade of Magic and All of Us Villains will want to pick this up' - BookRiot 'A delightful, complex, intimate yet explosive debut adult fantasy' - Strange Horizons DARKNESS FALLS. GODS RISE. The Four Realms - Life, Death, Light, and Darkness - all converge on the City of Dusk. For each realm there is a god, and for each god there is an heir. But the gods have withdrawn their favour from the once vibrant and thriving metropolis. And without it, all the realms are dying. Unwilling to stand by and watch the destruction, the four heirs - Angelica, an elementalist with her eyes set on the throne; Risha, a necromancer fighting to keep the peace; Nikolas, a soldier who struggles to see the light; and Taesia, a shadow-wielding rogue with a reckless heart - will become reluctant allies in the quest to save their city. But their rebellion will cost them dearly. Set in a world of bone palaces and shadow magic, of vengeful gods and defiant chosen ones, The City of Dusk is Tara Sim's crackling adult fantasy debut.
"For this anthology, Cullen selected the work of thirty-eight poets to, as he put it, "bring together a miscellany of deeply appreciated but scattered verse." The collection includes Paul Laurence Dunbar, often credited as the first Black poet to make a deep and lasting impression on the literary world; James Weldon Johnson, the author of what is referred to now as the Black National Anthem; W. E. B. Du Bois; Jessie Faucet; Sterling A. Brown; Arna Bontemps; Langston Hughes and Cullen's own work. The poets were all known within the literary world and widely published. Each poem is accompanied by autobiographical notes, with the exception of three. The decorations in this book are by African American painter and graphic artist, Aaron Douglas"--J. Willard Marriott Library blog, viewed June 3, 2022.
A memoir that looks at the authors relationships as seen through the art of Claude Monet. The Color of the Sunset makes a gesture toward Impressionism and toward impressions of a life viewed near the end of middle age. Marie Masters successfully braids her own history with Monets legacy of beauty, love and light. These two elements contrast each other, creating an energy that wouldnt exist if either were presented alone. For anyone who has ever wondered about life beyond divorce and failed relationships, here is a realistic but hopeful story about trying again. * Explore how relationships factor into lifes metamorphosis. * See how art expresses the most fleeting, transformative moments. * Experience the heartache and the bliss of searching for love. This memoir presents the authors relationships to various men and to the paintings of Claude Monet in thoughtful and interesting ways. Masters awakens insights into herself and courageously reveals some of her own flaws as well. Daniel Minock author of Thistle Journal: And Other Essays
Sounding the Color Line explores how competing understandings of the U.S. South in the first decades of the twentieth century have led us to experience musical forms, sounds, and genres in racialized contexts. Yet, though we may speak of white or black music, rock or rap, sounds constantly leak through such barriers. A critical disjuncture exists, then, between actual interracial musical and cultural forms on the one hand and racialized structures of feeling on the other. This is nowhere more apparent than in the South. Like Jim Crow segregation, the separation of musical forms along racial lines has required enormous energy to maintain. How, asks Nunn, did the protocols structuring listeners' racial associations arise? How have they evolved and been maintained in the face of repeated transgressions of the musical color line? Considering the South as the imagined ground where conflicts of racial and national identities are staged, this book looks at developing ideas concerning folk song and racial and cultural nationalism alongside the competing and sometimes contradictory workings of an emerging culture industry. Drawing on a diverse archive of musical recordings, critical artifacts, and literary texts, Nunn reveals how the musical color line has not only been established and maintained but also repeatedly crossed, fractured, and reformed. This push and pull--between segregationist cultural logics and music's disrespect of racially defined boundaries--is an animating force in twentieth-century American popular culture.
“Anne Lamott is my Oprah.” -Chicago Tribune From the bestselling author of Help, Thanks, Wow comes an inspiring guide to restoring hope and joy in our lives. In Dusk, Night, Dawn, Anne Lamott explores the tough questions that many of us grapple with. How can we recapture the confidence we once had as we stumble through the dark times that seem increasingly bleak? As bad newspiles up—from climate crises to daily assaults on civility—how can we cope? Where, she asks, “do we start to get our world and joy and hope and our faith in life itself back . . . with our sore feet, hearing loss, stiff fingers, poor digestion, stunned minds, broken hearts?” We begin, Lamott says, by accepting our flaws and embracing our humanity. Drawing from her own experiences, Lamott shows us the intimate and human ways we can adopt to move through life’s dark places and toward the light of hope that still burns ahead for all of us. As she does in Help, Thanks, Wow and her other bestselling books, Lamott explores the thorny issues of life and faith by breaking them down into manageable, human-sized questions for readers to ponder, in the process showing us how we can amplify life's small moments of joy by staying open to love and connection. As Lamott notes in Dusk, Night, Dawn, “I got Medicare three days before I got hitched, which sounds like something an old person might do, which does not describe adorably ageless me.” Marrying for the first time with a grown son and a grandson, Lamott explains that finding happiness with a partner isn't a function of age or beauty but of outlook and perspective. Full of the honesty, humor, and humanity that have made Lamott beloved by millions of readers, Dusk, Night, Dawn is classic Anne Lamott—thoughtful and comic, warm and wise—and further proof that Lamott truly speaks to the better angels in all of us.
